Skip to content
MovieCove

Anthony Romano

Producer

Works as
Producer
Titles
5 on MovieCove · 7 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 30% in 30 days

What are Anthony Romano's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
26%
Morality
26%
Bonds
19%
Survival
19%
Power
12%
Family bonds2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 1 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 2 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 1 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 1 · Engaged 4 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 3 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
2
Melancholic
2
Thrilling
2
Bittersweet
2
Joyful
1
Other
3

How their films linger

Fun3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anthony Romano's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Anthony Romano's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 5 with a MovieCove page.

  • Famous Last Words: Dr. Jane Goodall (not in the MovieCove catalog yet)(2025)

    Production Supervisor

  • Christmas All Over Again(2016)

    Producer

    Midcredits score: 7th percentile of all films

  • Badland(2007)

    Producer

    Midcredits score: 41st percentile of all films

  • I, Robot(2004)

    Executive Producer

    Midcredits score: 81st percentile of all films

  • Northfork(2003)

    Producer

    Midcredits score: 55th percentile of all films

  • Catch Me If You Can(2002)

    Executive Producer

    Midcredits score: 99th percentile of all films

  • Rennie's Landing (not in the MovieCove catalog yet)(2001)

    Producer

Career shape

A full career of 4 titles from 2001 to 2025.

Biggest box office

I, Robot (2004)

$353M worldwide

Highest rated

Catch Me If You Can (2002)

Midcredits 99th

By role

only this rolewith another role
Producing3 of 4: 3 only producing, 0 with another roleOther crew1 of 4: 1 only other crew, 0 with another role

By decade

2000s3 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Anthony Romano's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 5

Approval · how many liked their films

56thpercentile
Typical film, the median of 5

Reach · how many have seen their films

77thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

2 of their 5 titles are Mixed.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser1
  • Mixed2

Most divisive · producer

Badland (2007)

84th percentile spread · 27% rated it 4 or lower

Most loved · producer

Catch Me If You Can (2002)

Midcredits 99th · 94% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anthony Romano work with?

People who share at least 2 of Anthony Romano's MovieCove titles; Michel Shane shares the most, 4.