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Jeff Nathanson

Jeff Nathanson

Writer and producer, also director · Born October 12, 1965 (61) · Los Angeles, California, USA

BAFTA Award nominee

Jeffrey D. Nathanson (born October 12, 1965) is an American filmmaker. He is best known for writing two films of the Rush Hour series, as well as the Steven Spielberg films Catch Me If You Can and The Terminal. Description above from the Wikipedia article Jeff Nathanson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
October 12, 1965 (61)
From
Los Angeles, California, USA
Works as
Writer and producer, also director
Titles
15 on MovieCove · 18 credits in all

What are Jeff Nathanson's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

Light 11 · Serious 2 · Dark 0

A split, not a type: Grounded 5 · Stylized 4 · Heightened 4

Gentle 3 · Charged 8 · Intense 2

Steady 4 · Shifting 8 · Whiplash 1

A split, not a type: Straight-faced 2 · Some laughs 5 · Funny 6

Slow burn 3 · Even-paced 6 · Relentless 4

Casual 9 · Engaged 4 · Full focus 0

Resolved 12 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Thrilling
5
Tense
4
Warm
4
Hopeful
4
Joyful
3
Other
13

How their films end · 1 with a twist

  • Happy8
  • Bittersweet5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jeff Nathanson's films?

As of October 24, 2026, 12 of their 15 MovieCove titles stream on a subscription or free service, most on Disney+ (6).

Subscription and free streaming for Jeff Nathanson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 15 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Snow White(2025)

    Additional Writing

    Midcredits score: 1st percentile of all films
  • Mufasa: The Lion King(2024)

    Screenplay

    Midcredits score: 66th percentile of all films
  • Young Woman and the Sea(2024)

    Producer · Writer

    Midcredits score: 95th percentile of all films
  • The Lion King(2019)

    Screenplay

    Midcredits score: 69th percentile of all films
  • Captain Jokes Parrot's Disaster of the Caribbean (not in the MovieCove catalog yet)(2017)

    Characters

  • Midcredits score: 58th percentile of all films
  • Tower Heist(2011)

    Screenplay

    Midcredits score: 46th percentile of all films
  • Midcredits score: 40th percentile of all films
  • Midcredits score: 46th percentile of all films
  • Rush Hour 3(2007)

    Screenplay

    Midcredits score: 53rd percentile of all films
  • The Last Shot(2004)

    Director · Writer

    Midcredits score: 28th percentile of all films
  • The Terminal(2004)

    Screenplay

    Midcredits score: 91st percentile of all films
  • Catch Me If You Can(2002)

    Screenplay

    Midcredits score: 99th percentile of all films
  • Rush Hour 2(2001)

    Screenplay

    Midcredits score: 73rd percentile of all films
  • Speed 2: Cruise Control(1997)

    Screenplay

    Midcredits score: 2nd percentile of all films
  • Luis Miguel: El Concierto (not in the MovieCove catalog yet)(1995)

    Musician

  • For Better or Worse(1995)

    Executive Producer · Writer

    Midcredits score: 10th percentile of all films
  • Untitled Pirates of the Caribbean Reboot (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 18 titles, 17 of them dated from 1995 to 2025.

By role

only this rolewith another role
Directing1 of 18: 0 only directing, 1 with another roleWriting16 of 18: 13 only writing, 3 with another role · typical Midcredits score56thProducing2 of 18: 0 only producing, 2 with another roleOther crew2 of 18: 2 only other crew, 0 with another role

18 titles, 3 with more than one role.

By decade

1990s3 · crew2000s7 · crew2010s4 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a BAFTA Award in 2003, Best Screenplay - Adapted.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Jeff Nathanson's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 15; across their 13 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 13

Approval · how many liked their films

63rdpercentile
Typical film, the median of 13

Reach · how many have seen their films

95thpercentile
Typical film, the median of 13

Midcredits score across 15 titles, by percentile

  • 75th and up3
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

6 of their 15 titles are Crowd Pleasers.

  • Universally Loved2
  • Universally Panned2
  • Crowd Pleaser6
  • Broadly Agreed3
  • Mixed2

Reviewers score the dialogue 47/100 and the plot and story 44/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jeff Nathanson's work okay for kids?

Across up to 11 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore10 titles8–62 · median 43 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity11 titles13–52 · median 24 · mildnear the median of all filmsMedian of all films: 32
Profanity11 titles9–63 · median 33 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs11 titles8–38 · median 28 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles24–53 · median 42 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jeff Nathanson work with?

People who share at least 2 of Jeff Nathanson's MovieCove titles, grouped by what they did on them; Brett Ratner shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers

Mixed roles