John Palmer

What are John Palmer's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Palmer's films?

As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service, most on The Roku Channel (3).

• The Roku Channel3 titles, browse their movies on this service
  • A Bridge Too Far (1977) · producer · free
  • Battle of Britain (1969) · producer · free
  • Bonjour Tristesse (1958) · producer · free
• Pluto TV2 titles, browse their movies on this service
  • A Bridge Too Far (1977) · producer · free
  • Battle of Britain (1969) · producer · free
• Tubi2 titles, browse their movies on this service
  • A Bridge Too Far (1977) · producer · free
  • Battle of Britain (1969) · producer · free
• MGM+1 title, browse their movies on this service
  • A Bridge Too Far (1977) · producer
• Prime Video1 title, browse their movies on this service
  • Battle of Britain (1969) · producer

Subscription and free streaming for John Palmer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Clash of the Titans(1981)

  Producer

  Midcredits score: 77th percentile of all films77^th
• 

  A Bridge Too Far(1977)

  Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  The Blue Bird(1976)

  Producer

  Midcredits score: 32nd percentile of all films32^nd
• 

  Undercovers Hero(1974)

  Producer

  Midcredits score: 19th percentile of all films19^th
• 

  Battle of Britain(1969)

  Producer

  Midcredits score: 79th percentile of all films79^th
• 

  Bonjour Tristesse(1958)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Hell, Heaven or Hoboken(1958)

  Producer

  Midcredits score: 79th percentile of all films79^th

Career shape

Across their 7 MovieCove titles from 1958 to 1981.

Biggest box office

A Bridge Too Far (1977)

$51M worldwide

Highest rated

A Bridge Too Far (1977)

Midcredits 92^nd

How do John Palmer's films land?

Their typical MovieCove film has a Midcredits score in the 77^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 75^th percentile for acclaim.

Shape of the crowd

4 of their 7 titles are Crowd Pleasers.

1141

• Universally Loved1
• Cult Classic1
• Crowd Pleaser4
• Mixed1

Most divisive · producer

The Blue Bird (1976)

76^th percentile spread · 29% rated it 4 or lower

Most loved · producer

A Bridge Too Far (1977)

Midcredits 92^nd · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Palmer's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does John Palmer work with?

People who share at least 2 of John Palmer's MovieCove titles, grouped by what they did on them; Laurence Olivier shares the most, 2.