Skip to content
MovieCove
Alexandre Mnouchkine

Alexandre Mnouchkine

Producer · Died April 3, 1993, aged 85 · Sankt Petersburg, Russia

Alexandre Alexandrovich Mnouchkine (Russian: Алекса́ндр Алекса́ндрович Мну́шкин; 10 February 1908, St. Petersburg, Russian Empire – 3 April 1993, Neuilly-sur-Seine, France) was a French film producer. He moved to Paris in 1925. After his entry into cinema in 1932, he created Ariane Films in 1945. Alexandre Mnouchkine married twice, the second time to the comedian Simone Renant. He is the father of Ariane Mnouchkine. In 1987 he was a member of the jury at the 15th Moscow International Film Festival. Source: Article "Alexandre Mnouchkine" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Read more

Biography from TMDB.

Born
February 10, 1908
Died
April 3, 1993 (aged 85)
From
Sankt Petersburg, Russia
Works as
Producer
Titles
38 on MovieCove · 51 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 7% in 30 days

What are Alexandre Mnouchkine's films like?

Across their 37 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy9 titlesTypical Midcredits score: 51st percentile
: browse their Comedy movies
Action8 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Action movies
Drama8 titlesTypical Midcredits score: 88th percentile, at or above their average across these genres
: browse their Drama movies
Crime6 titlesTypical Midcredits score: 77th percentile, at or above their average across these genres
: browse their Crime movies
Adventure5 titlesTypical Midcredits score: 49th percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
37%
Morality
29%
Power
13%
Self
11%
Survival
4%
Ideas
3%
Society
3%
Romantic love16 titles, browse their movies with this themeJustice8 titles, browse their movies with this themeMarriage5 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeCorruption4 titles, browse their movies with this themeBetrayal4 titles, browse their movies with this theme

What they feel like to watch

their average across 37 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 17 · Serious 11 · Dark 9

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 13 · Stylized 18 · Heightened 6

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 8 · Charged 18 · Intense 11

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 13 · Shifting 22 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 14 · Some laughs 8 · Funny 15

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 16 · Even-paced 16 · Relentless 5

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 13 · Engaged 19 · Full focus 5

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 17 · Affecting 12 · Heavy 8

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 29 · Open-ended 5 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Joyful
13
Melancholic
13
Romantic
10
Absurd
10
Other
33

How their films linger

Bittersweet15 titles, browse their movies with this aftertasteFun13 titles, browse their movies with this aftertasteThought-provoking11 titles, browse their movies with this aftertasteFeel-good11 titles, browse their movies with this aftertasteHaunting9 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy12
  • Bittersweet17
  • Tragic5
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexandre Mnouchkine's films?

As of October 24, 2026, 16 of their 38 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Alexandre Mnouchkine's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

51 credits, 38 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • The Last Tycoons (not in the MovieCove catalog yet)(2019)

    Show 8 episodes · Actor

  • A Pure Formality(1994)

    Associate Producer

    Midcredits score: 94th percentile of all films

  • The Prediction (not in the MovieCove catalog yet)(1993)

    Producer · Writer

  • The Favour, the Watch and the Very Big Fish(1991)

    Producer

    Midcredits score: 51st percentile of all films

  • The African Woman (not in the MovieCove catalog yet)(1990)

    as Andrej

  • Everybody's Fine(1990)

    Producer

    Midcredits score: 95th percentile of all films

  • Vanille fraise(1989)

    Producer

    Midcredits score: 11th percentile of all films

  • The French Revolution(1989)

    Producer

    Midcredits score: 95th percentile of all films

  • Spiral (not in the MovieCove catalog yet)(1987)

    as Stadler

  • Dernier été à Tanger(1987)

    Producer

    Midcredits score: 9th percentile of all films

  • Control (not in the MovieCove catalog yet)(1987)

    Co-Producer

  • The Name of the Rose(1986)

    Producer

    Midcredits score: 95th percentile of all films

  • The Grilling(1981)

    Producer

    Midcredits score: 96th percentile of all films

  • The Professional(1981)

    Producer

    Midcredits score: 90th percentile of all films

  • On a volé la cuisse de Jupiter(1980)

    Producer

    Midcredits score: 50th percentile of all films

  • L'homme en colère(1979)

    Producer

    Midcredits score: 42nd percentile of all films

  • Practice Makes Perfect(1979)

    Producer

    Midcredits score: 45th percentile of all films

  • Dear Inspector(1977)

    Producer

    Midcredits score: 67th percentile of all films

  • Get Out Your Handkerchiefs(1978)

    Producer

    Midcredits score: 76th percentile of all films

  • Another Man, Another Chance(1977)

    Producer

    Midcredits score: 49th percentile of all films

  • Illustrious Corpses(1976)

    as Pattos (uncredited)

    Midcredits score: 86th percentile of all films

  • The French Detective(1975)

    Producer

    Midcredits score: 76th percentile of all films

  • Incorrigible(1975)

    Producer

    Midcredits score: 58th percentile of all films

  • 1789 (not in the MovieCove catalog yet)(1974)

    Producer

  • Stavisky(1974)

    Delegated Producer

    Midcredits score: 58th percentile of all films

  • Le Magnifique(1973)

    Producer · as Paramedic at the back of Ambulance (uncredited)

    Midcredits score: 84th percentile of all films

  • A Pain in the Ass(1973)

    Producer

    Midcredits score: 83rd percentile of all films

  • Dear Louise (not in the MovieCove catalog yet)(1972)

    Producer

  • Money Money Money(1972)

    Producer · as Davis (uncredited)

    Midcredits score: 80th percentile of all films

  • Touch and Go(1971)

    Producer · as L'homme en vélo-taxi

    Midcredits score: 26th percentile of all films

  • The Crook(1970)

    Producer

    Midcredits score: 78th percentile of all films

  • Une infinie tendresse(1970)

    Producer

    Midcredits score: 96th percentile of all films (provisional, few ratings)

  • Love Is a Funny Thing(1969)

    Producer

    Midcredits score: 56th percentile of all films

  • Les Gauloises bleues (not in the MovieCove catalog yet)(1969)

    Producer

  • Life Love Death (not in the MovieCove catalog yet)(1969)

    Producer

  • Live for Life(1967)

    Producer

    Midcredits score: 54th percentile of all films

  • Up to His Ears(1965)

    Producer · as Insurance Company Director (uncredited)

    Midcredits score: 55th percentile of all films

  • That Man from Rio(1964)

    Producer

    Midcredits score: 85th percentile of all films

  • The Train(1964)

    Producer

    Midcredits score: 97th percentile of all films

  • Cartouche(1962)

    Producer

    Midcredits score: 61st percentile of all films

  • Five Day Lover(1961)

    Producer

    Midcredits score: 48th percentile of all films

  • Rue de Paris (not in the MovieCove catalog yet)(1959)

    Producer

  • The Law Is the Law(1958)

    Producer

    Midcredits score: 88th percentile of all films

  • The Parisian(1957)

    Producer

    Midcredits score: 46th percentile of all films

  • Lucrèce Borgia(1953)

    Producer

    Midcredits score: 21st percentile of all films

  • Fanfan la Tulipe(1952)

    Producer

    Midcredits score: 81st percentile of all films

  • L'homme de joie (not in the MovieCove catalog yet)(1950)

    Producer

  • The Terrible Parents(1948)

    Producer

    Midcredits score: 80th percentile of all films

  • The Eagle with Two Heads(1948)

    Producer

    Midcredits score: 66th percentile of all films

  • Not Guilty (not in the MovieCove catalog yet)(1947)

    Production Manager

  • The Emigrant (not in the MovieCove catalog yet)(1940)

    Producer

Career shape

A full career of 41 titles from 1940 to 2019.

Biggest box office

The Name of the Rose (1986)

$7.2M worldwide

Highest rated

The Train (1964)

Midcredits 97th

Most popular right now

The Name of the Rose (1986)

Film career

By role

only this rolewith another role
Acting8 of 41: 4 only acting, 4 with another role · typical Midcredits score80thWriting1 of 41: 0 only writing, 1 with another roleProducing36 of 41: 31 only producing, 5 with another role · typical Midcredits score67thOther crew1 of 41: 1 only other crew, 0 with another role

41 titles, 5 with more than one role — producing and acting overlap on 4 of them.

By decade

1940s4 · crew1950s3 · crew1960s8 · 1 acting · 8 crew1970s15 · 4 acting · 14 crew1980s7 · 1 acting · 6 crew1990s3 · 1 acting · 2 crew2010s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alexandre Mnouchkine's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 38; across their 37 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 37

Approval · how many liked their films

66thpercentile
Typical film, the median of 37

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 37

Midcredits score across 38 titles, by percentile

  • 75th and up19
  • 50th to 74th10
  • 25th to 49th6
  • Below 25th3

Shape of the crowd

18 of their 38 titles are Crowd Pleasers.

  • Universally Loved7
  • Crowd Pleaser18
  • Broadly Agreed7
  • Mixed6

Most divisive · producer

Une infinie tendresse (1970)

78th percentile spread · 14% rated it 4 or lower

Most loved · producer

The Train (1964)

Midcredits 97th · 89% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alexandre Mnouchkine's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 78 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 60 · moderateMedian of all films: 32
Profanity3 titlesmedian 26 · mildMedian of all films: 36
Frightening / Intense3 titlesmedian 63 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Alexandre Mnouchkine work with?

People who share at least 2 of Alexandre Mnouchkine's MovieCove titles, grouped by what they did on them; Georges Dancigers shares the most, 30.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers