Barré Lyndon
Writer · Died October 23, 1972, aged 76
- August 12, 1896
- October 23, 1972 (aged 76)
- Writer
- 17 on MovieCove · 21 credits in all
What are Barré Lyndon's films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 15
Light 5 · Serious 8 · Dark 3
Grounded 4 · Stylized 10 · Heightened 2
Gentle 0 · Charged 11 · Intense 5
Steady 6 · Shifting 10 · Whiplash 0
Straight-faced 11 · Some laughs 5 · Funny 0
Slow burn 5 · Even-paced 11 · Relentless 0
Casual 4 · Engaged 12 · Full focus 0
Easy watch 7 · Affecting 7 · Heavy 2
Resolved 14 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy7
- Bittersweet5
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Barré Lyndon's films?
As of October 24, 2026, 6 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Barré Lyndon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 17 with a MovieCove page.

Dark Intruder(1965)
Midcredits score: 51st percentile of all films
Midcredits score: 97th percentile of all shows
Midcredits score: 30th percentile of all films
Midcredits score: 45th percentile of all films
Omar Khayyam(1957)
Midcredits score: 33rd percentile of all films
Conquest of Space(1955)
Midcredits score: 31st percentile of all films
Sign of the Pagan(1954)
Midcredits score: 40th percentile of all films
Man in the Attic(1953)
Midcredits score: 42nd percentile of all films
The War of the Worlds(1953)
Midcredits score: 81st percentile of all films
General Electric Theater (not in the MovieCove catalog yet)(1953)
Midcredits score: 60th percentile of all films
To Please a Lady(1950)
Midcredits score: 46th percentile of all films
The Accused(1949)
Midcredits score: 74th percentile of all films
Midcredits score: 83rd percentile of all films
The House on 92nd Street(1945)
Midcredits score: 66th percentile of all films
Hangover Square (not in the MovieCove catalog yet)(1945)

The Man in Half Moon Street (not in the MovieCove catalog yet)(1945)

The Lodger(1944)
Midcredits score: 79th percentile of all films
Sundown(1941)
Midcredits score: 30th percentile of all films
They Came by Night (not in the MovieCove catalog yet)(1940)
Midcredits score: 81st percentile of all films
Career shape
A full career of 20 titles from 1938 to 1965.

Biggest box office
The Greatest Show on Earth (1952)

Highest rated
Night Has a Thousand Eyes (1948)

Most popular right now
The War of the Worlds (1953)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Barré Lyndon's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th8
Shape of the crowd
9 of their 17 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser9
- Broadly Agreed3
- Mixed4
Reviewers score the dialogue 48/100 and the plot and story 49/100 in their films, across 16 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Barré Lyndon's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Barré Lyndon work with?
People who share at least 2 of Barré Lyndon's MovieCove titles, grouped by what they did on them; Victor Young shares the most, 4.
Directors
- William DieterleShared titles: Omar Khayyam (1957), The Accused (1949)See all 2 shared titles with William Dieterle

- Byron HaskinShared titles: Conquest of Space (1955), The War of the Worlds (1953)See all 2 shared titles with Byron Haskin

- Henry HathawayShared titles: The House on 92nd Street (1945), Sundown (1941)See all 2 shared titles with Henry Hathaway

Writers
- Marie Belloc LowndesShared titles: Man in the Attic (1953), The Lodger (1944)See all 2 shared titles with Marie Belloc Lowndes

- Jonathan LatimerShared titles: The Accused (1949), Night Has a Thousand Eyes (1948)See all 2 shared titles with Jonathan Latimer
- Charles G. BoothShared titles: The House on 92nd Street (1945), Sundown (1941)See all 2 shared titles with Charles G. Booth
Actors
- Cedric HardwickeShared titles: The War of the Worlds (1953), The Lodger (1944), Sundown (1941)See all 3 shared titles with Cedric Hardwicke

- Cornel WildeShared titles: Omar Khayyam (1957), The Greatest Show on Earth (1952)See all 2 shared titles with Cornel Wilde

- Jack PalanceShared titles: Sign of the Pagan (1954), Man in the Attic (1953)See all 2 shared titles with Jack Palance

- Sara AllgoodShared titles: The Accused (1949), The Lodger (1944)See all 2 shared titles with Sara Allgood

Composers, cinematographers and editors
- Victor YoungShared titles: Omar Khayyam (1957), The Greatest Show on Earth (1952), The Accused (1949), Night Has a Thousand Eyes (1948)See all 4 shared titles with Victor Young

- Everett DouglasShared titles: Omar Khayyam (1957), Conquest of Space (1955), The War of the Worlds (1953)See all 3 shared titles with Everett Douglas
- George BarnesShared titles: The War of the Worlds (1953), The Greatest Show on Earth (1952)See all 2 shared titles with George Barnes
Producers
- Frank Freeman Jr.Shared titles: Omar Khayyam (1957), Conquest of Space (1955)See all 2 shared titles with Frank Freeman Jr.
- George PalShared titles: Conquest of Space (1955), The War of the Worlds (1953)See all 2 shared titles with George Pal

- Hal B. WallisShared titles: The Accused (1949), The Amazing Dr. Clitterhouse (1938)See all 2 shared titles with Hal B. Wallis





