Skip to content
MovieCove

Per Nielsen

Producer and writer

Works as
Producer and writer
Titles
11 on MovieCove

What are Per Nielsen's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 2 · Dark 7

A split, not a type: Grounded 7 · Stylized 3 · Heightened 1

A split, not a type: Gentle 2 · Charged 4 · Intense 5

Steady 4 · Shifting 7 · Whiplash 0

Straight-faced 9 · Some laughs 2 · Funny 0

Slow burn 6 · Even-paced 5 · Relentless 0

Casual 2 · Engaged 7 · Full focus 2

A split, not a type: Easy watch 0 · Affecting 6 · Heavy 5

A split, not a type: Resolved 5 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
6
Warm
3
Contemplative
3
Bittersweet
3
Other
6

How their films end · 4 with a twist

  • Happy2
  • Bittersweet5
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Per Nielsen's films?

As of October 24, 2026, 1 of their 11 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Per Nielsen's titles on MovieCove; rent and buy are not counted.

Filmography

11 credits, 11 with a MovieCove page.

  • In a Better World(2010)

    Writer

    Midcredits score: 94th percentile of all films
  • Metropia(2009)

    Producer

    Midcredits score: 51st percentile of all films
  • A Soap(2006)

    Producer

    Midcredits score: 55th percentile of all films
  • Chinaman(2005)

    Producer

    Midcredits score: 79th percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Next Door(2005)

    Producer

    Midcredits score: 58th percentile of all films
  • One Step Behind(2005)

    Producer

    Midcredits score: 43rd percentile of all films
  • As It Is in Heaven(2004)

    Producer

    Midcredits score: 92nd percentile of all films
  • Brothers(2004)

    Producer

    Midcredits score: 91st percentile of all films
  • Day and Night(2004)

    Writer

    Midcredits score: 65th percentile of all films
  • The Third Wave(2003)

    Producer

    Midcredits score: 54th percentile of all films

Career shape

Across their 11 MovieCove titles from 2003 to 2010.

By role

only this rolewith another role
Writing2 of 11: 2 only writing, 0 with another roleProducing9 of 11: 9 only producing, 0 with another role · typical Midcredits score58th

By decade

2000s10 · crew2010s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Per Nielsen's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 11

Approval · how many liked their films

61stpercentile
Typical film, the median of 11

Reach · how many have seen their films

74thpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 75th and up4
  • 50th to 74th6
  • 25th to 49th1

Shape of the crowd

None of their 11 titles divides audiences: 6 are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser6
  • Broadly Agreed2

Reviewers score the dialogue 59/100 and the plot and story 51/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Per Nielsen's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 51 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Per Nielsen work with?

People who share at least 2 of Per Nielsen's MovieCove titles, grouped by what they did on them; Peter Aalbæk Jensen shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers