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Alexandre Rockwell

Alexandre Rockwell

Director, writer, producer, actor and editor, also cinematographer · Born August 18, 1956 (70) · Boston, Massachusetts, USA

Alexandre Rockwell was born in Boston in 1956. His first film, LENZ, premiered at the Berlin Film Festival in 1982. After his road movie HERO (1983), he directed the legendary SAM FULLER IN SONS (1989). In 1992 he won the Grand Jury Prize at the Sundance Film Festival for his film IN THE SOUP, which made his reputation as one of the most interesting filmmakers on America’s independent film scene. SOMEBODY TO LOVE (1994) competed at the Venice flim Festival. Rockwell also directed ‘The Wrong Man’ segment of the anthology film FOUR ROOMS (1995), as well as the comedies LOUIS & FRANK (1998), 13 MOONS (2002) and PETE SMALLS IS DEAD (2010). In 2017, he was appointed head of directing at the graduate film department of the NYU Tisch School of the Arts. His film SWEET THING (2020) was selected at the Berlinale Generation 2020.

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Biography from TMDB.

Born
August 18, 1956 (70)
From
Boston, Massachusetts, USA
Works as
Director, writer, producer, actor and editor, also cinematographer
Titles
11 on MovieCove · 18 credits in all
TMDB popularity, last 37 days to Oct 26Down 1% in 30 days

What are Alexandre Rockwell's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 3 · Dark 3

A split, not a type: Grounded 6 · Stylized 4 · Heightened 1

Gentle 5 · Charged 5 · Intense 1

Steady 7 · Shifting 3 · Whiplash 1

Straight-faced 4 · Some laughs 6 · Funny 1

Slow burn 10 · Even-paced 0 · Relentless 1

Casual 3 · Engaged 7 · Full focus 1

A split, not a type: Easy watch 6 · Affecting 3 · Heavy 2

Resolved 4 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Hopeful
6
Contemplative
4
Tense
4
Absurd
3
Other
6

How their films end

  • Bittersweet7
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexandre Rockwell's films?

As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Alexandre Rockwell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 11 with a MovieCove page; 4 appearances as themselves are hidden until asked for.

  • Big Daddy’s Flowers (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • The Projectionist(2026)

    Director · Editor · Writer

    Midcredits score: 47th percentile of all films (provisional, few ratings)
  • Lump(2024)

    Director · Writer

    Midcredits score: 70th percentile of all films (provisional, few ratings)
  • Sweet Thing(2020)

    Director · Writer

    Midcredits score: 80th percentile of all films
  • In the Same Garden (not in the MovieCove catalog yet)(2016)

    Director

  • Little Feet(2013)

    Director · Editor · Writer

    Midcredits score: 64th percentile of all films
  • Pete Smalls Is Dead(2010)

    Director · Producer · Writer

    Midcredits score: 19th percentile of all films
  • A Perfect Place (not in the MovieCove catalog yet)(2008)

    Co-Producer

  • 13 Moons (not in the MovieCove catalog yet)(2002)

    Director · Producer · Writer · as Man

  • Louis & Frank (not in the MovieCove catalog yet)(1998)

    Director · Producer · Writer

  • Four Rooms(1995)

    Director · Executive Producer · Writer

    Midcredits score: 68th percentile of all films
  • Somebody to Love(1994)

    Director · Writer

    Midcredits score: 29th percentile of all films
  • Dear Diary(1993)

    as Alexandre Rockwell

    Midcredits score: 89th percentile of all films
  • In the Soup(1992)

    Director · Writer

    Midcredits score: 83rd percentile of all films
  • Sons (not in the MovieCove catalog yet)(1990)

    Director · Writer

  • Hero(1983)

    Director · Cinematographer · Editor · Writer

    Midcredits score: 40th percentile of all films
  • Lenz(1982)

    Director · Camera Operator · Editor · Producer · Writer · as Lenz

    Midcredits score: 30th percentile of all films
  • I Miss My Mom & Dream of Our New Home (not in the MovieCove catalog yet)

    Thanks

Career shape

A full career of 18 titles, 17 of them dated from 1982 to 2026.

Film career

By role

only this rolewith another role
Acting3 of 18: 1 only acting, 2 with another roleDirecting14 of 18: 2 only directing, 12 with another role · typical Midcredits score56thWriting12 of 18: 0 only writing, 12 with another role · typical Midcredits score64thProducing7 of 18: 2 only producing, 5 with another roleCinematography1 of 18: 0 only cinematography, 1 with another roleEditing3 of 18: 0 only editing, 3 with another roleOther crew2 of 18: 1 only other crew, 1 with another role

18 titles, 12 with more than one role — directing and writing overlap on 12 of them.

By decade

1980s2 · 1 acting · 2 crew1990s6 · 1 acting · 5 crew2000s2 · 1 acting · 2 crew2010s3 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alexandre Rockwell's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 11

Approval · how many liked their films

55thpercentile
Typical film, the median of 11

Reach · how many have seen their films

37thpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th1

Reviewers score the atmosphere 70/100 and the pacing 46/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alexandre Rockwell work with?

People who share at least 2 of Alexandre Rockwell's MovieCove titles, grouped by what they did on them; Steven Randazzo shares the most, 5.

Actors

Composers, cinematographers and editors

Producers

Mixed roles