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John Moore

John Moore

Director and producer · Born January 1, 1970 (56) · Dundalk, Ireland

John Moore (born 1 January 1970) is an Irish film director and producer whose credits include the action war film Behind Enemy Lines and A Good Day to Die Hard. Description above from the Wikipedia article John Moore (director) , licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 1, 1970 (56)
From
Dundalk, Ireland
Works as
Director and producer
Titles
13 on MovieCove · 18 credits in all
TMDB popularity, last 155 days to Oct 26Down 33% in 30 days

What are John Moore's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 6

Grounded 2 · Stylized 4 · Heightened 1

Gentle 0 · Charged 1 · Intense 6

Steady 1 · Shifting 6 · Whiplash 0

Straight-faced 6 · Some laughs 1 · Funny 0

Slow burn 0 · Even-paced 5 · Relentless 2

Casual 1 · Engaged 5 · Full focus 1

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
4
Thrilling
4
Melancholic
2
Hopeful
1
Other
1

How their films end · 1 with a twist

  • Happy3
  • Bittersweet3
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Moore's films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Disney+ (5).

Subscription and free streaming for John Moore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 13 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The Siege of Jadotville(2016)

    Executive Producer

    Midcredits score: 88th percentile of all films
  • I.T.(2016)

    Director

    Midcredits score: 18th percentile of all films
  • Midcredits score: 13th percentile of all films
  • Max Payne(2008)

    Director · Producer

    Midcredits score: 14th percentile of all films
  • The Omen(2006)

    Director · Producer

    Midcredits score: 23rd percentile of all films
  • Flight of the Phoenix(2004)

    Director

    Midcredits score: 41st percentile of all films
  • The Collector(2004)

    Show 1 episode · as Sarin

    Midcredits score: 33rd percentile of all shows
  • Behind Enemy Lines(2001)

    Director

    Midcredits score: 56th percentile of all films
  • Space Truckers(1996)

    Focus Puller

    Midcredits score: 25th percentile of all films
  • Moll Flanders(1996)

    Clapper Loader

    Midcredits score: 58th percentile of all films
  • 35 Aside (not in the MovieCove catalog yet)(1996)

    Cinematographer

  • He Shoots, He Scores (not in the MovieCove catalog yet)(1995)

    Director · Producer · Writer

  • Frankie Starlight(1995)

    Clapper Loader

    Midcredits score: 59th percentile of all films
  • A Man of No Importance(1994)

    Clapper Loader

    Midcredits score: 68th percentile of all films
  • After 68 (not in the MovieCove catalog yet)(1994)

    Assistant Camera · Clapper Loader

  • The Crying Game(1992)

    Assistant Camera

    Midcredits score: 87th percentile of all films
  • The Miracle (not in the MovieCove catalog yet)(1991)

    Assistant Camera

  • Jack's Bicycle (not in the MovieCove catalog yet)(1990)

    Director · Writer

Career shape

A full career of 18 titles from 1990 to 2016.

By role

only this rolewith another role
Acting1 of 18: 1 only acting, 0 with another roleDirecting8 of 18: 4 only directing, 4 with another role · typical Midcredits score21stWriting2 of 18: 0 only writing, 2 with another roleProducing4 of 18: 1 only producing, 3 with another roleCinematography1 of 18: 1 only cinematography, 0 with another roleOther crew7 of 18: 7 only other crew, 0 with another role · typical Midcredits score59th

18 titles, 4 with more than one role.

By decade

1990s10 · crew2000s5 · 1 acting · 4 crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John Moore's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 12; across their 7 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 7

Approval · how many liked their films

23rdpercentile
Typical film, the median of 7

Reach · how many have seen their films

94thpercentile
Typical film, the median of 7

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th3
  • Below 25th4

Shape of the crowd

6 of their 13 titles are Crowd Pleasers.

  • Crowd Pleaser6
  • Broadly Agreed2
  • Mixed5

Reviewers score the atmosphere 56/100 and the pacing 48/100 in their films, across 7 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Moore's work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles50–84 · median 69 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity7 titles4–44 · median 6 · minimallighter than most filmsMedian of all films: 32
Profanity7 titles49–73 · median 65 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs6 titles30–45 · median 32 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles36–67 · median 52 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John Moore work with?

People who share at least 2 of John Moore's MovieCove titles, grouped by what they did on them; Marco Beltrami shares the most, 4.

Actors

Composers, cinematographers and editors

Producers