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Marianne Maddalena

Marianne Maddalena

Producer · Lansing, Michigan, USA

Independent Spirit Award nominee

The wavy brunette and elegant producer Marianne Maddalena has Italian origins, but she was born in Lansing, Michigan in early 60s. She attended Michigan State University and she then traveled to Europe, to study and work in Italy and France. She enter in the world of cinema in early 1986, when she had a job from Warner Bros. on "Deadly Friend". She was the personal secretary for Wes Craven and they became very good friends. So, in late 1986, Craven call her to be his assistant in "The Serpent and the Rainbow": shooting started on february 1987 in Haiti and it was very difficult for all the crew and cast members. In 1988, when the film was released, Marianne wanted to start in production: Craven was developing "Shocker" for Alive Films and she was attached to produce it with Barin Kumar. The budget was really limited but when the film was released, it took $16m at box office. After her first success, Marianne became an official co- producer for Wes Craven: in 1990 she was involved in the production of NBC TV movie "Night Visions" and two years later she worked again for TV on the series "Nightmare Cafe". Between those TV works, she produced "The People Under the Stairs" and with "New Nightmare" (the first film that she produced alone) she was nominated at Independent Spirit Awards. After executive production for the flop "Vampire in Brooklyn" and hit "Scream", she produced "Scream 2", "Music of the Heart" and "Scream 3".

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Biography from IMDb.

From
Lansing, Michigan, USA
Works as
Producer
Titles
26 on MovieCove · 27 credits in all
TMDB popularity, last 155 days to Oct 26Down 23% in 30 days

What are Marianne Maddalena's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 9 · Stylized 10 · Heightened 4

Gentle 1 · Charged 4 · Intense 18

Steady 3 · Shifting 13 · Whiplash 7

Straight-faced 12 · Some laughs 10 · Funny 1

Slow burn 1 · Even-paced 16 · Relentless 6

Casual 6 · Engaged 14 · Full focus 3

Easy watch 3 · Affecting 15 · Heavy 5

Resolved 18 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
21
Dread
12
Thrilling
10
Absurd
7
Melancholic
3
Other
9

How their films end · 11 with a twist

  • Happy6
  • Bittersweet11
  • Tragic1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marianne Maddalena's films?

As of October 24, 2026, 19 of their 26 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Marianne Maddalena's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 26 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Scream 7(2026)

    Executive Producer

    Midcredits score: 20th percentile of all films
  • Scream VI(2023)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • Scream(2022)

    Executive Producer

    Midcredits score: 62nd percentile of all films
  • Delirium(2018)

    Producer

    Midcredits score: 29th percentile of all films
  • Scream: The TV Series(2015)

    Show 6 episodes · Executive Producer

    Midcredits score: 50th percentile of all shows
  • Scream 4(2011)

    Executive Producer

    Midcredits score: 59th percentile of all films
  • Midcredits score: 57th percentile of all films
  • New York, I Love You(2008)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • The Hills Have Eyes 2(2007)

    Producer

    Midcredits score: 14th percentile of all films
  • The Breed(2006)

    Producer

    Midcredits score: 16th percentile of all films
  • The Hills Have Eyes(2006)

    Producer

    Midcredits score: 56th percentile of all films
  • Red Eye(2005)

    Producer · as Flight Passenger (uncredited)

    Midcredits score: 61st percentile of all films
  • Cursed(2005)

    Producer

    Midcredits score: 17th percentile of all films
  • They Shoot Divas, Don't They?(2002)

    Executive Producer

    Midcredits score: 18th percentile of all films
  • Dracula 2000(2000)

    Executive Producer

    Midcredits score: 13th percentile of all films
  • Scream 3(2000)

    Producer

    Midcredits score: 34th percentile of all films
  • Music of the Heart(1999)

    Producer

    Midcredits score: 69th percentile of all films
  • Don't Look Down(1998)

    Producer

    Midcredits score: 12th percentile of all films
  • Hollyweird (not in the MovieCove catalog yet)(1998)

    Producer

  • Scream 2(1997)

    Producer

    Midcredits score: 60th percentile of all films
  • Scream(1996)

    Executive Producer

    Midcredits score: 93rd percentile of all films
  • Vampire in Brooklyn(1995)

    Executive Producer

    Midcredits score: 9th percentile of all films
  • New Nightmare(1994)

    Producer · as Marianne Maddalena

    Midcredits score: 62nd percentile of all films
  • Midcredits score: 64th percentile of all films
  • Night Visions(1990)

    Producer

    Midcredits score: 7th percentile of all films
  • Shocker(1989)

    Producer

    Midcredits score: 29th percentile of all films
  • Deadly Friend(1986)

    Other

    Midcredits score: 28th percentile of all films

Career shape

A full career of 25 titles from 1986 to 2026.

Film career

By role

only this rolewith another role
Acting2 of 25: 0 only acting, 2 with another roleProducing24 of 25: 22 only producing, 2 with another role · typical Midcredits score50thOther crew1 of 25: 1 only other crew, 0 with another role

By decade

1980s2 · crew1990s8 · 1 acting · 8 crew2000s10 · 1 acting · 10 crew2010s2 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for an Independent Spirit Award in 1995, Best Feature.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Marianne Maddalena's films land?

Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 25; across their 23 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 23

Approval · how many liked their films

30thpercentile
Typical film, the median of 23

Reach · how many have seen their films

95thpercentile
Typical film, the median of 23

Midcredits score across 26 titles, by percentile

  • 75th and up1
  • 50th to 74th11
  • 25th to 49th5
  • Below 25th9

Shape of the crowd

11 of their 26 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser11
  • Broadly Agreed2
  • Mixed11

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Marianne Maddalena's work okay for kids?

Across up to 19 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore19 titles68–95 · median 86 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity19 titles16–69 · median 32 · mildnear the median of all filmsMedian of all films: 32
Profanity19 titles45–87 · median 75 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs18 titles27–50 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense18 titles67–90 · median 83 · severeheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Marianne Maddalena work with?

People who share at least 2 of Marianne Maddalena's MovieCove titles, grouped by what they did on them; Wes Craven shares the most, 19.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles