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Manuel Lombardero

Manuel Lombardero

Producer, director and writer

Works as
Producer, director and writer
Titles
8 on MovieCove

What are Manuel Lombardero's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 3 · Dark 1

A split, not a type: Grounded 3 · Stylized 2 · Heightened 3

A split, not a type: Gentle 4 · Charged 3 · Intense 1

A split, not a type: Steady 5 · Shifting 1 · Whiplash 2

Straight-faced 3 · Some laughs 3 · Funny 2

Slow burn 4 · Even-paced 4 · Relentless 0

Casual 3 · Engaged 4 · Full focus 1

Resolved 6 · Open-ended 1 · Ambiguous 1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Manuel Lombardero's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).

Subscription and free streaming for Manuel Lombardero's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • In Praise of Older Women(1997)

    Director · Writer

    Midcredits score: 41st percentile of all films
  • Earth(1996)

    Producer

    Midcredits score: 87th percentile of all films
  • El rey del río(1995)

    Producer

    Midcredits score: 24th percentile of all films
  • The Tit and the Moon(1994)

    Producer

    Midcredits score: 56th percentile of all films
  • Turkish Passion(1994)

    Producer

    Midcredits score: 32nd percentile of all films
  • Golden Balls(1993)

    Producer

    Midcredits score: 48th percentile of all films
  • Belle Epoque(1992)

    Producer

    Midcredits score: 85th percentile of all films
  • Jamon Jamon(1992)

    Producer

    Midcredits score: 57th percentile of all films

Career shape

Across their 8 MovieCove titles from 1992 to 1997.

By role

only this rolewith another role
Directing1 of 8: 0 only directing, 1 with another roleWriting1 of 8: 0 only writing, 1 with another roleProducing7 of 8: 7 only producing, 0 with another role · typical Midcredits score56th

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Manuel Lombardero's films land?

Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 8

Approval · how many liked their films

54thpercentile
Typical film, the median of 8

Reach · how many have seen their films

75thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

5 of their 8 titles are Crowd Pleasers.

  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed1

Reviewers score the atmosphere 69/100 and the pacing 46/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Manuel Lombardero's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 67 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Manuel Lombardero work with?

People who share at least 2 of Manuel Lombardero's MovieCove titles, grouped by what they did on them; Andrés Vicente Gómez shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers