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Bruno Levy

Bruno Levy

Producer · Born March 8, 1979 (47) · Paris, France

Bruno Lévy (born 3 August 1979) is a French filmmaker, photographer, and artist living in New York City. His artwork deals primarily with creating dynamic relationships between audio and video. He is best known for creating interactive video paintings and 3D video installations, as part of the new media collective SWEATSHOPPE, which he co-founded in 2009 with Blake Shaw. He has shot and directed music videos for bands such as The Walkmen and Modeselektor. In 2007, Bruno Levy shifted his focus to tattooing. Levy was born on 3 August 1979 in Paris, France. He graduated from New York University in 2001 with a degree in photography. He began experimenting with manipulating video in real-time shortly after graduating, under the acronym SQUARESQUARE. His video scratching and live video manipulation performances received attention and acclaim from the likes of Apple and Wired Magazine. In 2009 he co-founded the new media collective SWEATSHOPPE, which is known for cutting edge video technology and 3D interactive art.[5] SWEATSHOPPE has received multiple awards for their work, including a Vimeo Award in 2012[6] for their Video Painting in Europe.[7] Levy has also worked professionally as a filmmaker and photographer, directing music videos for bands such as The Walkmen and Modeselektor. Levy's personal artwork can be described as highly psychedelic. In 2010, New York Times journalist Dennis Overbye wrote an article titled "For 3-D Travelers, a Cosmic Journey" about an immersive 3D environment created by Levy and Shaw, explaining: "[it] left me feeling transported back to 1969, when animated discussions of issues of cosmic import could go on all night on similarly unadorned floors, under the influence of slightly different stimulation". In 2013 he founded the online publication Dispose, a project based on distributing disposable cameras to selected individuals around the world. Contributors, ranging from Artists to Orphans, capture all 27 exposures in a 24-hour period. As of April 2014 he performs with drummer Deantoni Parks in their collaborative project World's End. Bruno Levy learned to tattoo in Nepal in 2007 under the tutelage of Mohan Gurung. After a year of tattooing, Bruno Levy followed other artistic endeavors, predominantly working on interactive performance and installation. In 2015, Bruno started tattooing again creating simple elegant tattoos that evoke a sense of nostalgia for a more romantic time. ​Bruno owns and works out of Bandit, a tattoo and art studio in Brooklyn N.Y. Source: Article "Bruno Levy" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Biography from TMDB.

Born
March 8, 1979 (47)
From
Paris, France
Works as
Producer
Titles
29 on MovieCove · 49 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 27% in 30 days

What are Bruno Levy's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy12 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Comedy movies
Drama6 titlesTypical Midcredits score: 63rd percentile, at or above their average across these genres
: browse their Drama movies
Biography2 titlesTypical Midcredits score: 56th percentile
: browse their Biography movies
Crime2 titlesTypical Midcredits score: 49th percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
31%
Self
28%
Morality
11%
Society
11%
Power
8%
Survival
6%
Ideas
6%
Family bonds8 titles, browse their movies with this themeRomantic love6 titles, browse their movies with this themePurpose4 titles, browse their movies with this themeClass5 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeComing of age4 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 11 · Serious 4 · Dark 8

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 18 · Stylized 5 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 12 · Charged 9 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 16 · Shifting 7 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 13 · Some laughs 7 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 19 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 12 · Engaged 11 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 17 · Open-ended 3 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
11
Melancholic
12
Contemplative
12
Tense
8
Bittersweet
7
Other
16

How their films linger

Hopeful11 titles, browse their movies with this aftertasteBittersweet10 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertasteFeel-good7 titles, browse their movies with this aftertasteWistful6 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertaste

How their films end

  • Happy3
  • Bittersweet17
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bruno Levy's films?

As of October 24, 2026, 18 of their 29 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Also on these channels

Subscription and free streaming for Bruno Levy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

49 credits, 29 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Hearts on Fire(2025)

    Producer

    Midcredits score: 91st percentile of all films

  • Colours of Time(2025)

    Producer

    Midcredits score: 90th percentile of all films

  • Out of Control(2024)

    Producer

    Midcredits score: 23rd percentile of all films

  • Magnificat (not in the MovieCove catalog yet)(2023)

    Producer

  • Greek Salad(2023)

    Show 8 episodes · Co-Producer

    Midcredits score: 62nd percentile of all shows

  • Le torrent(2022)

    Producer

    Midcredits score: 27th percentile of all films

  • Little Man Tom (not in the MovieCove catalog yet)(2022)

    Producer

  • Rise(2022)

    Producer

    Midcredits score: 87th percentile of all films

  • Someone, Somewhere(2019)

    Producer

    Midcredits score: 69th percentile of all films

  • To the Ends of the World(2018)

    Co-Producer

    Midcredits score: 52nd percentile of all films

  • Family Business (not in the MovieCove catalog yet)(2018)

    Producer

  • Colette(2018)

    Producer

    Midcredits score: 75th percentile of all films

  • Diving(2017)

    Producer

    Midcredits score: 39th percentile of all films

  • Gauguin: Voyage to Tahiti(2017)

    Producer

    Midcredits score: 36th percentile of all films

  • Back to Burgundy(2017)

    Producer

    Midcredits score: 77th percentile of all films

  • Tomorrow(2015)

    Producer

    Midcredits score: 96th percentile of all films

  • Breathe(2014)

    Producer

    Midcredits score: 83rd percentile of all films

  • Lou! Journal infime(2014)

    Producer

    Midcredits score: 59th percentile of all films

  • The Chef's Wife(2014)

    Producer

    Midcredits score: 27th percentile of all films

  • Suzanne (not in the MovieCove catalog yet)(2013)

    Producer

  • Chinese Puzzle(2013)

    Producer

    Midcredits score: 78th percentile of all films

  • Taking Off (not in the MovieCove catalog yet)(2013)

    Producer

  • Cornouaille (not in the MovieCove catalog yet)(2012)

    Producer

  • The Adopted(2011)

    Producer

    Midcredits score: 74th percentile of all films

  • My Piece of the Pie(2011)

    Producer

    Midcredits score: 35th percentile of all films

  • My Father's Guests(2010)

    Producer

    Midcredits score: 58th percentile of all films

  • Persecution (not in the MovieCove catalog yet)(2009)

    Producer

  • Paris(2008)

    Producer

    Midcredits score: 71st percentile of all films

  • My Place in the Sun (not in the MovieCove catalog yet)(2007)

    Producer

  • Russian Dolls(2005)

    Producer

    Midcredits score: 78th percentile of all films

  • Casablanca Driver (not in the MovieCove catalog yet)(2004)

    Producer

  • Lila Says(2004)

    Producer

    Midcredits score: 71st percentile of all films

  • Bed and Breakfast (not in the MovieCove catalog yet)(2003)

    Producer

  • Hypnotized and Hysterical (Hairstylist Wanted) (not in the MovieCove catalog yet)(2002)

    Producer

  • The Spanish Apartment(2002)

    Producer

    Midcredits score: 89th percentile of all films

  • A Hell of a Day (not in the MovieCove catalog yet)(2001)

    Casting

  • Chaos(2001)

    Casting

    Midcredits score: 79th percentile of all films

  • Princesses (not in the MovieCove catalog yet)(2000)

    Producer

  • Jet Set (not in the MovieCove catalog yet)(2000)

    Casting

  • Total Western (not in the MovieCove catalog yet)(2000)

    Casting

  • The King Is Alive(2000)

    Casting

    Midcredits score: 50th percentile of all films

  • Empty Days (not in the MovieCove catalog yet)(2000)

    Casting

  • Quasimodo d'el Paris (not in the MovieCove catalog yet)(1999)

    Casting

  • Venus Beauty Institute(1999)

    Casting

    Midcredits score: 53rd percentile of all films

  • Assassin(s)(1997)

    Casting

    Midcredits score: 64th percentile of all films

  • Hikers (not in the MovieCove catalog yet)(1997)

    Casting

  • Anna Oz (not in the MovieCove catalog yet)(1996)

    Casting

  • When the Cat's Away(1996)

    Casting

    Midcredits score: 76th percentile of all films

  • L'Échappée belle (not in the MovieCove catalog yet)(1996)

    Casting

Career shape

A full career of 46 titles from 1996 to 2025.

Biggest box office

The Spanish Apartment (2002)

$33M worldwide

Highest rated

Tomorrow (2015)

Midcredits 96th

Most popular right now

Colette (2018)

By role

only this rolewith another role
Producing33 of 46: 33 only producing, 0 with another role · typical Midcredits score71stOther crew13 of 46: 13 only other crew, 0 with another role · typical Midcredits score64th

By decade

1990s7 · crew2000s15 · crew2010s16 · crew2020s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Bruno Levy's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 28; across their 23 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 23

Approval · how many liked their films

71stpercentile
Typical film, the median of 23

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 23

Midcredits score across 29 titles, by percentile

  • 75th and up12
  • 50th to 74th11
  • 25th to 49th5
  • Below 25th1

Shape of the crowd

None of their 29 titles divides audiences: 19 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser19
  • Broadly Agreed5
  • Mixed4

Most loved · producer

Tomorrow (2015)

Midcredits 96th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Bruno Levy's work okay for kids?

Across up to 8 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity8 titles24–68 · median 56 · moderateheavier than most filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Bruno Levy work with?

People who share at least 2 of Bruno Levy's MovieCove titles, grouped by what they did on them; Cédric Klapisch shares the most, 11.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles