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David Pomier

Producer

Works as
Producer
Titles
26 on MovieCove
TMDB popularity, last 155 days to Oct 26Down 16% in 30 days

What are David Pomier's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 7 · Dark 5

A split, not a type: Grounded 11 · Stylized 7 · Heightened 2

Gentle 7 · Charged 7 · Intense 6

A split, not a type: Steady 11 · Shifting 6 · Whiplash 3

A split, not a type: Straight-faced 9 · Some laughs 7 · Funny 4

Slow burn 9 · Even-paced 10 · Relentless 1

A split, not a type: Casual 12 · Engaged 6 · Full focus 2

A split, not a type: Easy watch 9 · Affecting 6 · Heavy 5

Resolved 13 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
8
Absurd
6
Joyful
5
Warm
4
Other
17

How their films end · 4 with a twist

  • Happy5
  • Bittersweet8
  • Tragic1
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David Pomier's films?

As of October 24, 2026, 16 of their 26 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for David Pomier's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 26 with a MovieCove page.

  • Drag(2026)

    Producer

    Midcredits score: 97th percentile of all films
  • The Old Way(2023)

    Executive Producer

    Midcredits score: 25th percentile of all films
  • Jay and Silent Bob Reboot(2019)

    Executive Producer

    Midcredits score: 31st percentile of all films
  • Free State of Jones(2016)

    Co-Producer · Unit Production Manager

    Midcredits score: 77th percentile of all films
  • Self/less(2015)

    Line Producer

    Midcredits score: 55th percentile of all films
  • Home Sweet Hell(2015)

    Line Producer · Unit Production Manager

    Midcredits score: 18th percentile of all films
  • Barefoot(2014)

    Producer

    Midcredits score: 57th percentile of all films
  • Looper(2012)

    Co-Producer · Unit Production Manager

    Midcredits score: 91st percentile of all films
  • Seeking Justice(2011)

    Line Producer

    Midcredits score: 39th percentile of all films
  • Mama I Want to Sing(2011)

    Producer

    Midcredits score: 25th percentile of all films
  • The Chameleon(2010)

    Producer

    Midcredits score: 25th percentile of all films
  • The Way of War(2009)

    Producer

    Midcredits score: 1st percentile of all films
  • My Mom's New Boyfriend(2008)

    Line Producer · Unit Production Manager

    Midcredits score: 17th percentile of all films
  • Blonde Ambition(2007)

    Line Producer

    Midcredits score: 6th percentile of all films
  • Cleaner(2007)

    Line Producer · Unit Production Manager

    Midcredits score: 37th percentile of all films
  • Before You Here(2007)

    Producer

    Midcredits score: 23rd percentile of all films
  • Relative Strangers(2006)

    Producer

    Midcredits score: 20th percentile of all films
  • Nomad: The Warrior(2005)

    Producer

    Midcredits score: 35th percentile of all films
  • She Hate Me(2004)

    Unit Production Manager

    Midcredits score: 24th percentile of all films
  • Skins(2002)

    Producer

    Midcredits score: 73rd percentile of all films
  • Midcredits score: 31st percentile of all films
  • Splendor(1999)

    Line Producer

    Midcredits score: 51st percentile of all films
  • A Texas Funeral(1999)

    Producer

    Midcredits score: 43rd percentile of all films
  • U Turn(1997)

    Assistant Location Manager

    Midcredits score: 69th percentile of all films
  • Fathers & Sons(1992)

    Producer

    Midcredits score: 13th percentile of all films
  • Raising Arizona(1987)

    Location Manager

    Midcredits score: 91st percentile of all films

Career shape

A full career of 17 titles from 1987 to 2023.

By role

only this rolewith another role
Producing14 of 17: 9 only producing, 5 with another role · typical Midcredits score36thOther crew8 of 17: 3 only other crew, 5 with another role · typical Midcredits score53rd

17 titles, 5 with more than one role — producing and other crew overlap on 5 of them.

By decade

1980s1 · crew1990s2 · crew2000s6 · crew2010s7 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do David Pomier's films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 26; across their 20 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 20

Approval · how many liked their films

35thpercentile
Typical film, the median of 20

Reach · how many have seen their films

77thpercentile
Typical film, the median of 20

Midcredits score across 26 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th9
  • Below 25th8

Shape of the crowd

13 of their 26 titles are Mixed.

  • Universally Loved1
  • Divisive2
  • Crowd Pleaser7
  • Broadly Agreed3
  • Mixed13

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is David Pomier's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles39–81 · median 60 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles14–64 · median 44 · moderateheavier than most filmsMedian of all films: 32
Profanity7 titles48–76 · median 72 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles34–67 · median 42 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles37–66 · median 54 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does David Pomier work with?

People who share at least 2 of David Pomier's MovieCove titles, grouped by what they did on them; Ram Bergman shares the most, 6.

Actors

Composers and editors

Producers