Edward Lasker
- Producer
- 4 on MovieCove
What are Edward Lasker's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Survival.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 2 · Dark 2
A split, not a type: Grounded 3 · Stylized 0 · Heightened 1
Gentle 0 · Charged 0 · Intense 4
Steady 0 · Shifting 4 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
A split, not a type: Casual 1 · Engaged 1 · Full focus 2
Easy watch 0 · Affecting 4 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Edward Lasker's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Edward Lasker's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.

The Big Sky(1952)
Midcredits score: 77th percentile of all films
Midcredits score: 79th percentile of all films
Reign of Terror(1949)
Midcredits score: 77th percentile of all films
Tulsa(1949)
Midcredits score: 48th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1949 to 1952.
How do Edward Lasker's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up3
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Edward Lasker work with?
People who share at least 2 of Edward Lasker's MovieCove titles, grouped by what they did on them; Howard Hawks shares the most, 2.
Directors
- Howard HawksShared titles: The Big Sky (1952), The Thing from Another World (1951)See all 2 shared titles with Howard Hawks

Actors
- Dewey MartinShared titles: The Big Sky (1952), The Thing from Another World (1951)See all 2 shared titles with Dewey Martin

Composers and cinematographers
- Dimitri TiomkinShared titles: The Big Sky (1952), The Thing from Another World (1951)See all 2 shared titles with Dimitri Tiomkin

- Russell HarlanShared titles: The Big Sky (1952), The Thing from Another World (1951)See all 2 shared titles with Russell Harlan

Producers
- Walter WangerShared titles: Reign of Terror (1949), Tulsa (1949)See all 2 shared titles with Walter Wanger

Mixed roles
- Christian NybyShared titles: The Big Sky (1952), The Thing from Another World (1951)See all 2 shared titles with Christian Nyby




