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Robert Miller

Robert Miller

Composer, also actor

Robert W. Miller has been a prolific composer in film, television, and the concert hall for over 33 years. A graduate of the Mannes College of Music in New York City, Robert was encouraged to enter the world of film scoring by his mentors Aaron Copland, William Schuman, and Edgar David Grana. Robert has provided scores for nearly 3,000 commercials with notable directors including Lance Acord, Noam Murro, Rupert Sanders, Dante Ariola, John Hillcoat, and Nicolai Fuglsig. His work is featured in over 80 film scores, two television series, and numerous works for the concert hall and stage. Among Robert’s work in film are several collaborations with pioneering editor and sound designer Walter Murch, renowned documentarian Eugene Jarecki, ten-time Emmy award-winning director Jon Hock, director Steven Spielberg (as executive producer), and Oscar-winning director Thomas Lennon. In 2017, Robert collaborated with choreographer Troy Schumacher on a new ballet entitled “The Wind Still Brings” for the New York City Ballet. Robert also has a long-standing creative relationship with Neil deGrasse Tyson and The American Museum of Natural History’s Hayden Planetarium, having scored seven Space Shows since 2008, including the planetarium’s current show, “Encounters in the Milky Way,” which premiered this summer. Among other new film projects, Robert just completed scoring ESPN’s biggest series to date, entitled “The Yankees Win,” directed by John Hock and produced by JJ Abrams. Robert’s work has garnered the industry’s highest honors: British Academy Television Awards, ADDY’s, AICPs, seven CLIOs, and five Emmy Awards. The Gorfaine/Schwartz Agency in Los Angeles represents Miller in film and television.

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Biography from TMDB.

Works as
Composer, also actor
Titles
22 on MovieCove · 31 credits in all
TMDB popularity, last 37 days to Oct 26Down 24% in 30 days

What are Robert Miller's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Genres

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 9 · Serious 3 · Dark 9

Grounded 15 · Stylized 3 · Heightened 3

A split, not a type: Gentle 10 · Charged 8 · Intense 3

Steady 13 · Shifting 6 · Whiplash 2

A split, not a type: Straight-faced 12 · Some laughs 6 · Funny 3

A split, not a type: Slow burn 11 · Even-paced 10 · Relentless 0

Casual 5 · Engaged 12 · Full focus 4

A split, not a type: Easy watch 10 · Affecting 5 · Heavy 6

A split, not a type: Resolved 12 · Open-ended 6 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
11
Tense
9
Warm
6
Melancholic
8
Hopeful
5
Other
20

How their films end · 2 with a twist

  • Happy7
  • Bittersweet5
  • Tragic1
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Miller's films?

As of October 24, 2026, 14 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Robert Miller's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 22 with a MovieCove page.

  • Unbanked(2025)

    Composer

    Midcredits score: 33rd percentile of all films
  • Midcredits score: 89th percentile of all films
  • Coup 53 (not in the MovieCove catalog yet)(2019)

    Composer

  • The Bit Player (not in the MovieCove catalog yet)(2019)

    Composer

  • The King(2017)

    Composer

    Midcredits score: 68th percentile of all films
  • Generations of the Game (not in the MovieCove catalog yet)(2018)

    Composer

  • Knife Skills (not in the MovieCove catalog yet)(2017)

    Composer

  • You Get Me(2017)

    Composer

    Midcredits score: 8th percentile of all films
  • Future '38(2017)

    Composer

    Midcredits score: 46th percentile of all films
  • I Love You, Daddy(2017)

    Composer

    Midcredits score: 50th percentile of all films
  • Delivery Hour (not in the MovieCove catalog yet)(2015)

    Additional Music

  • Foreclosure (not in the MovieCove catalog yet)(2014)

    Composer

  • Away from Here(2014)

    Composer

    Midcredits score: 36th percentile of all films
  • Dark Universe (not in the MovieCove catalog yet)(2013)

    Composer

  • Autumn Blood(2013)

    Composer

    Midcredits score: 31st percentile of all films
  • Particle Fever(2013)

    Composer

    Midcredits score: 93rd percentile of all films
  • Excuse Me for Living(2012)

    Composer

    Midcredits score: 9th percentile of all films
  • The House I Live In(2012)

    Composer

    Midcredits score: 97th percentile of all films
  • Midcredits score: 75th percentile of all films
  • Forgetting the Girl(2012)

    Composer

    Midcredits score: 36th percentile of all films
  • Fred Won't Move Out(2012)

    Composer · as The Music Therapist

    Midcredits score: 23rd percentile of all films (provisional, few ratings)
  • Cinderella Moon(2010)

    Composer

    Midcredits score: 62nd percentile of all films (provisional, few ratings)
  • Happy Tears(2009)

    Composer

    Midcredits score: 17th percentile of all films
  • Theater of War (not in the MovieCove catalog yet)(2008)

    Composer

  • Teeth(2007)

    Composer

    Midcredits score: 25th percentile of all films
  • Trumbo(2007)

    Composer

    Midcredits score: 83rd percentile of all films
  • The One Percent(2006)

    Composer

    Midcredits score: 72nd percentile of all films
  • Why We Fight(2005)

    Composer

    Midcredits score: 97th percentile of all films
  • Anytown, USA(2005)

    Composer

    Midcredits score: 78th percentile of all films
  • Red Doors(2005)

    Composer

    Midcredits score: 52nd percentile of all films
  • The Room (not in the MovieCove catalog yet)(1992)

    Composer

Career shape

A full career of 21 titles from 1992 to 2020.

By role

only this rolewith another role
Music21 of 21: 21 only music, 0 with another role · typical Midcredits score70th

By decade

1990s1 · crew2000s6 · crew2010s13 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Robert Miller's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 22; across their 21 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 21

Approval · how many liked their films

56thpercentile
Typical film, the median of 21

Reach · how many have seen their films

44thpercentile
Typical film, the median of 21

Midcredits score across 22 titles, by percentile

  • 75th and up7
  • 50th to 74th5
  • 25th to 49th6
  • Below 25th4

Reviewers score the sound and music 53/100 in their films, across 12 reviewed titles; fans 58, detractors 41. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Robert Miller's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 57 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Robert Miller work with?

People who share at least 2 of Robert Miller's MovieCove titles, grouped by what they did on them; Eugene Jarecki shares the most, 3.

Directors

Writers

Actors

Cinematographers and editors

Producers