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Dick Richards

Dick Richards

Director, producer and writer · Born January 1, 1936 (90) · New York City, New York, USA

From Wikipedia, the free encyclopedia Dick Richards (born 1936) is an American film director, producer and writer. After working as a photographer, Richards went on to direct commercials. His career in film began by writing and directing a western, The Culpepper Cattle Co. (1972), and continued with such films as Farewell, My Lovely (1975), March or Die (1977), and Man, Woman and Child (1983). Though initially considered to direct Tootsie (1982), complications arose with the script, and he assumed the role of producer instead, for which he received an Academy Award nomination. Description above from the Wikipedia article Dick Richards, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 1, 1936 (90)
From
New York City, New York, USA
Works as
Director, producer and writer
Titles
9 on MovieCove · 12 credits in all
TMDB popularity, last 37 days to Oct 26Down 4% in 30 days

What are Dick Richards' films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
31%
Morality
25%
Bonds
20%
Power
11%
Survival
8%
Ideas
5%

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 5

Grounded 5 · Stylized 2 · Heightened 0

Gentle 2 · Charged 4 · Intense 1

Steady 2 · Shifting 4 · Whiplash 1

A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 1

Slow burn 3 · Even-paced 4 · Relentless 0

Casual 2 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 2 · Heavy 2

Resolved 2 · Open-ended 5 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
5
Contemplative
4
Warm
2
Joyful
1
Other
2

How their films end

  • Happy1
  • Bittersweet6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dick Richards' films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Dick Richards' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 9 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Amazing Grace: The History and Theology of Calvinism (not in the MovieCove catalog yet)(2004)

    Composer

  • Heat(1986)

    Director

    Midcredits score: 31st percentile of all films
  • Man, Woman and Child(1983)

    Director

    Midcredits score: 46th percentile of all films
  • Tootsie(1982)

    Producer

    Midcredits score: 93rd percentile of all films
  • Death Valley (not in the MovieCove catalog yet)(1982)

    Director

  • Alligator(1980)

    as Gator Vendor 2

    Midcredits score: 47th percentile of all films
  • March or Die(1977)

    Director · Producer · Story

    Midcredits score: 49th percentile of all films
  • Farewell, My Lovely(1975)

    Director

    Midcredits score: 82nd percentile of all films
  • Midcredits score: 58th percentile of all films
  • The Culpepper Cattle Co.(1972)

    Director · Story

    Midcredits score: 77th percentile of all films
  • Her Kind of Man(1946)

    Editor

    Midcredits score: 41st percentile of all films
  • Tempted by Necessity (not in the MovieCove catalog yet)(1912)

    as George W. Britt

Career shape

A full career of 12 titles from 1912 to 2004.

By role

only this rolewith another role
Acting2 of 12: 2 only acting, 0 with another roleDirecting7 of 12: 5 only directing, 2 with another role · typical Midcredits score54thWriting2 of 12: 0 only writing, 2 with another roleProducing2 of 12: 1 only producing, 1 with another roleMusic1 of 12: 1 only music, 0 with another roleEditing1 of 12: 1 only editing, 0 with another role

By decade

1910s1 · acting1940s1 · crew1970s4 · crew1980s5 · 1 acting · 4 crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Dick Richards' films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 9; across their 7 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 7

Approval · how many liked their films

48thpercentile
Typical film, the median of 7

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 7

Midcredits score across 9 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th5

Shape of the crowd

None of their 9 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed3

Reviewers score the atmosphere 76/100 and the pacing 45/100 in their films, across 7 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Dick Richards' work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 59 · moderateMedian of all films: 44
Sex & Nudity3 titlesmedian 36 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Dick Richards work with?

People who share at least 2 of Dick Richards' MovieCove titles, grouped by what they did on them; Jerry Bruckheimer shares the most, 4.

Writers

Actors

Cinematographers and editors

Producers