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Koko Maeda

Koko Maeda

Producer · Born September 17, 1965 (61) · Japan

Koko Maeda (前田 浩子, Maeda Kōko) is a Japanese producer.

Biography from TMDB.

Born
September 17, 1965 (61)
From
Japan
Works as
Producer
Titles
9 on MovieCove · 13 credits in all
TMDB popularity, last 155 days to Oct 26Down 32% in 30 days

What are Koko Maeda's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 3 · Stylized 1 · Heightened 4

Gentle 1 · Charged 4 · Intense 3

Steady 4 · Shifting 3 · Whiplash 1

A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 1

Slow burn 4 · Even-paced 4 · Relentless 0

Casual 2 · Engaged 4 · Full focus 2

A split, not a type: Resolved 5 · Open-ended 0 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Bittersweet
2
Tense
2
Hopeful
2
Contemplative
2
Other
7

How their films end · 2 with a twist

  • Happy1
  • Bittersweet3
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Koko Maeda's films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Koko Maeda's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 9 with a MovieCove page.

  • Midcredits score: 97th percentile of all films
  • The Brightest Roof in the Universe (not in the MovieCove catalog yet)(2022)

    Development Producer · Producer

  • Lost and Found (not in the MovieCove catalog yet)(2016)

    Producer · Screenplay

  • Paikaji Nankai Sakusen (not in the MovieCove catalog yet)(2012)

    Producer

  • Patisserie Coin De Rue (not in the MovieCove catalog yet)(2011)

    Producer · Screenplay

  • One Million Yen Girl(2008)

    Development Producer · Producer

    Midcredits score: 89th percentile of all films
  • Rainbow Song(2006)

    Producer

    Midcredits score: 84th percentile of all films
  • The Great Raid(2005)

    Casting

    Midcredits score: 64th percentile of all films
  • Kill Bill: Vol. 2(2004)

    Associate Producer · Casting

    Midcredits score: 98th percentile of all films
  • Hana & Alice(2004)

    Associate Producer

    Midcredits score: 86th percentile of all films
  • Kill Bill: Vol. 1(2003)

    Associate Producer · Casting

    Midcredits score: 98th percentile of all films
  • All About Lily Chou-Chou(2001)

    Associate Producer

    Midcredits score: 94th percentile of all films
  • Swallowtail Butterfly(1996)

    Associate Producer

    Midcredits score: 92nd percentile of all films

Career shape

A full career of 12 titles from 1996 to 2024.

By role

only this rolewith another role
Writing2 of 12: 0 only writing, 2 with another roleProducing11 of 12: 7 only producing, 4 with another role · typical Midcredits score94thOther crew3 of 12: 1 only other crew, 2 with another role

12 titles, 4 with more than one role — producing and other crew overlap on 2 of them.

By decade

1990s1 · crew2000s6 · crew2010s3 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Koko Maeda's films land?

Their typical MovieCove film has a Midcredits score in the 92nd percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 95th percentile for acclaim.

Acclaim · how much people like their films

95thpercentile
Typical film, the median of 8

Approval · how many liked their films

88thpercentile
Typical film, the median of 8

Reach · how many have seen their films

89thpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 75th and up8
  • 50th to 74th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Koko Maeda's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 87 · severeMedian of all films: 44
Sex & Nudity3 titlesmedian 38 · moderateMedian of all films: 32
Profanity3 titlesmedian 81 · severeMedian of all films: 36
Alcohol & Drugs3 titlesmedian 36 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 73 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Koko Maeda work with?

People who share at least 2 of Koko Maeda's MovieCove titles, grouped by what they did on them; Shunji Iwai shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers