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James S. Levine

James S. Levine

Composer · Born October 15, 1974 (52) · Medford, Massachusetts, United States

Primetime Emmy nominee

James Scott Levine (born 1974) is an American composer and member of Remote Control Productions. He has won seven BMI awards and seven ASCAP awards. His credits include the films Running with Scissors, Delta Farce, and The Weather Man, and the television shows Nip/Tuck, Glee, The Closer, Rizzoli & Isles, and American Horror Story. He has also provided additional music for films such as Madagascar, Pearl Harbor, and Something's Gotta Give. James Levine grew up in Medford, Massachusetts, where he played multiple instruments in various genres. The main instrument he played growing up was the piano, performing at multiple events growing up. At the age of 13 Levine shifted his focus from playing the piano, to learning Jazz, as well as improvisation. Composers that Levine looked up to when he was younger were Mozart, Morricone and James Newton Howard. He is of Jewish heritage. Levine attended Tufts University, where he was originally a pre-med student. However he switched subject areas, and subsequently in college Levine studied Sociology and Musicology, and got his degree in American Studies. He graduated from Tufts in 1996. Levine came to Hollywood in 1997 to begin his career as a composer, leaving behind money and family. He first started off his career by doing intern work around Los Angeles. James Levine is a composer for shows like American Horror Story, Glee, Nip/Tuck, Royal Pains and The Closer. The music for American Horror Story is one of his most known works, receiving many awards such as the Best Music in a Series, Best music in a non-series, and has been nominated for outstanding sound mixing for television movies and miniseries two years in a row. Due to the success of his music he has continued to create music for the show. His work on Glee has also won him many awards and he has gone on to keep composing for the show until the final season.

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Biography from TMDB.

Born
October 15, 1974 (52)
From
Medford, Massachusetts, United States
Works as
Composer
Titles
31 on MovieCove · 32 credits in all
TMDB popularity, last 37 days to Oct 26Down 28% in 30 days

What are James S. Levine's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

Light 8 · Serious 1 · Dark 4

A split, not a type: Grounded 7 · Stylized 4 · Heightened 2

A split, not a type: Gentle 5 · Charged 4 · Intense 4

A split, not a type: Steady 6 · Shifting 3 · Whiplash 4

Straight-faced 3 · Some laughs 5 · Funny 5

Slow burn 6 · Even-paced 6 · Relentless 1

Casual 9 · Engaged 3 · Full focus 1

Resolved 9 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Joyful
5
Absurd
5
Thrilling
5
Warm
5
Other
9

How their films end · 2 with a twist

  • Happy8
  • Bittersweet3
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch James S. Levine's films?

As of October 24, 2026, 23 of their 31 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for James S. Levine's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 31 with a MovieCove page.

  • Doc(2025)

    Show Composer

    Midcredits score: 65th percentile of all shows
  • The New Look(2024)

    Show 10 episodes · Composer

    Midcredits score: 73rd percentile of all shows
  • La Brea(2021)

    Show 30 episodes · Composer

    Midcredits score: 21st percentile of all shows
  • Ordinary Joe(2021)

    Show 13 episodes · Composer · Main Title Theme Composer

    Midcredits score: 40th percentile of all shows
  • For Life(2020)

    Show 13 episodes · Composer

    Midcredits score: 83rd percentile of all shows
  • Billy Boy(2017)

    Composer

    Midcredits score: 11th percentile of all films
  • Instinct(2018)

    Show 24 episodes · Composer

    Midcredits score: 40th percentile of all shows
  • Midcredits score: 61st percentile of all films (provisional, few ratings)
  • The Last Ship(2014)

    Show 3 episodes · Composer

    Midcredits score: 69th percentile of all shows
  • The Blacklist(2013)

    Show 3 episodes · Composer

    Midcredits score: 87th percentile of all shows
  • American Horror Story(2011)

    Show 40 episodes · Composer

    Midcredits score: 87th percentile of all shows
  • Midcredits score: 58th percentile of all films
  • Rizzoli & Isles(2010)

    Show 3 episodes · Composer

    Midcredits score: 84th percentile of all shows
  • The Assistants(2009)

    Composer

    Midcredits score: 14th percentile of all films
  • Royal Pains(2009)

    Show 104 episodes · Composer

    Midcredits score: 58th percentile of all shows
  • Glee(2009)

    Show 121 episodes · Composer · Music Producer

    Midcredits score: 42nd percentile of all shows
  • Ghost Town(2008)

    Musician

    Midcredits score: 67th percentile of all films
  • Otis(2008)

    Composer

    Midcredits score: 42nd percentile of all films
  • Damages(2007)

    Show 59 episodes · Composer

    Midcredits score: 89th percentile of all shows
  • Delta Farce(2007)

    Composer

    Midcredits score: 4th percentile of all films
  • Running with Scissors(2006)

    Composer

    Midcredits score: 49th percentile of all films
  • The Closer(2005)

    Show 29 episodes · Composer

    Midcredits score: 84th percentile of all shows
  • Madagascar(2005)

    Additional Music

    Midcredits score: 81st percentile of all films
  • Midcredits score: 38th percentile of all films
  • The Weather Man(2005)

    Composer

    Midcredits score: 61st percentile of all films
  • Midcredits score: 74th percentile of all films
  • The In-Laws(2003)

    Composer

    Midcredits score: 31st percentile of all films
  • The Challenge(2003)

    Composer

    Midcredits score: 38th percentile of all films
  • Midcredits score: 72nd percentile of all films
  • Midcredits score: 75th percentile of all films
  • A Little Inside (not in the MovieCove catalog yet)(2002)

    Composer

  • The in Crowd(2000)

    Additional Music

    Midcredits score: 12th percentile of all films

Career shape

A full career of 26 titles from 2000 to 2024.

By role

only this rolewith another role
Music25 of 26: 25 only music, 0 with another role · typical Midcredits score54thOther crew1 of 26: 1 only other crew, 0 with another role

By decade

2000s16 · crew2010s6 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a Primetime Emmy in 2014, Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score).

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do James S. Levine's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 17; across their 13 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 13

Approval · how many liked their films

48thpercentile
Typical film, the median of 13

Reach · how many have seen their films

68thpercentile
Typical film, the median of 13

Midcredits score across 31 titles, by percentile

  • 75th and up8
  • 50th to 74th10
  • 25th to 49th8
  • Below 25th5

Shape of the crowd

14 of their 31 titles are Crowd Pleasers.

  • Universally Loved1
  • Divisive2
  • Cult Classic3
  • Crowd Pleaser14
  • Broadly Agreed1
  • Mixed10

Reviewers score the sound and music 57/100 in their films, across 5 reviewed titles; fans 65, detractors 38. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is James S. Levine's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 54 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does James S. Levine work with?

People who share at least 2 of James S. Levine's MovieCove titles, grouped by what they did on them; C.B. Harding shares the most, 3.

Directors

Writers

Cinematographers and editors

Producers