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Nava Levin

Producer

Works as
Producer
Titles
9 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 27% in 30 days

What are Nava Levin's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Comedy3 titlesTypical Midcredits score: 41st percentile
: browse their Comedy movies
Action2 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Action movies
Drama2 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
39%
Self
21%
Bonds
15%
Power
10%
Survival
9%
Ideas
6%
Justice3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeHope2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 1 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 2 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 3 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 4 · Shifting 3 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 5 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 4 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 1 · Heavy 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Absurd
2
Melancholic
3
Thrilling
2
Joyful
1
Other
6

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy4
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nava Levin's films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Nava Levin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • Bunraku(2010)

    Producer

    Midcredits score: 49th percentile of all films

  • Holly(2006)

    Producer

    Midcredits score: 68th percentile of all films

  • Elvis Has Left the Building(2004)

    Co-Producer

    Midcredits score: 19th percentile of all films

  • Love Don't Cost a Thing(2003)

    Producer

    Midcredits score: 41st percentile of all films

  • The Affair of the Necklace(2001)

    Line Producer

    Midcredits score: 37th percentile of all films

  • To End All Wars(2001)

    Line Producer · Unit Production Manager

    Midcredits score: 78th percentile of all films

  • Harriet the Spy(1996)

    Producer

    Midcredits score: 51st percentile of all films

  • Glengarry Glen Ross(1992)

    Producer

    Midcredits score: 95th percentile of all films

  • Lone Wolf McQuade(1983)

    Production Controller

    Midcredits score: 57th percentile of all films

Career shape

A full career of 7 titles from 1983 to 2010.

Biggest box office

Harriet the Spy (1996)

$27M worldwide

Highest rated

Glengarry Glen Ross (1992)

Midcredits 95th

Most popular right now

Bunraku (2010)

By role

only this rolewith another role
Producing6 of 7: 5 only producing, 1 with another role · typical Midcredits score45thOther crew2 of 7: 1 only other crew, 1 with another role

By decade

1980s1 · crew2000s5 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Nava Levin's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 8

Approval · how many liked their films

50thpercentile
Typical film, the median of 8

Reach · how many have seen their films

88thpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

4 of their 9 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed3

Most divisive · producer

Love Don't Cost a Thing (2003)

68th percentile spread · 29% rated it 4 or lower

Most loved · producer

Glengarry Glen Ross (1992)

Midcredits 95th · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Nava Levin's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 33 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 17 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Nava Levin work with?

People who share at least 2 of Nava Levin's MovieCove titles, grouped by what they did on them; Guy Moshe shares the most, 2.

Directors

Actors

Cinematographers

Producers