
Maurice Ronet
Actor · Died March 14, 1983, aged 55 · Nice, Alpes-Maritimes, France
Maurice Ronet (13 April 1927 – 14 March 1983) was a French film actor, director, and writer. Maurice Ronet was born Maurice Julien Marie Robinet in Nice, Alpes Maritimes. He was the only child of professional stage actors Émile Robinet and Gilberte Dubreuil. He made his stage debut at the age of 14 alongside his parents in Sacha Guitry's Deux couverts in Lausanne. After attending the Parisian acting school Centre du Spectacle de la Rue-Blanche, he entered the Paris Conservatoire in 1944, where Jean-Louis Barrault was one of his mentors. When he made his film debut at 22 in Jacques Becker's Rendez-vous de juillet (1949) in a role that was written specifically for him by Becker, he had little interest in pursuing an acting career. After completing the film, he married Maria Pacôme (a French stage actress and playwright), and they departed to Moustiers-Sainte-Marie in Provence, where he tried his hand at ceramics. After completing his military service, he returned to Paris in the early 1950s where he took courses in philosophy and physics, and pursued his passion for literature, music (piano and organ), film and painting. His artwork, part of the peinture non figurative movement, was exhibited with friends Jean Dubuffet and Georges Mathieu. He also acted occasionally in small roles in the films of French directors like Yves Ciampi and René Wheeler, with ambitions of becoming a filmmaker himself. Gradually, however, he came to discover a freedom in acting and a creative satisfaction that provided a synthesis of all his interests. Maurice Ronet became one of European cinema's more prolific actors. Between 1955 and 1975 he appeared in over 60 films. He often portrayed characters who were in conflict with themselves or society. He first garnered acclaim at the 1953 Cannes Film Festival for a supporting role in Jean Dreville's Endless Horizons (Horizons sans fin) and over the next few years as the romantic lead in André Michel's La sorcière (The Blonde Witch/The Sorceress, 1956) and in Jules Dassin's He Who Must Die (Celui qui doit mourir, 1957). It was at the presentation of "La Sorcière" at Cannes where he met a creative and an intellectual counterpart in Louis Malle. Two years later, he made his international box-office breakthrough as Julien Tavernier in Malle's first feature film Elevator to the Gallows (Ascenseur pour l'échafaud 1958), which features Jeanne Moreau. He originated the role of Philippe Greenleaf in Purple Noon (Plein soleil, 1960), René Clément's adaptation of The Talented Mr. Ripley. ... Source: Article "Maurice Ronet" from Wikipedia in English, licensed under CC-BY-SA.
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Biography from TMDB.
- April 13, 1927
- March 14, 1983 (aged 55)
- Nice, Alpes-Maritimes, France
- Actor
- 30 on MovieCove · 93 credits in all
What are Maurice Ronet's films like?
Across their 30 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 3 · Wry 3 · Earnest 24
Light 5 · Serious 13 · Dark 12
A split, not a type: Grounded 14 · Stylized 13 · Heightened 3
Gentle 6 · Charged 14 · Intense 10
A split, not a type: Steady 15 · Shifting 13 · Whiplash 2
Straight-faced 21 · Some laughs 7 · Funny 2
Slow burn 17 · Even-paced 13 · Relentless 0
Casual 8 · Engaged 19 · Full focus 3
Easy watch 7 · Affecting 14 · Heavy 9
A split, not a type: Resolved 14 · Open-ended 11 · Ambiguous 5
Roles they play
Usually the Shadow: 6 of 18 analyzed roles.
Show the 18 rolesHide the roles
- Allyas Roger Moulin in Rendezvous in July (1949)
- Shadowas Julien Tavernier in Elevator to the Gallows (1958)
- Shapeshifteras Pierre Neyris in Le rendez-vous de minuit (1962)
- Shadowas Alain Leroy in The Fire Within (1963)
- Heroas François Comte in Three Rooms in Manhattan (1965)
- Heroas Pierre, comte de Damville in Line of Demarcation (1966)
- Heroas Le docteur Chevalier in La longue marche (1966)
- Heroas Paul Wagner in The Champagne Murders (1967)
- Allyas Dex in The Road to Corinth (1967)
- Shadowas Harry Lannier in The Swimming Pool (1969)
- Shadowas Jérôme in The Vixen (1969)
- Shadowas L'homme de l'organisation in The Deadly Trap (1971)
- Heroas Giuseppe Lagana in Seduction (1973)
- Heroas Robert Lucas in Die Antwort kennt nur der Wind (1974)
- Mentoras Pierre in Madame Claude (1977)
- Shadowas Charles Martin in Bloodline (1979)
- Threshold guardianas Charly in Stepfather (1981)
- Shapeshifteras Yvon Mageot in Sphinx (1981)
Moods and endings
- Happy3
- Bittersweet12
- Tragic6
- Ambiguous8
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Maurice Ronet's films?
As of October 24, 2026, 13 of their 30 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (6).
Subscription and free streaming for Maurice Ronet's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
93 credits, 30 with a MovieCove page; 9 appearances as themselves are hidden until asked for.

Barefoot in the Kitchen (not in the MovieCove catalog yet)(2013)

Surprise Party (not in the MovieCove catalog yet)(1983)

La Guérilléra (not in the MovieCove catalog yet)(1982)

La Balance (not in the MovieCove catalog yet)(1982)

Un matin rouge (not in the MovieCove catalog yet)(1982)

Stepfather(1981)
Midcredits score: 71st percentile of all films
Sphinx(1981)
Midcredits score: 20th percentile of all films
Orient Express (not in the MovieCove catalog yet)(1979)

Bloodline(1979)
Midcredits score: 10th percentile of all films
Madame le Juge (not in the MovieCove catalog yet)(1978)

Death of a Corrupt Man(1977)
Midcredits score: 76th percentile of all films
Emmenez-moi au Ritz (not in the MovieCove catalog yet)(1977)

Madame Claude(1977)
Midcredits score: 17th percentile of all films
Bartleby (not in the MovieCove catalog yet)(1976)

Golden Night (not in the MovieCove catalog yet)(1976)

Oh, mia bella matrigna (not in the MovieCove catalog yet)(1976)

Why They Kill Themselves (not in the MovieCove catalog yet)(1976)

To the Bitter End (not in the MovieCove catalog yet)(1975)

The Golden Mass (not in the MovieCove catalog yet)(1975)
Midcredits score: 17th percentile of all films
Cry of the Heart (not in the MovieCove catalog yet)(1974)

The Marseille Contract (not in the MovieCove catalog yet)(1974)

Night Police Station (not in the MovieCove catalog yet)(1974)

The Red Room (not in the MovieCove catalog yet)(1973)

The Crazy Capo Affair (not in the MovieCove catalog yet)(1973)
Midcredits score: 17th percentile of all films
Without Warning (not in the MovieCove catalog yet)(1973)

Seduction(1973)
Midcredits score: 42nd percentile of all films
Devil in the Brain (not in the MovieCove catalog yet)(1972)

The Pebbles of Etratat (not in the MovieCove catalog yet)(1972)

Scandal Man (not in the MovieCove catalog yet)(1972)

The Deadly Trap(1971)
Midcredits score: 30th percentile of all films
Raphael or the Debauched One (not in the MovieCove catalog yet)(1971)

A Little, a Lot, Passionately (not in the MovieCove catalog yet)(1971)

The Sensuous Assassin (not in the MovieCove catalog yet)(1970)

The Modification (not in the MovieCove catalog yet)(1970)

Last Leap (not in the MovieCove catalog yet)(1970)

Splendori e miserie di Madame Royale (not in the MovieCove catalog yet)(1970)

The Vixen(1969)
Midcredits score: 23rd percentile of all films
The Scarlet Lady (not in the MovieCove catalog yet)(1969)

Delphine (not in the MovieCove catalog yet)(1969)

The Swimming Pool(1969)
Midcredits score: 87th percentile of all films
The Unfaithful Wife(1969)
Midcredits score: 88th percentile of all films
Birds in Peru (not in the MovieCove catalog yet)(1968)

How Sweet It Is!(1968)
Midcredits score: 41st percentile of all films
A Devil Under the Pillow (not in the MovieCove catalog yet)(1968)

Garden of Delights (not in the MovieCove catalog yet)(1967)

The Road to Corinth(1967)
Midcredits score: 14th percentile of all films
The Champagne Murders(1967)
Midcredits score: 35th percentile of all films
La longue marche(1966)
Midcredits score: 41st percentile of all films (provisional, few ratings)
Line of Demarcation(1966)
Midcredits score: 76th percentile of all films
Lost Command(1966)
Midcredits score: 51st percentile of all films
Three Rooms in Manhattan(1965)
Midcredits score: 54th percentile of all films
Amador (not in the MovieCove catalog yet)(1965)

The Thief of Tibadabo (not in the MovieCove catalog yet)(1965)

Circle of Love(1964)
Midcredits score: 33rd percentile of all films
Wherever You Are (not in the MovieCove catalog yet)(1964)

Pariahs of Glory (not in the MovieCove catalog yet)(1964)

The Pit and the Pendulum (not in the MovieCove catalog yet)(1964)

The Victors(1963)
Midcredits score: 74th percentile of all films
The Fire Within(1963)
Midcredits score: 97th percentile of all films
Casablanca, Nest of Spies (not in the MovieCove catalog yet)(1963)

Scarlet Eye (not in the MovieCove catalog yet)(1963)

Enough Rope (not in the MovieCove catalog yet)(1963)

Assassin's Check (not in the MovieCove catalog yet)(1962)

The Immoral Moment (not in the MovieCove catalog yet)(1962)

Le rendez-vous de minuit(1962)
Midcredits score: 29th percentile of all films (provisional, few ratings)
Liberté I (not in the MovieCove catalog yet)(1962)

Time Out for Love (not in the MovieCove catalog yet)(1961)

Il peccato degli anni verdi (not in the MovieCove catalog yet)(1960)

Mi último tango (not in the MovieCove catalog yet)(1960)

Purple Noon(1960)
Midcredits score: 97th percentile of all films
The Devil Made a Woman (not in the MovieCove catalog yet)(1959)

This Desired Body (not in the MovieCove catalog yet)(1959)

That Night (not in the MovieCove catalog yet)(1958)
Midcredits score: 81st percentile of all films
Elevator to the Gallows(1958)
Midcredits score: 98th percentile of all films
He Who Must Die(1957)
Midcredits score: 85th percentile of all films
Missing Persons Section (not in the MovieCove catalog yet)(1956)

The Blonde Witch (not in the MovieCove catalog yet)(1956)

The Aristocrats (not in the MovieCove catalog yet)(1955)

Pleasures and Vices (not in the MovieCove catalog yet)(1955)

Casta diva (not in the MovieCove catalog yet)(1954)

House of Ricordi (not in the MovieCove catalog yet)(1954)

Castles in Spain (not in the MovieCove catalog yet)(1954)

The Healer (not in the MovieCove catalog yet)(1953)

Lucrèce Borgia(1953)
Midcredits score: 21st percentile of all films
Poison Ivy (not in the MovieCove catalog yet)(1953)
Endless Horizons (not in the MovieCove catalog yet)(1953)

Desperate Decision (not in the MovieCove catalog yet)(1952)

The Seven Deadly Sins(1952)
Midcredits score: 50th percentile of all films
Perfectionist (not in the MovieCove catalog yet)(1951)

Rendezvous in July(1949)
Midcredits score: 78th percentile of all films
Career shape
Star power in the 98th percentile of 239,109 people with a billed film role, over a full career of 93 titles from 1949 to 2013; peak year 1970.

Biggest box office
Bloodline (1979)

Highest rated
Elevator to the Gallows (1958)

Most popular right now
Stepfather (1981)
Film career
Peak 1970 · their film career is on the way up. Top draw in 4 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1958Screen debut· Elevator to the Gallows
- 1963First top-billed film· The Fire Within
- 1963Breakout· The Fire Within
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Maurice Ronet's films land?
Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 30; across their 30 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up10
- 50th to 74th5
- 25th to 49th7
- Below 25th8
Shape of the crowd
14 of their 30 titles are Mixed.
- Universally Loved3
- Crowd Pleaser11
- Broadly Agreed2
- Mixed14
Reviewers score the acting 71/100 in their films, across 27 reviewed titles; fans 81, detractors 47. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Maurice Ronet's work okay for kids?
Across up to 8 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Maurice Ronet work with?
People who share at least 2 of Maurice Ronet's MovieCove titles, grouped by what they did on them; Henri Decaë shares the most, 5.
Directors
- Claude ChabrolShared titles: The Unfaithful Wife (1969), The Champagne Murders (1967), The Road to Corinth (1967), Line of Demarcation (1966)See all 4 shared titles with Claude Chabrol

- Roger VadimShared titles: Don Juan, or If Don Juan Were a Woman (1973), Circle of Love (1964)See all 2 shared titles with Roger Vadim

- René ClémentShared titles: The Deadly Trap (1971), Purple Noon (1960)See all 2 shared titles with René Clément

- Louis MalleShared titles: The Fire Within (1963), Elevator to the Gallows (1958)See all 2 shared titles with Louis Malle

Writers
- Daniel BoulangerShared titles: The Deadly Trap (1971), The Road to Corinth (1967)See all 2 shared titles with Daniel Boulanger

- Jacques LaurentShared titles: The Vixen (1969), Lucrèce Borgia (1953)See all 2 shared titles with Jacques Laurent
- Claude BruléShared titles: The Champagne Murders (1967), The Road to Corinth (1967)See all 2 shared titles with Claude Brulé

- Paul GégauffShared titles: The Champagne Murders (1967), Purple Noon (1960)See all 2 shared titles with Paul Gégauff

Actors
- Alain DelonShared titles: Death of a Corrupt Man (1977), The Swimming Pool (1969), Lost Command (1966), Purple Noon (1960)See all 4 shared titles with Alain Delon

- Stéphane AudranShared titles: Death of a Corrupt Man (1977), The Unfaithful Wife (1969), The Champagne Murders (1967), Line of Demarcation (1966)See all 4 shared titles with Stéphane Audran

- Romy SchneiderShared titles: Bloodline (1979), The Swimming Pool (1969), The Victors (1963)See all 3 shared titles with Romy Schneider

- Dominique ZardiShared titles: Don Juan, or If Don Juan Were a Woman (1973), The Unfaithful Wife (1969), The Champagne Murders (1967)See all 3 shared titles with Dominique Zardi

Composers, cinematographers and editors
- Henri DecaëShared titles: Death of a Corrupt Man (1977), Don Juan, or If Don Juan Were a Woman (1973), Circle of Love (1964), Purple Noon (1960), Elevator to the Gallows (1958)See all 5 shared titles with Henri Decaë

- Jacques GaillardShared titles: The Unfaithful Wife (1969), The Champagne Murders (1967), The Road to Corinth (1967), Line of Demarcation (1966)See all 4 shared titles with Jacques Gaillard
- Jean RabierShared titles: The Unfaithful Wife (1969), The Champagne Murders (1967), The Road to Corinth (1967), Line of Demarcation (1966)See all 4 shared titles with Jean Rabier
- Pierre JansenShared titles: The Unfaithful Wife (1969), The Champagne Murders (1967), The Road to Corinth (1967), Line of Demarcation (1966)See all 4 shared titles with Pierre Jansen

Producers
- André GénovèsShared titles: The Unfaithful Wife (1969), The Road to Corinth (1967)See all 2 shared titles with André Génovès
- Raymond HakimShared titles: Circle of Love (1964), Purple Noon (1960)See all 2 shared titles with Raymond Hakim
- Robert HakimShared titles: Circle of Love (1964), Purple Noon (1960)See all 2 shared titles with Robert Hakim

- Jean ThuillierShared titles: Le rendez-vous de minuit (1962), Elevator to the Gallows (1958)See all 2 shared titles with Jean Thuillier
