Paul Myler
- Producer
- 19 on MovieCove · 20 credits in all
What are Paul Myler's films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 18
A split, not a type: Light 4 · Serious 6 · Dark 8
Grounded 15 · Stylized 3 · Heightened 0
Gentle 4 · Charged 9 · Intense 5
Steady 9 · Shifting 9 · Whiplash 0
Straight-faced 11 · Some laughs 4 · Funny 3
Slow burn 12 · Even-paced 6 · Relentless 0
Casual 4 · Engaged 13 · Full focus 1
A split, not a type: Easy watch 5 · Affecting 5 · Heavy 8
Resolved 13 · Open-ended 5 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet12
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paul Myler's films?
As of October 24, 2026, 9 of their 19 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Paul Myler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 19 with a MovieCove page.
Midcredits score: 65th percentile of all films
Midcredits score: 78th percentile of all films (provisional, few ratings)
Vita & Virginia(2018)
Midcredits score: 47th percentile of all films
I, Dolours(2018)
Midcredits score: 87th percentile of all films
The Secret Scripture(2016)
Midcredits score: 71st percentile of all films
Moscow Never Sleeps(2017)
Midcredits score: 30th percentile of all films
The Legend of Longwood(2014)
Midcredits score: 33rd percentile of all films
Titanic: Blood and Steel (not in the MovieCove catalog yet)(2012)

Death of a Superhero(2011)
Midcredits score: 83rd percentile of all films
The Guard(2011)
Midcredits score: 90th percentile of all films
Cracks(2009)
Midcredits score: 66th percentile of all films
The Honeymooners(2005)
Midcredits score: 4th percentile of all films
Laws of Attraction(2004)
Midcredits score: 33rd percentile of all films
In America(2002)
Midcredits score: 94th percentile of all films
Bloody Sunday(2002)
Midcredits score: 96th percentile of all films
On the Edge(2001)
Midcredits score: 83rd percentile of all films
Borstal Boy(2000)
Midcredits score: 70th percentile of all films
Agnes Browne(1999)
Midcredits score: 60th percentile of all films
Gold in the Streets(1997)
Midcredits score: 18th percentile of all films
Hear My Song(1991)
Midcredits score: 78th percentile of all films
Career shape
A full career of 12 titles from 1991 to 2019.

Biggest box office
Laws of Attraction (2004)

Highest rated
Bloody Sunday (2002)

Most popular right now
Laws of Attraction (2004)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Paul Myler's films land?
Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 19; across their 18 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up8
- 50th to 74th5
- 25th to 49th4
- Below 25th2
Shape of the crowd
9 of their 19 titles are Crowd Pleasers.
- Universally Loved2
- Loved with Detractors1
- Cult Classic2
- Crowd Pleaser9
- Broadly Agreed1
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Paul Myler's work okay for kids?
Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Paul Myler work with?
People who share at least 2 of Paul Myler's MovieCove titles, grouped by what they did on them; Jim Sheridan shares the most, 6.
Directors
- Jim SheridanShared titles: The Secret Scripture (2016), Bloody Sunday (2002), In America (2002), On the Edge (2001), Borstal Boy (2000), Agnes Browne (1999)See all 6 shared titles with Jim Sheridan

Editors
- Dermot DiskinShared titles: Moscow Never Sleeps (2017), On the Edge (2001)See all 2 shared titles with Dermot Diskin
Producers
- Arthur LappinShared titles: Laws of Attraction (2004), Bloody Sunday (2002), In America (2002), On the Edge (2001), Borstal Boy (2000), Agnes Browne (1999)See all 6 shared titles with Arthur Lappin

- Andrew LoweShared titles: The Guard (2011), Cracks (2009), Laws of Attraction (2004)See all 3 shared titles with Andrew Lowe

- Nuala CunninghamShared titles: Storm Front in Mayo: The Story of the D-Day Forecast (2019), I, Dolours (2018)See all 2 shared titles with Nuala Cunningham
- Katie HollyShared titles: Vita & Virginia (2018), Moscow Never Sleeps (2017)See all 2 shared titles with Katie Holly


