
Catherine McLeod
Actor · Died May 11, 1997, aged 75 · Santa Monica, California, USA
Catherine McLeod (July 2, 1921 – May 11, 1997) was an American actress who made over sixty television and movie appearances between 1944 and 1976. She memorably portrayed the one woman whom James Garner's character Bret Maverick wanted to marry on the 1957 television series Maverick, in the episode "Rage for Vengeance," and appeared in literally dozens of other series including The Millionaire, Meet McGraw, Richard Diamond, Private Detective, 77 Sunset Strip, Mickey Spillane's Mike Hammer, Bronco, Perry Mason, Colt .45, Lawman, Bonanza, Hawaiian Eye, Have Gun - Will Travel, The Outer Limits, The Virginian, and the Ten Thousand Horses Singing episode of Studio One opposite James Dean and John Forsythe. Movies included Frank Borzage's I've Always Loved You (1946), Courage of Lassie (1946), The Fabulous Texan (1947), That's My Man (1947), Old Los Angeles (1948), My Wife's Best Friend (1952), A Blueprint for Murder (1953), William Witney's The Outcast (1954), Ride the Wild Surf (1964), and Lipstick (1976). McLeod's greatest impact upon American consciousness by far, however, was as purveyor of one of the most ubiquitous catchphrases of its era when she portrayed the woman in the 1963 headache remedy television commercial who plaintively but irritably said, "Mother, please! I'd rather do it myself!" The announcer's voiceover would then intone, "Sure you have a headache... tense, irritable.... but don't take it out on her." Description above from the Wikipedia article Catherine McLeod, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- July 2, 1921
- May 11, 1997 (aged 75)
- Santa Monica, California, USA
- Actor
- 18 on MovieCove · 51 credits in all
What are Catherine McLeod's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 1 · Serious 4 · Dark 2
Grounded 5 · Stylized 2 · Heightened 0
Gentle 0 · Charged 5 · Intense 2
Steady 3 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 3 · Funny 0
Slow burn 2 · Even-paced 5 · Relentless 0
Casual 3 · Engaged 3 · Full focus 1
Easy watch 3 · Affecting 3 · Heavy 1
Resolved 6 · Open-ended 1 · Ambiguous 0
Roles they play
- Heraldas Ronnie Moore in That's My Man (1947)
- Allyas Ruth Levering in So Young, So Bad (1950)
Moods and endings
- Happy3
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Catherine McLeod's films?
As of October 24, 2026, 10 of their 18 MovieCove titles stream on a subscription or free service, most on The Roku Channel (6).
Subscription and free streaming for Catherine McLeod's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
51 credits, 18 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Lipstick(1976)
Midcredits score: 31st percentile of all films
Marcus Welby, M.D.(1969)
Midcredits score: 47th percentile of all shows
The F.B.I. (not in the MovieCove catalog yet)(1965)

Ride the Wild Surf(1964)
Midcredits score: 37th percentile of all films
The Outer Limits(1963)
Midcredits score: 92nd percentile of all shows
The Virginian (not in the MovieCove catalog yet)(1962)

The Sergeant Was a Lady (not in the MovieCove catalog yet)(1961)

87th Precinct (not in the MovieCove catalog yet)(1961)

Cain's Hundred (not in the MovieCove catalog yet)(1961)

Tammy Tell Me True(1961)
Midcredits score: 62nd percentile of all films
Angel (not in the MovieCove catalog yet)(1960)

Stagecoach West (not in the MovieCove catalog yet)(1960)

Coronado 9 (not in the MovieCove catalog yet)(1960)

Hawaiian Eye (not in the MovieCove catalog yet)(1959)

Bonanza(1959)
Midcredits score: 69th percentile of all shows
One Step Beyond(1959)
Midcredits score: 71st percentile of all shows
77 Sunset Strip (not in the MovieCove catalog yet)(1958)

Bronco (not in the MovieCove catalog yet)(1958)

Return to Warbow (not in the MovieCove catalog yet)(1958)

Alcoa Theatre (not in the MovieCove catalog yet)(1957)

Maverick(1957)
Midcredits score: 86th percentile of all shows
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Have Gun, Will Travel (not in the MovieCove catalog yet)(1957)

Richard Diamond, Private Detective (not in the MovieCove catalog yet)(1957)

Dick Powell's Zane Grey Theatre (not in the MovieCove catalog yet)(1956)
State Trooper (not in the MovieCove catalog yet)(1956)

Matinee Theater (not in the MovieCove catalog yet)(1955)

Gunsmoke (not in the MovieCove catalog yet)(1955)

The Outcast(1954)
Midcredits score: 54th percentile of all filmsThe Heart of Juliet Jones (not in the MovieCove catalog yet)(1954)

Public Defender (not in the MovieCove catalog yet)(1954)

The Loretta Young Show(1953)
Midcredits score: 68th percentile of all shows
A Blueprint for Murder(1953)
Midcredits score: 69th percentile of all films
Sword of Venus (not in the MovieCove catalog yet)(1953)

General Electric Theater (not in the MovieCove catalog yet)(1953)

My Wife's Best Friend (not in the MovieCove catalog yet)(1952)

Four Star Playhouse(1952)
Midcredits score: 65th percentile of all shows
10,000 Horses Singing (not in the MovieCove catalog yet)(1952)

Schlitz Playhouse of Stars (not in the MovieCove catalog yet)(1951)
Lux Video Theatre (not in the MovieCove catalog yet)(1950)

So Young, So Bad(1950)
Midcredits score: 42nd percentile of all films
Suspense (not in the MovieCove catalog yet)(1949)

Studio One (not in the MovieCove catalog yet)(1948)

The Philco Television Playhouse (not in the MovieCove catalog yet)(1948)

Old Los Angeles (not in the MovieCove catalog yet)(1948)

The Fabulous Texan (not in the MovieCove catalog yet)(1947)

That's My Man(1947)
Midcredits score: 47th percentile of all films
I've Always Loved You(1946)
Midcredits score: 72nd percentile of all films
Courage of Lassie(1946)
Midcredits score: 48th percentile of all films
The Harvey Girls(1946)
Midcredits score: 79th percentile of all films
Forever Yours (not in the MovieCove catalog yet)(1945)
Career shape
Star power in the 61st percentile of 239,109 people with a billed film role, over a full career of 51 titles from 1945 to 1976.
Film career
- 1946Screen debut· Courage of Lassie
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Catherine McLeod's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 10; across their 7 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up4
- 50th to 74th8
- 25th to 49th6
Shape of the crowd
11 of their 18 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser11
- Broadly Agreed1
- Mixed4
Reviewers score the acting 67/100 in their films, across 7 reviewed titles; fans 77, detractors 48. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Catherine McLeod work with?
People who share at least 2 of Catherine McLeod's MovieCove titles, grouped by what they did on them; Frank Borzage shares the most, 2.
Directors
- Frank BorzageShared titles: That's My Man (1947), I've Always Loved You (1946)See all 2 shared titles with Frank Borzage

Cinematographers and editors
- Richard L. Van EngerShared titles: That's My Man (1947), I've Always Loved You (1946)See all 2 shared titles with Richard L. Van Enger
- Tony GaudioShared titles: That's My Man (1947), I've Always Loved You (1946)See all 2 shared titles with Tony Gaudio

Producers
- Lew BorzageShared titles: That's My Man (1947), I've Always Loved You (1946)See all 2 shared titles with Lew Borzage


