Stephen Lim
- Producer
- 24 on MovieCove
What are Stephen Lim's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 5
A split, not a type: Light 2 · Serious 1 · Dark 3
Grounded 1 · Stylized 4 · Heightened 1
Gentle 1 · Charged 1 · Intense 4
Steady 2 · Shifting 3 · Whiplash 1
A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 1
Slow burn 1 · Even-paced 3 · Relentless 2
Casual 1 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 3
A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy3
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stephen Lim's films?
As of October 24, 2026, 18 of their 24 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Stephen Lim's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 24 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Revolution(2012)
Midcredits score: 34th percentile of all shows
A Line in the Sand(2008)
Midcredits score: 81st percentile of all films
From a Place of Darkness(2008)
Midcredits score: 2nd percentile of all films
Faster(2003)
Midcredits score: 91st percentile of all films
Daddy Day Care(2003)
Midcredits score: 33rd percentile of all films
The Country Bears(2002)
Midcredits score: 13th percentile of all films
'Twas the Night(2001)
Midcredits score: 20th percentile of all films
The Insider(1999)
Midcredits score: 98th percentile of all films
Chain Reaction(1996)
Midcredits score: 25th percentile of all films
Only You(1994)
Midcredits score: 68th percentile of all films
Malice(1993)
Midcredits score: 59th percentile of all films
Jennifer 8(1992)
Midcredits score: 48th percentile of all films
Midcredits score: 88th percentile of all films
The Great Outdoors(1988)
Midcredits score: 63rd percentile of all films
RoboCop(1987)
Midcredits score: 95th percentile of all films
Ferris Bueller's Day Off(1986)
Midcredits score: 97th percentile of all films
Pretty in Pink(1986)
Midcredits score: 71st percentile of all films
After Hours(1985)
Midcredits score: 96th percentile of all films
Outlaw Blues(1977)
Midcredits score: 39th percentile of all films
Nickelodeon(1976)
Midcredits score: 47th percentile of all films
Burnt Offerings(1976)
Midcredits score: 61st percentile of all films
Lifeguard(1976)
Midcredits score: 65th percentile of all films
Race with the Devil(1975)
Midcredits score: 66th percentile of all films
Dirty Mary Crazy Larry(1974)
Midcredits score: 66th percentile of all films
Career shape
A full career of 22 titles from 1974 to 2012.
Film career
- 1985Screen debut· After Hours
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Stephen Lim's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 23; across their 6 films with reception data, the typical film sits in the 71st percentile for acclaim.
- 75th and up7
- 50th to 74th8
- 25th to 49th6
- Below 25th3
Shape of the crowd
9 of their 24 titles are Crowd Pleasers.
- Universally Loved5
- Cult Classic1
- Crowd Pleaser9
- Broadly Agreed4
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Stephen Lim's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Stephen Lim work with?
People who share at least 2 of Stephen Lim's MovieCove titles, grouped by what they did on them; Charles David Lee shares the most, 2.
Cinematographers and editors
- Charles David LeeShared titles: A Line in the Sand (2008), From a Place of Darkness (2008)See all 2 shared titles with Charles David Lee
- Hugh JohnsonShared titles: A Line in the Sand (2008), From a Place of Darkness (2008)See all 2 shared titles with Hugh Johnson
Producers
- Jeffrey ChernovShared titles: A Line in the Sand (2008), From a Place of Darkness (2008)See all 2 shared titles with Jeffrey Chernov
- Paul Du PuyShared titles: A Line in the Sand (2008), From a Place of Darkness (2008)See all 2 shared titles with Paul Du Puy
- Philippe Du PuyShared titles: A Line in the Sand (2008), From a Place of Darkness (2008)See all 2 shared titles with Philippe Du Puy
- Sharyn Shimada-HugginsShared titles: A Line in the Sand (2008), From a Place of Darkness (2008)See all 2 shared titles with Sharyn Shimada-Huggins