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Alexander Mackendrick

Alexander Mackendrick

Writer, director and actor · Died December 22, 1993, aged 81 · Boston, Massachusetts, USA

Alexander Mackendrick (September 8, 1912 – December 22, 1993) was an American-born Scottish film director and screenwriter. He directed nine feature films between 1949 and 1967, before retiring from filmmaking to become an influential professor at the California Institute of the Arts. Born to Scottish immigrant parents in Boston, he was raised in Glasgow from the age of 6. He began making television commercials before moving into post-production editing and directing films, most notably for Ealing Studios where his films include Whisky Galore! (1949), The Man in the White Suit (1951) - which earned him an Oscar nomination for Best Screenplay, The Maggie (1954), and The Ladykillers (1955). In 1957, Mackendrick directed his first American film Sweet Smell of Success, which was a critical and commercial success. However, his directing career declined throughout the following decade, and he was fired or replaced from several projects, owing in part to his perfectionist approach to filmmaking. Mackendrick retired from directing in the late 1960's after completing A High Wind in Jamaica (1965) and Don't Make Waves (1967), becoming the founding Dean (and later a Professor) of the CalArts School of Film/Video.

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Biography from TMDB.

Born
September 8, 1912
Died
December 22, 1993 (aged 81)
From
Boston, Massachusetts, USA
Works as
Writer, director and actor
Titles
12 on MovieCove · 27 credits in all
TMDB popularity, last 63 days to Oct 26Up 3% in 30 days

What are Alexander Mackendrick's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

Light 7 · Serious 2 · Dark 2

A split, not a type: Grounded 6 · Stylized 5 · Heightened 0

A split, not a type: Gentle 6 · Charged 5 · Intense 0

Steady 7 · Shifting 4 · Whiplash 0

A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 4

Slow burn 4 · Even-paced 7 · Relentless 0

Casual 4 · Engaged 7 · Full focus 0

Resolved 9 · Open-ended 1 · Ambiguous 1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexander Mackendrick's films?

As of October 24, 2026, 8 of their 12 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Alexander Mackendrick's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 12 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Logan(2017)

    Thanks

    Midcredits score: 99th percentile of all films
  • 3:10 to Yuma(2007)

    Thanks

    Midcredits score: 95th percentile of all films
  • Mackendrick on Film (not in the MovieCove catalog yet)(2004)

    Writer · as Self

  • Typically British: A Personal History of British Cinema (not in the MovieCove catalog yet)(1995)

    Actor

  • Made In Ealing: The Story of Ealing Studios (not in the MovieCove catalog yet)(1986)

    as Interviewee

  • Don't Make Waves(1967)

    Director

    Midcredits score: 35th percentile of all films
  • Midcredits score: 64th percentile of all films
  • Sammy Going South (not in the MovieCove catalog yet)(1963)

    Director

  • The Defenders (not in the MovieCove catalog yet)(1961)

    Show 1 episode · Director

  • The Devil's Disciple(1959)

    Director

    Midcredits score: 76th percentile of all films
  • Fanfare (not in the MovieCove catalog yet)(1958)

    Script Consultant

  • Sweet Smell of Success(1957)

    Director · Additional Writing · Writer

    Midcredits score: 97th percentile of all films
  • The Ladykillers(1955)

    Director

    Midcredits score: 95th percentile of all films
  • High and Dry(1954)

    Director · Story

    Midcredits score: 78th percentile of all films
  • Mandy (not in the MovieCove catalog yet)(1952)

    Director

  • The Man in the White Suit(1951)

    Director · Screenplay

    Midcredits score: 87th percentile of all films
  • Dance Hall (not in the MovieCove catalog yet)(1950)

    Screenplay

  • The Blue Lamp(1950)

    Writer

    Midcredits score: 74th percentile of all films
  • Whisky Galore!(1949)

    Director

    Midcredits score: 84th percentile of all films
  • Saraband(1948)

    Writer

    Midcredits score: 63rd percentile of all films
  • Robinson Charley (not in the MovieCove catalog yet)(1948)

    Script Consultant

  • Abu and the Poisoned Well (not in the MovieCove catalog yet)(1943)

    Writer

  • Abu's Dungeon (not in the MovieCove catalog yet)(1943)

    Writer

  • Contraries (not in the MovieCove catalog yet)(1943)

    Director

  • Love on the Range (not in the MovieCove catalog yet)(1939)

    Writer

  • South Sea Sweethearts (not in the MovieCove catalog yet)(1938)

    Writer

  • Midnight Menace (not in the MovieCove catalog yet)(1937)

    Story

Career shape

A full career of 25 titles from 1937 to 2017.

By role

only this rolewith another role
Acting2 of 25: 2 only acting, 0 with another roleDirecting11 of 25: 8 only directing, 3 with another role · typical Midcredits score84thWriting12 of 25: 10 only writing, 2 with another roleOther crew3 of 25: 2 only other crew, 1 with another role

25 titles, 3 with more than one role — writing and directing overlap on 2 of them.

By decade

1930s3 · crew1940s6 · crew1950s7 · crew1960s4 · crew1980s1 · acting1990s1 · acting2000s2 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alexander Mackendrick's films land?

Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 71st percentile for acclaim.

Acclaim · how much people like their films

71stpercentile
Typical film, the median of 11

Approval · how many liked their films

79thpercentile
Typical film, the median of 11

Reach · how many have seen their films

65thpercentile
Typical film, the median of 11

Midcredits score across 12 titles, by percentile

  • 75th and up8
  • 50th to 74th3
  • 25th to 49th1

Shape of the crowd

None of their 12 titles divides audiences: 7 are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser7
  • Mixed1

Reviewers score the dialogue 67/100 and the plot and story 61/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alexander Mackendrick work with?

People who share at least 2 of Alexander Mackendrick's MovieCove titles, grouped by what they did on them; Michael Balcon shares the most, 6.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles