Paul Nathan

What are Paul Nathan's films like?

Across their 32 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul Nathan's films?

As of October 24, 2026, 17 of their 32 MovieCove titles stream on a subscription or free service, most on Pluto TV (10).

• Pluto TV10 titles, browse their movies on this service
  • Last Train from Gun Hill (1959) · producer · free
  • Gunfight at the O.K. Corral (1957) · producer · free
  • The Out of Towners (1970) · producer · free
  • King Creole (1958) · producer · free
  • The Rainmaker (1956) · producer · free
  • Hollywood or Bust (1956) · producer · free
  • Don't Give Up the Ship (1959) · producer · free
  • Roustabout (1964) · producer · free
  • The Sad Sack (1957) · producer · free
  • Easy Come, Easy Go (1967) · producer · free
• Paramount+8 titles, browse their movies on this service
  • King Creole (1958) · producer
  • G.I. Blues (1960) · producer
  • Blue Hawaii (1961) · producer
  • Roustabout (1964) · producer
  • Fun in Acapulco (1963) · producer
  • Girls! Girls! Girls! (1962) · producer
  • Easy Come, Easy Go (1967) · producer
  • Paradise, Hawaiian Style (1966) · producer
• MGM+3 titles, browse their movies on this service
  • Last Train from Gun Hill (1959) · producer
  • The Sons of Katie Elder (1965) · producer
  • G.I. Blues (1960) · producer
• Tubi1 title, browse their movies on this service
  • Loving You (1957) · producer · free

Subscription and free streaming for Paul Nathan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 32 with a MovieCove page.

• 

  Rooster Cogburn(1975)

  Associate Producer

  Midcredits score: 72nd percentile of all films72^nd
• 

  The Don Is Dead(1973)

  Associate Producer

  Midcredits score: 49th percentile of all films49^th
• 

  The Public Eye(1972)

  Associate Producer

  Midcredits score: 77th percentile of all films77^th
• 

  Shoot Out(1971)

  Producer

  Midcredits score: 50th percentile of all films50^th
• 

  Red Sky at Morning(1971)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Norwood (not in the MovieCove catalog yet)(1970)

  Associate Producer
• 

  The Out of Towners(1970)

  Producer

  Midcredits score: 81st percentile of all films81^st
• 

  True Grit(1969)

  Associate Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  5 Card Stud(1968)

  Associate Producer

  Midcredits score: 59th percentile of all films59^th
• 

  Easy Come, Easy Go(1967)

  Associate Producer

  Midcredits score: 25th percentile of all films25^th
• 

  Barefoot in the Park(1967)

  Associate Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Paradise, Hawaiian Style(1966)

  Associate Producer

  Midcredits score: 24th percentile of all films24^th
• 

  Boeing, Boeing(1965)

  Associate Producer

  Midcredits score: 56th percentile of all films56^th
• 

  The Sons of Katie Elder(1965)

  Associate Producer

  Midcredits score: 86th percentile of all films86^th
• 

  Roustabout(1964)

  Associate Producer

  Midcredits score: 44th percentile of all films44^th
• 

  Fun in Acapulco(1963)

  Associate Producer

  Midcredits score: 38th percentile of all films38^th
• 

  A Girl Named Tamiko(1962)

  Associate Producer

  Midcredits score: 30th percentile of all films30^th
• 

  Girls! Girls! Girls!(1962)

  Associate Producer

  Midcredits score: 31st percentile of all films31^st
• 

  Blue Hawaii(1961)

  Associate Producer

  Midcredits score: 48th percentile of all films48^th
• 

  Summer and Smoke(1961)

  Associate Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  All in a Night's Work(1961)

  Associate Producer

  Midcredits score: 47th percentile of all films47^th
• 

  G.I. Blues(1960)

  Associate Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Visit to a Small Planet(1960)

  Associate Producer

  Midcredits score: 36th percentile of all films36^th
• 

  Career (not in the MovieCove catalog yet)(1959)

  Associate Producer
• 

  Last Train from Gun Hill(1959)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  Don't Give Up the Ship(1959)

  Associate Producer

  Midcredits score: 58th percentile of all films58^th
• 

  King Creole(1958)

  Associate Producer

  Midcredits score: 81st percentile of all films81^st
• 

  Hot Spell (not in the MovieCove catalog yet)(1958)

  Associate Producer
• 

  Wild Is the Wind(1957)

  Associate Producer

  Midcredits score: 69th percentile of all films69^th
• 

  The Sad Sack(1957)

  Associate Producer

  Midcredits score: 36th percentile of all films36^th
• 

  Loving You(1957)

  Associate Producer

  Midcredits score: 61st percentile of all films61^st
• 

  Gunfight at the O.K. Corral(1957)

  Associate Producer · Casting Director

  Midcredits score: 84th percentile of all films84^th
• 

  Hollywood or Bust(1956)

  Associate Producer

  Midcredits score: 61st percentile of all films61^st
• 

  The Rainmaker(1956)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  Artists and Models(1955)

  Associate Producer · Casting

  Midcredits score: 66th percentile of all films66^th

Career shape

A full career of 33 titles from 1955 to 1975.

Biggest box office

True Grit (1969)

$276K worldwide

Highest rated

True Grit (1969)

Midcredits 93^rd

How do Paul Nathan's films land?

Their typical MovieCove film has a Midcredits score in the 60^th percentile, the median of all 32; across their 32 films with reception data, the typical film sits in the 60^th percentile for acclaim.

Shape of the crowd

21 of their 32 titles are Crowd Pleasers.

217

• Universally Loved1
• Crowd Pleaser21
• Broadly Agreed3
• Mixed7

Most divisive · producer

Red Sky at Morning (1971)

57^th percentile spread · 11% rated it 4 or lower

Most loved · producer

True Grit (1969)

Midcredits 93^rd · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Paul Nathan's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity runs lighter than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Paul Nathan work with?

People who share at least 2 of Paul Nathan's MovieCove titles, grouped by what they did on them; Hal B. Wallis shares the most, 31.