Keith Reddin was born on July 7, 1956 in New Jersey, USA. He is an actor and writer, known for Big (1988), Revolutionary Road (2008) and Lolita (1997).
Biography from TMDB.
- July 7, 1956 (70)
- New Jersey, USA
- Writer and producer
- 19 on MovieCove · 26 credits in all
What are Keith Reddin's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
A split, not a type: Ironic 1 · Wry 1 · Earnest 2
Light 0 · Serious 3 · Dark 1
A split, not a type: Grounded 1 · Stylized 1 · Heightened 2
Gentle 0 · Charged 3 · Intense 1
A split, not a type: Steady 2 · Shifting 0 · Whiplash 2
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 1
Easy watch 2 · Affecting 2 · Heavy 0
Resolved 2 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Keith Reddin's films?
As of October 24, 2026, 10 of their 19 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Keith Reddin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 19 with a MovieCove page.
Bull(2016)
Midcredits score: 59th percentile of all shows
Revolutionary Road(2008)
Midcredits score: 87th percentile of all films
Midcredits score: 36th percentile of all shows
Midcredits score: 75th percentile of all shows
Someone Like You(2001)
Midcredits score: 39th percentile of all films
Ed (not in the MovieCove catalog yet)(2000)
Deadline (not in the MovieCove catalog yet)(2000)
Midcredits score: 88th percentile of all shows
All the Rage(1999)
Midcredits score: 27th percentile of all films
The Alarmist(1997)
Midcredits score: 24th percentile of all films
Eye of the Storm (not in the MovieCove catalog yet)(1998)
Lolita (not in the MovieCove catalog yet)(1997)
Anita Liberty (not in the MovieCove catalog yet)(1997)
Midcredits score: 84th percentile of all films
Lorenzo's Oil(1992)
Midcredits score: 89th percentile of all films
The Heart of Justice(1992)
Midcredits score: 26th percentile of all films
The Doors(1991)
Midcredits score: 85th percentile of all films
Reversal of Fortune(1990)
Midcredits score: 87th percentile of all films
Big Time(1989)
Midcredits score: 40th percentile of all films (provisional, few ratings)
Signs of Life (not in the MovieCove catalog yet)(1989)
Crossing Delancey(1988)
Midcredits score: 81st percentile of all films
Big(1988)
Midcredits score: 91st percentile of all films
Five Corners(1987)
Midcredits score: 47th percentile of all films
The Cosby Show(1984)
Midcredits score: 62nd percentile of all shows
Alone in the Dark(1982)
Midcredits score: 43rd percentile of all films
American Playhouse (not in the MovieCove catalog yet)(1982)
Career shape
Star power in the 83rd percentile of 239,109 people with a billed film role, over a full career of 26 titles from 1982 to 2016; peak year 1996.
Biggest box office
The Alarmist (1997)
Highest rated
All the Rage (1999)
Most popular right now
The Heart of Justice (1992)
Film career
Peak 1996 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1982Screen debut· Alone in the Dark
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Keith Reddin's films land?
Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 14; across a limited sample of 4 films with reception data, the typical film sits in the 33rd percentile for acclaim.
- 75th and up9
- 50th to 74th2
- 25th to 49th7
- Below 25th1
Shape of the crowd
10 of their 19 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser10
- Broadly Agreed2
- Mixed5
Reviewers score the dialogue 53/100 and the plot and story 32/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Keith Reddin work with?
People who share at least 2 of Keith Reddin's MovieCove titles; Alex Nepomniaschy shares the most, 2.
- Alex NepomniaschyShared titles: All the Rage (1999), The Alarmist (1997)See all 2 shared titles with Alex Nepomniaschy
