
Sol Negrin
Cinematographer · Died March 20, 2017, aged 88
Sol Negrin was an American cinematographer.
Biography from TMDB.
- February 16, 1929
- March 20, 2017 (aged 88)
- Cinematographer
- 9 on MovieCove · 16 credits in all
What are Sol Negrin's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 4
Light 3 · Serious 3 · Dark 0
A split, not a type: Grounded 3 · Stylized 2 · Heightened 1
Gentle 2 · Charged 3 · Intense 1
A split, not a type: Steady 3 · Shifting 1 · Whiplash 2
Straight-faced 1 · Some laughs 3 · Funny 2
A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 1
Casual 4 · Engaged 2 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 1
Resolved 5 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sol Negrin's films?
As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Sol Negrin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 9 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Happy Hell Night(1991)
Midcredits score: 10th percentile of all films
The Story Lady(1991)
Midcredits score: 79th percentile of all films
Coming to America(1988)
Midcredits score: 83rd percentile of all films
RoboCop(1987)
Midcredits score: 95th percentile of all filmsBilly Joel: Building the Bridge (not in the MovieCove catalog yet)(1986)

Redd Foxx: Video in a Plain Brown Wrapper (not in the MovieCove catalog yet)(1983)

Fame (not in the MovieCove catalog yet)(1982)

Women at West Point(1979)
Midcredits score: 59th percentile of all films
Superman(1978)
Midcredits score: 91st percentile of all films
More Than Friends (not in the MovieCove catalog yet)(1978)

The Last Tenant (not in the MovieCove catalog yet)(1978)

Amazing Grace(1974)
Midcredits score: 38th percentile of all films
Crazy Joe(1974)
Midcredits score: 55th percentile of all films
Kojak(1973)
Midcredits score: 58th percentile of all shows
Parades (not in the MovieCove catalog yet)(1972)

A Memory of Two Mondays (not in the MovieCove catalog yet)(1971)
Career shape
A full career of 15 titles from 1971 to 1991.

Biggest box office
Coming to America (1988)

Highest rated
RoboCop (1987)

Most popular right now
Coming to America (1988)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Sol Negrin's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up4
- 50th to 74th3
- 25th to 49th1
- Below 25th1
Shape of the crowd
5 of their 9 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser5
- Mixed2
Reviewers score the cinematography 60/100 in their films, across 3 reviewed titles; fans 68, detractors 45. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.


