Michael Rachmil

Producer

Works as: Producer
Titles: 33 on MovieCove · 35 credits in all
Links: IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 33% in 30 days

What are Michael Rachmil's films like?

Across their 30 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Action11 titles33^rd

Comedy9 titles35^th

Drama3 titles21^st

Biography2 titles78^th

Crime2 titles29^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Bonds

29%

Self

26%

Morality

24%

Survival

11%

Ideas

6%

Society

3%

Power

2%

Family bonds12 Self-worth7 Romantic love7 Survival6 Justice5 Identity5 Purpose4 Redemption4

What they feel like to watch

their average across 30 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 2 · Wry 3 · Earnest 25

Serious

Tone · Weight

lightdark

A split, not a type: Light 17 · Serious 8 · Dark 5

Stylized

Tone · Style

naturalisticheightened

A split, not a type: Grounded 20 · Stylized 6 · Heightened 4

Charged

Feel · Intensity

gentleintense

Gentle 10 · Charged 11 · Intense 9

Shifting

Feel · Swings

steadyswings

Steady 14 · Shifting 14 · Whiplash 2

Some laughs

Feel · Humor

noneconstant

A split, not a type: Straight-faced 12 · Some laughs 10 · Funny 8

Even-paced

Demand · Pace

slowrelentless

Slow burn 7 · Even-paced 20 · Relentless 3

Casual

Demand · Attention

casualfull focus

Casual 16 · Engaged 14 · Full focus 0

Easy watch

Demand · Emotional cost

easyheavy

Easy watch 18 · Affecting 7 · Heavy 5

Resolved

Demand · Resolution

resolvedambiguous

Resolved 27 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

15

Warm

10

Thrilling

9

Hopeful

6

Romantic

8

Other

34

How their films linger

Feel-good16 Hopeful13 Fun10 Bittersweet5 Rousing6 Thought-provoking5

How their films end · 6 with a twist

Happy18
Bittersweet10
Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Rachmil's films?

As of October 24, 2026, 26 of their 33 MovieCove titles stream on a subscription or free service, most on Tubi (21).

Also on these channels

Howdy6 titles, show their 6 titles on Howdy
Midnight Pulp2 titles, show their 2 titles on Midnight Pulp
Shout! TV2 titles, show their 2 titles on Shout! TV
Sony Pictures Core2 titles, show their 2 titles on Sony Pictures Core
Cineverse1 title, show their title on Cineverse
Lionsgate+1 title, show their title on Lionsgate+
Screambox1 title, show their title on Screambox
ScreenPix1 title, show their title on ScreenPix

Subscription and free streaming for Michael Rachmil's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 33 with a MovieCove page.

Love, Weddings & Other Disasters(2020)
Producer
Midcredits score: 15th percentile of all films
On the Inside(2011)
Producer
Midcredits score: 21st percentile of all films
Spring Breakdown(2009)
Executive Producer · Unit Production Manager
Midcredits score: 18th percentile of all films
Gridiron Gang(2006)
Executive Producer
Midcredits score: 83rd percentile of all films
Rumor Has It...(2005)
Executive Producer
Midcredits score: 19th percentile of all films
A Cinderella Story(2004)
Executive Producer · Unit Production Manager
Midcredits score: 53rd percentile of all films
Torque(2004)
Executive Producer
Midcredits score: 9th percentile of all films
Not Another Teen Movie(2001)
Executive Producer · Unit Production Manager
Midcredits score: 36th percentile of all films
The Glass House(2001)
Executive Producer · Unit Production Manager
Midcredits score: 29th percentile of all films
The in Crowd(2000)
Executive Producer
Midcredits score: 12th percentile of all films
Universal Soldier: The Return(1999)
Executive Producer
Midcredits score: 6th percentile of all films
Major League: Back to the Minors(1998)
Executive Producer
Midcredits score: 9th percentile of all films
The Glimmer Man(1996)
Executive Producer
Midcredits score: 19th percentile of all films
Major Payne(1995)
Producer
Midcredits score: 56th percentile of all films
Lassie(1994)
Executive Producer
Midcredits score: 42nd percentile of all films
Coneheads(1993)
Executive Producer
Midcredits score: 25th percentile of all films
Nowhere to Run(1993)
Executive Producer
Midcredits score: 33rd percentile of all films
Mo' Money(1992)
Producer
Midcredits score: 29th percentile of all films
L.A. Story(1991)
Producer
Midcredits score: 72nd percentile of all films
Flatliners(1990)
Executive Producer
Midcredits score: 64th percentile of all films
Hard to Kill(1990)
Executive Producer
Midcredits score: 35th percentile of all films
No Holds Barred(1989)
Producer
Midcredits score: 9th percentile of all films
Punchline(1988)
Producer
Midcredits score: 35th percentile of all films
Elvira: Mistress of the Dark(1988)
Executive Producer
Midcredits score: 72nd percentile of all films
Roxanne(1987)
Producer
Midcredits score: 69th percentile of all films
Quicksilver(1986)
Producer
Midcredits score: 28th percentile of all films
Runaway(1984)
Producer
Midcredits score: 35th percentile of all films
Dead & Buried(1981)
Associate Producer
Midcredits score: 65th percentile of all films
Tom Horn(1980)
Producer
Midcredits score: 73rd percentile of all films
Hanover Street(1979)
Producer
Midcredits score: 42nd percentile of all films
Capricorn One(1978)
Associate Producer
Midcredits score: 73rd percentile of all films
Young Pioneers (not in the MovieCove catalog yet)(1976)
Unit Production Manager
Westworld(1973)
Associate Producer
Midcredits score: 80th percentile of all films
Number One(1969)
Production Assistant
Midcredits score: 27th percentile of all films
The Emperor (not in the MovieCove catalog yet)(1967)
Thanks

Career shape

A full career of 31 titles from 1967 to 2009.

Biggest box office

Rumor Has It... (2005)

$89M worldwide

Highest rated

Gridiron Gang (2006)

Midcredits 83^rd

By role

only this rolewith another role

Producing28 of 31 · 35^thOther crew7 of 31 · 29^th

31 titles, 4 with more than one role — producing and other crew overlap on 4 of them.

By decade

1960s2 · crew1970s3 · crew1980s7 · crew1990s11 · crew2000s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Michael Rachmil's films land?

Their typical MovieCove film has a Midcredits score in the 35^th percentile, the median of all 33; across their 30 films with reception data, the typical film sits in the 39^th percentile for acclaim.

Acclaim · how much people like their films

39^thpercentile

Typical film, the median of 30

Approval · how many liked their films

31^stpercentile

Typical film, the median of 30

Reach · how many have seen their films

91^stpercentile

Typical film, the median of 30

Midcredits score across 33 titles, by percentile

75^th and up2
50^th to 74^th9
25^th to 49^th12
Below 25^th10

Shape of the crowd

15 of their 33 titles are Mixed.

Universally Loved1
Crowd Pleaser10
Broadly Agreed7
Mixed15

Most divisive · producer

No Holds Barred (1989)

75^th percentile spread · 51% rated it 4 or lower

Most loved · producer

Gridiron Gang (2006)

Midcredits 83^rd · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Michael Rachmil's work okay for kids?

Across up to 21 MovieCove titles with content scores, violence & gore and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles

Violence & Gore19 titles21–87 · median 57 · moderateheavier than most films

Sex & Nudity21 titles20–54 · median 40 · moderatenear the median of all films

Profanity19 titles28–72 · median 47 · moderateheavier than most films

Alcohol & Drugs16 titles19–36 · median 33 · mildnear the median of all films

Frightening / Intense16 titles12–73 · median 46 · moderatenear the median of all films

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.