
Judith Roberts
Actor · Born November 30, 1934 (91) · United States
Judith Anna Roberts (born December 1, 1934) is an American actress, best known for her roles as Mary Shaw in James Wan's horror film Dead Silence (2007), and as Taslitz, one of "The Golden Girls", in the Netflix comedy-drama series Orange Is the New Black. Her first film role was 1977 in Eraserhead. In the following years she appeared in a few other small roles in films and TV series, including Law & Order and Law & Order: Criminal Intent. Her most notable role was Mary Shaw in James Wan's horror film Dead Silence in 2007. That same year, Roberts collaborated with Wan again in his film Death Sentence, playing Judge Shaw. In 2014, she had the recurring role in the Netflix comedy-drama series Orange Is the New Black. Along with the cast, Roberts received the Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series.
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Biography from TMDB.
- November 30, 1934 (91)
- United States
- Actor
- 27 on MovieCove · 34 credits in all
What are Judith Roberts' films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
A split, not a type: Light 2 · Serious 4 · Dark 6
Grounded 5 · Stylized 5 · Heightened 2
Gentle 2 · Charged 6 · Intense 4
Steady 5 · Shifting 5 · Whiplash 2
Straight-faced 9 · Some laughs 3 · Funny 0
Slow burn 8 · Even-paced 4 · Relentless 0
Casual 4 · Engaged 5 · Full focus 3
Easy watch 1 · Affecting 6 · Heavy 5
A split, not a type: Resolved 8 · Open-ended 0 · Ambiguous 4
Roles they play
Usually the Shadow: 2 of 4 analyzed roles.
- Shadowas Mary Shaw in Dead Silence (2007)
- Mentoras Susan in Fred Won't Move Out (2012)
- Tricksteras Nina in Giving Birth to a Butterfly (2021)
- Shadowas The Matriarch in The Last Thing Mary Saw (2021)
Moods and endings
- Happy1
- Bittersweet5
- Ambiguous7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Judith Roberts' films?
As of October 24, 2026, 17 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Judith Roberts' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
34 credits, 27 with a MovieCove page.

All of Them (not in the MovieCove catalog yet)(2024)
Midcredits score: 32nd percentile of all films
Teenage Euthanasia(2021)
Midcredits score: 15th percentile of all shows
The Last Thing Mary Saw(2021)
Midcredits score: 19th percentile of all filmsNowhere to Nun (not in the MovieCove catalog yet)(2019)

NOS4A2(2019)
Midcredits score: 38th percentile of all shows
The Last O.G. (not in the MovieCove catalog yet)(2018)
Midcredits score: 74th percentile of all films
Great News(2017)
Midcredits score: 49th percentile of all shows
The Mick(2017)
Midcredits score: 81st percentile of all shows
Orange Is the New Black(2013)
Midcredits score: 88th percentile of all shows
Fred Won't Move Out(2012)
Midcredits score: 23rd percentile of all films (provisional, few ratings)
The Heart, She Holler(2011)
Midcredits score: 36th percentile of all shows
2 Broke Girls(2011)
Midcredits score: 43rd percentile of all shows
The Aspern Papers (not in the MovieCove catalog yet)(2010)

Choke(2008)
Midcredits score: 53rd percentile of all films
New Amsterdam (not in the MovieCove catalog yet)(2008)

Death Sentence(2007)
Midcredits score: 67th percentile of all films
The Nanny Diaries(2007)
Midcredits score: 49th percentile of all films
Dead Silence(2007)
Midcredits score: 48th percentile of all films
Midcredits score: 75th percentile of all shows
Fast Food Fast Women(2000)
Midcredits score: 50th percentile of all films
Three Below Zero (not in the MovieCove catalog yet)(1998)

Mother's Boys(1993)
Midcredits score: 23rd percentile of all films
Mac(1992)
Midcredits score: 49th percentile of all films
Law & Order(1990)
Midcredits score: 79th percentile of all shows
Sandino(1990)
Midcredits score: 39th percentile of all films
Stardust Memories(1980)
Midcredits score: 86th percentile of all films
Midcredits score: 9th percentile of all films
Eraserhead(1977)
Midcredits score: 88th percentile of all films
The Student Body(1976)
Midcredits score: 7th percentile of all films
Nashville Girl(1976)
Midcredits score: 43rd percentile of all films
The Swinging Barmaids (not in the MovieCove catalog yet)(1975)

Minnie and Moskowitz(1971)
Midcredits score: 87th percentile of all films
Career shape
Star power in the 94th percentile of 239,109 people with a billed film role, over a full career of 34 titles from 1971 to 2024; peak year 2007.

Biggest box office
The Nanny Diaries (2007)

Highest rated
Eraserhead (1977)

Most popular right now
Dead Silence (2007)
Film career
Peak 2007 · back in prominent film roles after a quiet stretch. Top draw in 2 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1971Screen debut· Minnie and Moskowitz
- 2013Career best· Orange Is the New Black
- 2017Career best· You Were Never Really Here
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Judith Roberts' films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 18; across their 12 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up7
- 50th to 74th4
- 25th to 49th10
- Below 25th6
Shape of the crowd
13 of their 27 titles are Crowd Pleasers.
- Cult Classic3
- Crowd Pleaser13
- Broadly Agreed1
- Mixed10
Reviewers score the acting 66/100 in their films, across 11 reviewed titles; fans 73, detractors 46. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Judith Roberts' work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Judith Roberts work with?
People who share at least 2 of Judith Roberts' MovieCove titles; Gus Trikonis shares the most, 2.
- Gus TrikonisShared titles: Nashville Girl (1976), The Student Body (1976)See all 2 shared titles with Gus Trikonis

- Jerry CohenShared titles: Nashville Girl (1976), The Student Body (1976)See all 2 shared titles with Jerry Cohen






