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Laurie MacDonald

Laurie MacDonald

Producer · Born December 19, 1953 (72) · USA

BAFTA Award nominee

Laurie MacDonald (born December 19, 1953) is an American film producer. She is married to Walter F. Parkes. MacDonald and Parkes helped build the original DreamWorks SKG, where Parkes served as the head of its motion picture division. After their time at DreamWorks, they founded their own production company, Parkes + MacDonald.

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Biography from TMDB.

Born
December 19, 1953 (72)
From
USA
Works as
Producer
Titles
40 on MovieCove
TMDB popularity, last 155 days to Oct 26Up 4% in 30 days

What are Laurie MacDonald's films like?

Across their 32 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 32 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 14 · Serious 1 · Dark 17

Grounded 11 · Stylized 14 · Heightened 7

Gentle 4 · Charged 15 · Intense 13

Steady 8 · Shifting 21 · Whiplash 3

A split, not a type: Straight-faced 16 · Some laughs 9 · Funny 7

Slow burn 8 · Even-paced 17 · Relentless 7

Casual 11 · Engaged 17 · Full focus 4

A split, not a type: Easy watch 13 · Affecting 5 · Heavy 14

Resolved 23 · Open-ended 6 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
19
Thrilling
13
Dread
7
Melancholic
10
Absurd
5
Other
37

How their films end · 10 with a twist

  • Happy13
  • Bittersweet14
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Laurie MacDonald's films?

As of October 24, 2026, 32 of their 40 MovieCove titles stream on a subscription or free service, most on Pluto TV (15).

Subscription and free streaming for Laurie MacDonald's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

40 credits, 40 with a MovieCove page; 6 appearances as themselves are hidden until asked for.

  • She Rides Shotgun(2025)

    Executive Producer

    Midcredits score: 68th percentile of all films
  • Deep Cover(2025)

    Producer

    Midcredits score: 72nd percentile of all films
  • Gladiator II(2024)

    Executive Producer

    Midcredits score: 58th percentile of all films
  • My Lady Jane(2024)

    Show 8 episodes · Executive Producer

    Midcredits score: 74th percentile of all shows
  • The Trial of the Chicago 7(2020)

    Executive Producer

    Midcredits score: 97th percentile of all films
  • Midcredits score: 19th percentile of all films
  • Free Solo(2018)

    Executive Producer

    Midcredits score: 99th percentile of all films
  • Tulip Fever(2017)

    Executive Producer

    Midcredits score: 44th percentile of all films
  • The Circle(2017)

    Executive Producer

    Midcredits score: 15th percentile of all films
  • Rings(2017)

    Producer

    Midcredits score: 5th percentile of all films
  • Midcredits score: 31st percentile of all films
  • He Named Me Malala(2015)

    Producer

    Midcredits score: 75th percentile of all films
  • The Slap(2015)

    Show 8 episodes · Executive Producer

    Midcredits score: 19th percentile of all shows
  • Men in Black 3(2012)

    Producer

    Midcredits score: 71st percentile of all films
  • Flight(2012)

    Producer

    Midcredits score: 89th percentile of all films
  • Dinner for Schmucks(2010)

    Producer

    Midcredits score: 36th percentile of all films
  • The Uninvited(2009)

    Producer

    Midcredits score: 52nd percentile of all films
  • The Burning Plain(2008)

    Producer

    Midcredits score: 67th percentile of all films
  • Midcredits score: 89th percentile of all films
  • The Lookout(2007)

    Executive Producer

    Midcredits score: 79th percentile of all films
  • The Kite Runner(2007)

    Producer

    Midcredits score: 90th percentile of all films
  • The Legend of Zorro(2005)

    Producer

    Midcredits score: 37th percentile of all films
  • Just Like Heaven(2005)

    Producer

    Midcredits score: 72nd percentile of all films
  • The Island(2005)

    Executive Producer

    Midcredits score: 69th percentile of all films
  • The Ring Two(2005)

    Producer

    Midcredits score: 21st percentile of all films
  • Midcredits score: 74th percentile of all films
  • The Terminal(2004)

    Producer

    Midcredits score: 91st percentile of all films
  • Catch Me If You Can(2002)

    Executive Producer

    Midcredits score: 99th percentile of all films
  • The Ring(2002)

    Producer

    Midcredits score: 79th percentile of all films
  • The Tuxedo(2002)

    Executive Producer

    Midcredits score: 19th percentile of all films
  • Men in Black II(2002)

    Producer

    Midcredits score: 49th percentile of all films
  • The Time Machine(2002)

    Producer

    Midcredits score: 40th percentile of all films
  • Gladiator(2000)

    Executive Producer

    Midcredits score: 99th percentile of all films
  • The Mask of Zorro(1998)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • Amistad(1997)

    Executive Producer

    Midcredits score: 87th percentile of all films
  • The Peacemaker(1997)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • Men in Black(1997)

    Producer

    Midcredits score: 92nd percentile of all films
  • Twister(1996)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • The Trigger Effect(1996)

    Producer

    Midcredits score: 34th percentile of all films
  • How to Make an American Quilt(1995)

    Executive Producer

    Midcredits score: 59th percentile of all films

Career shape

A full career of 37 titles from 1995 to 2025.

By role

only this rolewith another role
Producing37 of 37: 37 only producing, 0 with another role · typical Midcredits score69th

By decade

1990s6 · crew2000s15 · crew2010s11 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a BAFTA Award in 2016, Best Documentary.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Laurie MacDonald's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 38; across their 32 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 32

Approval · how many liked their films

72ndpercentile
Typical film, the median of 32

Reach · how many have seen their films

97thpercentile
Typical film, the median of 32

Midcredits score across 40 titles, by percentile

  • 75th and up13
  • 50th to 74th13
  • 25th to 49th8
  • Below 25th6

Shape of the crowd

20 of their 40 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser20
  • Broadly Agreed10
  • Mixed5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Laurie MacDonald's work okay for kids?

Across up to 31 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore29 titles32–86 · median 58 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity31 titles15–64 · median 30 · mildnear the median of all filmsMedian of all films: 32
Profanity27 titles26–68 · median 41 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs28 titles8–42 · median 32 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense27 titles26–85 · median 57 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Laurie MacDonald work with?

People who share at least 2 of Laurie MacDonald's MovieCove titles, grouped by what they did on them; Walter F. Parkes shares the most, 32.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles