Daniel Marquet
- Producer
- 12 on MovieCove · 15 credits in all
What are Daniel Marquet's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 9
Light 4 · Serious 5 · Dark 1
A split, not a type: Grounded 4 · Stylized 3 · Heightened 3
Gentle 3 · Charged 5 · Intense 2
A split, not a type: Steady 5 · Shifting 4 · Whiplash 1
A split, not a type: Straight-faced 7 · Some laughs 1 · Funny 2
A split, not a type: Slow burn 5 · Even-paced 4 · Relentless 1
Casual 4 · Engaged 6 · Full focus 0
Easy watch 3 · Affecting 5 · Heavy 2
Resolved 4 · Open-ended 4 · Ambiguous 2
Moods and endings
- Happy5
- Bittersweet1
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel Marquet's films?
As of October 24, 2026, 8 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Daniel Marquet's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 12 with a MovieCove page.
Epicentro(2020)
Midcredits score: 73rd percentile of all films
Angel(2016)
Midcredits score: 51st percentile of all films
The Brand New Testament(2015)
Midcredits score: 80th percentile of all films
Hurricane(2015)
Midcredits score: 72nd percentile of all films
Beauty and the Beast(2014)
Midcredits score: 57th percentile of all films
Love Battles(2013)
Midcredits score: 33rd percentile of all films
Lads & Jockeys(2008)
Midcredits score: 71st percentile of all films (provisional, few ratings)
Mr. Nobody(2009)
Midcredits score: 94th percentile of all films
Totally Spies! The Movie(2009)
Midcredits score: 72nd percentile of all films
Joyeux Noel(2005)
Midcredits score: 96th percentile of all films
Does This Mean We're Married? (not in the MovieCove catalog yet)(1992)
Road to Ruin (not in the MovieCove catalog yet)(1991)
The Maid(1990)
Midcredits score: 40th percentile of all films
If the Shoe Fits(1991)
Midcredits score: 23rd percentile of all films
Sweet Revenge (not in the MovieCove catalog yet)(1990)
Career shape
A full career of 12 titles from 1990 to 2020.
Biggest box office
Beauty and the Beast (2014)
Highest rated
Joyeux Noel (2005)
Most popular right now
Beauty and the Beast (2014)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Daniel Marquet's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 12; across their 10 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up3
- 50th to 74th6
- 25th to 49th2
- Below 25th1
Shape of the crowd
5 of their 12 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser5
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Daniel Marquet's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Daniel Marquet work with?
People who share at least 2 of Daniel Marquet's MovieCove titles, grouped by what they did on them; Olivier Rausin shares the most, 3.
Writers
- Thomas GunzigShared titles: Angel (2016), The Brand New Testament (2015)See all 2 shared titles with Thomas Gunzig
Cinematographers
- Christophe BeaucarneShared titles: The Brand New Testament (2015), Beauty and the Beast (2014)See all 2 shared titles with Christophe Beaucarne
- Laurent ChaletShared titles: Love Battles (2013), Lads & Jockeys (2008)See all 2 shared titles with Laurent Chalet
Producers
- Olivier RausinShared titles: Angel (2016), Hurricane (2015), The Brand New Testament (2015)See all 3 shared titles with Olivier Rausin
- Jaco Van DormaelShared titles: Angel (2016), The Brand New Testament (2015)See all 2 shared titles with Jaco Van Dormael
- Philippe LogieShared titles: Angel (2016), The Brand New Testament (2015)See all 2 shared titles with Philippe Logie
- Jean-Yves AsselinShared titles: Hurricane (2015), The Brand New Testament (2015)See all 2 shared titles with Jean-Yves Asselin