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Chris Moore

Chris Moore

Producer, also director and writer · Easton, Maryland, USA

Oscar nominee · Primetime Emmy nominee · BAFTA Award nominee · 2 other major award bodies

Chris Moore is an American film producer. In 1993, he formed the production company Fusion Studios, through which he produced films such as Good Will Hunting, Glory Daze, Best Laid Plans, Joy Ride, American Pie, Waiting, and Reindeer Games. In 1999, Chris partnered Ben Affleck, Matt Damon and Sean Bailey to form the company LivePlanet. In 2011, Moore co-founded the production company The Media Farm.

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Biography from TMDB.

From
Easton, Maryland, USA
Works as
Producer, also director and writer
Titles
28 on MovieCove · 35 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Up 19% in 30 days

What are Chris Moore's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy11 titlesTypical Midcredits score: 36th percentile
: browse their Comedy movies
Action4 titlesTypical Midcredits score: 24th percentile
: browse their Action movies
Drama4 titlesTypical Midcredits score: 79th percentile, at or above their average across these genres
: browse their Drama movies
Crime2 titlesTypical Midcredits score: 60th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
28%
Self
28%
Survival
16%
Morality
15%
Society
5%
Ideas
4%
Power
3%
Friendship8 titles, browse their movies with this themeRomantic love6 titles, browse their movies with this themeComing of age5 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeSelf-worth5 titles, browse their movies with this themePurpose4 titles, browse their movies with this themeViolence3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this theme

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 12 · Serious 8 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 18 · Stylized 4 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 7 · Charged 9 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 15 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 9 · Funny 10

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 12 · Relentless 6

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 16 · Engaged 8 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 13 · Affecting 6 · Heavy 5

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 20 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Absurd
11
Joyful
7
Warm
7
Contemplative
5
Other
27

How their films linger

Fun11 titles, browse their movies with this aftertasteFeel-good9 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy10
  • Bittersweet11
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chris Moore's films?

As of October 24, 2026, 11 of their 28 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Chris Moore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 28 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Heist: The Northern Bank Robbery(2021)

    Producer

    Midcredits score: 36th percentile of all films (provisional, few ratings)

  • American Pie Presents: Girls' Rules(2020)

    Executive Producer

    Midcredits score: 5th percentile of all films

  • Manchester by the Sea(2016)

    Producer

    Midcredits score: 98th percentile of all films

  • Not Cool(2014)

    Executive Producer

    Midcredits score: 19th percentile of all films

  • Hollidaysburg (not in the MovieCove catalog yet)(2014)

    Executive Producer

  • The Chair(2014)

    Show 10 episodes · Creator · Producer · Writer · as Self

    Midcredits score: 73rd percentile of all shows

  • Promised Land(2012)

    Producer

    Midcredits score: 60th percentile of all films

  • American Reunion(2012)

    Producer

    Midcredits score: 64th percentile of all films

  • The Adjustment Bureau(2011)

    Producer

    Midcredits score: 78th percentile of all films

  • The People Speak(2009)

    Director · Producer

    Midcredits score: 83rd percentile of all films

  • Kill Theory(2009)

    Director

    Midcredits score: 23rd percentile of all films

  • Feast III: The Happy Finish(2009)

    Executive Producer

    Midcredits score: 13th percentile of all films

  • Still Waiting...(2009)

    Executive Producer

    Midcredits score: 9th percentile of all films

  • Feast II: Sloppy Seconds(2008)

    Executive Producer

    Midcredits score: 19th percentile of all films

  • Wrestlemaniac (not in the MovieCove catalog yet)(2006)

    Producer

  • Iconoclasts(2005)

    Show 36 episodes · Producer

    Midcredits score: 67th percentile of all shows

  • Feast(2005)

    Executive Producer

    Midcredits score: 50th percentile of all films

  • Waiting...(2005)

    Executive Producer

    Midcredits score: 61st percentile of all films

  • The Battle of Shaker Heights(2003)

    Producer

    Midcredits score: 36th percentile of all films

  • American Wedding(2003)

    Producer

    Midcredits score: 50th percentile of all films

  • Push, Nevada (not in the MovieCove catalog yet)(2002)

    Show 7 episodes · Creator · Executive Producer

  • The Third Wheel(2002)

    Producer

    Midcredits score: 24th percentile of all films

  • Stolen Summer(2002)

    Producer

    Midcredits score: 54th percentile of all films

  • Speakeasy (not in the MovieCove catalog yet)(2002)

    Producer

  • Project Greenlight(2001)

    Show 34 episodes · Executive Producer · as Self

    Midcredits score: 43rd percentile of all shows

  • Joy Ride(2001)

    Producer

    Midcredits score: 68th percentile of all films

  • American Pie 2(2001)

    Producer

    Midcredits score: 56th percentile of all films

  • The Photographer (not in the MovieCove catalog yet)(2000)

    Producer

  • Reindeer Games(2000)

    Producer

    Midcredits score: 29th percentile of all films

  • American Pie(1999)

    Producer

    Midcredits score: 77th percentile of all films

  • Pop & Me (not in the MovieCove catalog yet)(1999)

    Executive Producer

  • Best Laid Plans(1999)

    Producer

    Midcredits score: 41st percentile of all films

  • Good Will Hunting(1997)

    Co-Producer

    Midcredits score: 99th percentile of all films

  • Glory Daze(1995)

    Producer

    Midcredits score: 30th percentile of all films

  • The New Alfred Hitchcock Presents (not in the MovieCove catalog yet)(1985)

    Show 1 episode · as Honi

Career shape

A full career of 35 titles from 1985 to 2021.

Biggest box office

American Pie 2 (2001)

$288M worldwide

Highest rated

Good Will Hunting (1997)

Midcredits 99th

By role

only this rolewith another role
Acting1 of 35: 1 only acting, 0 with another roleDirecting2 of 35: 2 only directing, 0 with another roleProducing31 of 35: 30 only producing, 1 with another role · typical Midcredits score50thOther crew2 of 35: 1 only other crew, 1 with another role

By decade

1980s1 · acting1990s5 · crew2000s20 · crew2010s7 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

9 major nominations and no wins, 2002–2017.

  1. 2017
    • Oscar, nominated · Best Motion Picture of the Year
    • BAFTA Award, nominated · Best Film
    • +2 other major bodies · 2 nominations
      • Producers Guild Award, nominated · Outstanding Producer of Theatrical Motion Pictures
      • Independent Spirit Award, nominated · Best Feature
  2. 2005
    • Primetime Emmy, nominated · Outstanding Reality Program
  3. 2004
    • Primetime Emmy, nominated · Outstanding Reality Program
    • +1 other major body · 1 nomination
      • Producers Guild Award, nominated · Outstanding Producer of Reality/Game/Informational Series Television
  4. 2003
    • Producers Guild Award, nominated · Outstanding Producer of Reality/Game/Informational Series Television
  5. 2002
    • Primetime Emmy, nominated · Outstanding Non-Fiction Program (Reality)

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Chris Moore's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 25; across their 24 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 24

Approval · how many liked their films

53rdpercentile
Typical film, the median of 24

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 24

Midcredits score across 28 titles, by percentile

  • 75th and up5
  • 50th to 74th10
  • 25th to 49th6
  • Below 25th7

Shape of the crowd

12 of their 28 titles are Mixed.

  • Universally Loved2
  • Loved with Detractors1
  • Divisive1
  • Crowd Pleaser10
  • Broadly Agreed2
  • Mixed12

Most divisive · producer

Not Cool (2014)

99th percentile spread · 46% rated it 4 or lower

Most loved · producer

Good Will Hunting (1997)

Midcredits 99th · 94% liked

Reviewers score the atmosphere 55/100 and the pacing 48/100 in their films, across 23 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Chris Moore's work okay for kids?

Across up to 17 MovieCove titles with content scores, sex & nudity, profanity and alcohol & drugs run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore15 titles20–89 · median 39 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity17 titles41–79 · median 56 · moderateheavier than most filmsMedian of all films: 32
Profanity15 titles62–94 · median 85 · severeheavier than most filmsMedian of all films: 36
Alcohol & Drugs13 titles29–67 · median 51 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense13 titles6–83 · median 30 · mildnear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Chris Moore work with?

People who share at least 2 of Chris Moore's MovieCove titles, grouped by what they did on them; Matt Damon shares the most, 9.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles