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Arlette Langmann

Writer and editor · Born April 3, 1946 (80) · Paris, France

Arlette Langmann (born 3 April 1946) is a French screenwriter, film editor and production designer. Born in Paris to Jewish immigrant parents from Romania and Poland, Langmann is best known for her long-running collaborations with her brother Claude Berri, Maurice Pialat, and Philippe Garrel. Source: Article "Arlette Langmann" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Biography from TMDB.

Born
April 3, 1946 (80)
From
Paris, France
Works as
Writer and editor
Titles
17 on MovieCove · 34 credits in all
TMDB popularity, last 37 days to Oct 26Down 17% in 30 days

What are Arlette Langmann's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 5 · Dark 9

Grounded 13 · Stylized 2 · Heightened 1

Gentle 3 · Charged 7 · Intense 6

Steady 9 · Shifting 7 · Whiplash 0

Straight-faced 13 · Some laughs 2 · Funny 1

Slow burn 12 · Even-paced 4 · Relentless 0

Casual 7 · Engaged 8 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 3 · Heavy 10

Resolved 4 · Open-ended 7 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
13
Tense
11
Contemplative
5
Bittersweet
4
Warm
3
Other
6

How their films end · 1 with a twist

  • Happy1
  • Bittersweet8
  • Tragic4
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Arlette Langmann's films?

As of October 24, 2026, 11 of their 17 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Arlette Langmann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 17 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Passages(2023)

    Additional Dialogue · Writer

    Midcredits score: 68th percentile of all films
  • The Plough (not in the MovieCove catalog yet)(2023)

    Screenplay

  • The Salt of Tears(2020)

    Dialogue · Screenplay

    Midcredits score: 42nd percentile of all films
  • Lover for a Day(2017)

    Screenplay

    Midcredits score: 69th percentile of all films
  • Midcredits score: 61st percentile of all films
  • Jealousy(2013)

    Screenplay

    Midcredits score: 54th percentile of all films
  • Il était une fois... À nos amours (not in the MovieCove catalog yet)(2012)

    Actor

  • Midcredits score: 60th percentile of all films
  • Regular Lovers (not in the MovieCove catalog yet)(2005)

    Writer

  • Wild Innocence (not in the MovieCove catalog yet)(2001)

    Dialogue

  • Hard Off (not in the MovieCove catalog yet)(1999)

    Writer

  • The Wind of the Night (not in the MovieCove catalog yet)(1999)

    Dialogue

  • Les Victimes (not in the MovieCove catalog yet)(1996)

    Screenplay

  • Circuit Carole (not in the MovieCove catalog yet)(1995)

    Writer

  • Germinal(1993)

    Screenplay

    Midcredits score: 82nd percentile of all films
  • The Two of Us (not in the MovieCove catalog yet)(1992)

    Writer

  • North (not in the MovieCove catalog yet)(1992)

    Writer

  • Uranus(1990)

    Screenplay

    Midcredits score: 77th percentile of all films
  • Midcredits score: 41st percentile of all films
  • Chimère (not in the MovieCove catalog yet)(1989)

    Writer

  • Jean de Florette(1986)

    Editor

    Midcredits score: 98th percentile of all films
  • To Our Loves(1983)

    Production Design · Screenplay

    Midcredits score: 82nd percentile of all films
  • Midcredits score: 39th percentile of all films
  • I Love You All (not in the MovieCove catalog yet)(1980)

    Editor

  • Loulou(1980)

    Screenplay

    Midcredits score: 70th percentile of all films
  • Graduate First(1978)

    Editor · Writer

    Midcredits score: 75th percentile of all films
  • Lola's Lolos (not in the MovieCove catalog yet)(1976)

    Actor

  • The Mouth Agape(1974)

    Editor

    Midcredits score: 86th percentile of all films
  • Midcredits score: 85th percentile of all films
  • The House in the Woods (not in the MovieCove catalog yet)(1971)

    Show 7 episodes · Editor

  • Le Poème de l'élève Mikovsky (not in the MovieCove catalog yet)(1971)

    Editor

  • Autour de L'Enfance nue (not in the MovieCove catalog yet)(1969)

    Editor

  • Naked Childhood (not in the MovieCove catalog yet)(1969)

    Writer

  • The Two of Us(1967)

    Assistant Editor

    Midcredits score: 95th percentile of all films

Career shape

A full career of 34 titles from 1967 to 2023.

By role

only this rolewith another role
Acting2 of 34: 2 only acting, 0 with another roleWriting21 of 34: 20 only writing, 1 with another role · typical Midcredits score65thEditing9 of 34: 9 only editing, 0 with another role · typical Midcredits score85thOther crew3 of 34: 2 only other crew, 1 with another role

By decade

1960s3 · crew1970s6 · 1 acting · 5 crew1980s7 · crew1990s8 · crew2000s3 · crew2010s4 · 1 acting · 3 crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Arlette Langmann's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 17; across their 16 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 16

Approval · how many liked their films

65thpercentile
Typical film, the median of 16

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 16

Midcredits score across 17 titles, by percentile

  • 75th and up8
  • 50th to 74th6
  • 25th to 49th3

Shape of the crowd

10 of their 17 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser10
  • Broadly Agreed3
  • Mixed2

Reviewers score the dialogue 60/100 and the plot and story 48/100 in their films, across 15 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Arlette Langmann's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 62 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Arlette Langmann work with?

People who share at least 2 of Arlette Langmann's MovieCove titles, grouped by what they did on them; Philippe Garrel shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers