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What are Edward Lasker's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Survival.

Themes

share of theme weight
Power
35%
Survival
24%
Morality
21%
Bonds
7%
Society
7%
Ideas
6%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 3 · Stylized 0 · Heightened 1

Gentle 0 · Charged 0 · Intense 4

Steady 0 · Shifting 4 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 0

A split, not a type: Casual 1 · Engaged 1 · Full focus 2

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Dread
2
Melancholic
1
Elegiac
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edward Lasker's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Edward Lasker's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • The Big Sky(1952)

    Producer

    Midcredits score: 77th percentile of all films
  • Midcredits score: 79th percentile of all films
  • Reign of Terror(1949)

    Producer

    Midcredits score: 77th percentile of all films
  • Tulsa(1949)

    Producer

    Midcredits score: 48th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 1949 to 1952.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

By decade

1940s2 · crew1950s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Edward Lasker's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 4

Approval · how many liked their films

77thpercentile
Typical film, the median of 4

Reach · how many have seen their films

64thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 25th to 49th1

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Broadly Agreed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edward Lasker work with?

People who share at least 2 of Edward Lasker's MovieCove titles, grouped by what they did on them; Howard Hawks shares the most, 2.

Directors

Actors

Composers and cinematographers

Producers

Mixed roles