Martin Provost is a French film director, writer and actor. He wrote and directed such films as Séraphine and Le ventre de Juliette.
Biography from TMDB.
- May 13, 1957 (69)
- Brest, Finistère, France
- Director and writer
- 7 on MovieCove · 16 credits in all
What are Martin Provost's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 5
A split, not a type: Light 3 · Serious 2 · Dark 1
A split, not a type: Grounded 4 · Stylized 1 · Heightened 1
Gentle 3 · Charged 3 · Intense 0
Steady 3 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 2 · Funny 0
Slow burn 5 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 4 · Heavy 1
A split, not a type: Resolved 2 · Open-ended 4 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Martin Provost's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Martin Provost's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 7 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Demain je tombe amoureux(2026)
Midcredits score: 58th percentile of all films (provisional, few ratings)
Bonnard: Pierre & Marthe(2023)
Midcredits score: 57th percentile of all films
How to Be a Good Wife(2020)
Midcredits score: 35th percentile of all films
The Midwife(2017)
Midcredits score: 68th percentile of all films
Violette(2013)
Midcredits score: 74th percentile of all films
The Long Falling (not in the MovieCove catalog yet)(2011)

Seraphine(2008)
Midcredits score: 91st percentile of all films
Le ventre de Juliette (not in the MovieCove catalog yet)(2002)

Tortilla y Cinema (not in the MovieCove catalog yet)(1997)
Alice (not in the MovieCove catalog yet)(1988)
Comme les doigts de la main (not in the MovieCove catalog yet)(1985)

Casting (not in the MovieCove catalog yet)(1983)

Tarendol (not in the MovieCove catalog yet)(1980)

La zizanie(1978)
Midcredits score: 57th percentile of all films
Au plaisir de Dieu (not in the MovieCove catalog yet)(1977)

Nea (not in the MovieCove catalog yet)(1976)
Career shape
A full career of 16 titles, 15 of them dated from 1976 to 2024.

Biggest box office
Seraphine (2008)

Highest rated
Seraphine (2008)

Most popular right now
The Midwife (2017)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Martin Provost's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th1
Shape of the crowd
5 of their 7 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser5
- Broadly Agreed1
Reviewers score the atmosphere 75/100 and the pacing 40/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Martin Provost work with?
People who share at least 2 of Martin Provost's MovieCove titles, grouped by what they did on them; Marc Abdelnour shares the most, 3.
Writers
- Marc AbdelnourShared titles: Bonnard: Pierre & Marthe (2023), Violette (2013), Seraphine (2008)See all 3 shared titles with Marc Abdelnour
Actors
- Emmanuelle DevosShared titles: Demain je tombe amoureux (2026), Violette (2013)See all 2 shared titles with Emmanuelle Devos

- Hélène AlexandridisShared titles: Demain je tombe amoureux (2026), Bonnard: Pierre & Marthe (2023)See all 2 shared titles with Hélène Alexandridis

- Yolande MoreauShared titles: How to Be a Good Wife (2020), Seraphine (2008)See all 2 shared titles with Yolande Moreau

- Olivier GourmetShared titles: The Midwife (2017), Violette (2013)See all 2 shared titles with Olivier Gourmet

Composers, cinematographers and editors
- Guillaume SchiffmanShared titles: Demain je tombe amoureux (2026), Bonnard: Pierre & Marthe (2023), How to Be a Good Wife (2020)See all 3 shared titles with Guillaume Schiffman

- Albertine LasteraShared titles: How to Be a Good Wife (2020), The Midwife (2017)See all 2 shared titles with Albertine Lastera
- Grégoire HetzelShared titles: How to Be a Good Wife (2020), The Midwife (2017)See all 2 shared titles with Grégoire Hetzel

- Yves CapeShared titles: The Midwife (2017), Violette (2013)See all 2 shared titles with Yves Cape
Producers
- Denis Pineau-ValencienneShared titles: Demain je tombe amoureux (2026), Bonnard: Pierre & Marthe (2023), How to Be a Good Wife (2020)See all 3 shared titles with Denis Pineau-Valencienne

- François KrausShared titles: Demain je tombe amoureux (2026), Bonnard: Pierre & Marthe (2023), How to Be a Good Wife (2020)See all 3 shared titles with François Kraus

- Cloé GarbayShared titles: Demain je tombe amoureux (2026), Bonnard: Pierre & Marthe (2023)See all 2 shared titles with Cloé Garbay

- Mathieu DelaunayShared titles: How to Be a Good Wife (2020), The Midwife (2017)See all 2 shared titles with Mathieu Delaunay


