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Kitarô Kôsaka

Kitarô Kôsaka

Director and writer · Born February 28, 1962 (64) · Kanagawa Prefecture, Japan

Kitarō Kōsaka (高坂 希太郎, born February 28, 1962 in Kanagawa Prefecture) is a Japanese animator and film director. He began his career in 1979 with the studio Oh! Production. He left the studio in 1986 to become a freelance, and soon went on to work on numerous projects as a key and supervising animation director for the noted animation studio Studio Ghibli, and with the famed director Hayao Miyazaki, of whose work he is himself an acknowledged fan. In 2003, he directed the cycling anime film, Nasu: Summer in Andalusia, set on the Vuelta a España road bicycle race, adapted from Iō Kuroda's manga Nasu, which Hayao Miyazaki, a fan of cycling, himself recommended to Kōsaka. The film soon went on to become the first Japanese anime film ever to be selected for the Cannes Film Festival. He has worked on numerous other projects for the studio Madhouse, including adaptations of manga artist Naoki Urasawa's works with the studio, including Yawara, Master Keaton and Monster, and adaptations of two of Clamp's works, including Clover and Double X, both of them being short films. Description above from the Wikipedia article Kitarō Kōsaka, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
February 28, 1962 (64)
From
Kanagawa Prefecture, Japan
Works as
Director and writer
Titles
24 on MovieCove · 32 credits in all
TMDB popularity, last 63 days to Oct 26Down 14% in 30 days

What are Kitarô Kôsaka's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 2 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 1 · Relentless 1

Casual 1 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Warm
2
Bittersweet
1
Hopeful
1
Contemplative
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kitarô Kôsaka's films?

As of October 24, 2026, 18 of their 24 MovieCove titles stream on a subscription or free service, most on HBO Max (14).

Subscription and free streaming for Kitarô Kôsaka's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 24 with a MovieCove page.

  • The Boy and the Heron(2023)

    Key Animation

    Midcredits score: 96th percentile of all films
  • Belle(2021)

    Key Animation

    Midcredits score: 86th percentile of all films
  • Okko's Inn(2018)

    Director

    Midcredits score: 84th percentile of all films
  • Letters from Hibakusha (not in the MovieCove catalog yet)(2017)

    Director

  • The Boy and the Beast(2015)

    Key Animation

    Midcredits score: 96th percentile of all films
  • When Marnie Was There(2014)

    Key Animation

    Midcredits score: 97th percentile of all films
  • The Wind Rises(2013)

    Animation Director · Character Designer

    Midcredits score: 98th percentile of all films
  • Keigo Higashino Mysteries (not in the MovieCove catalog yet)(2012)

    Show 11 episodes · Actor

  • From Up on Poppy Hill(2011)

    Animation Director

    Midcredits score: 94th percentile of all films
  • Mr. Dough and the Egg Princess (not in the MovieCove catalog yet)(2010)

    Animation Director

  • Nasu: A Migratory Bird with Suitcase(2007)

    Director · Writer

    Midcredits score: 73rd percentile of all films
  • Howl's Moving Castle(2004)

    Animation Director

    Midcredits score: 99th percentile of all films
  • Nasu: Summer in Andalusia(2003)

    Director · Screenplay

    Midcredits score: 81st percentile of all films
  • Spirited Away(2001)

    Animation Director

    Midcredits score: 99th percentile of all films
  • Metropolis(2001)

    Key Animation

    Midcredits score: 88th percentile of all films
  • Clover (not in the MovieCove catalog yet)(1999)

    Director

  • Master Keaton (not in the MovieCove catalog yet)(1998)

    Show 39 episodes · Director · Animation Director · Character Designer · Storyboard Artist · Supervising Animation Director

  • Princess Mononoke(1997)

    Animation Director

    Midcredits score: 99th percentile of all films
  • Whisper of the Heart(1995)

    Animation Director · Character Designer

    Midcredits score: 98th percentile of all films
  • Pom Poko(1994)

    Key Animation

    Midcredits score: 88th percentile of all films
  • A-Girl (not in the MovieCove catalog yet)(1993)

    Director · Animation Director · Character Designer

  • Yawara! (not in the MovieCove catalog yet)(1989)

    Show 5 episodes · Animation Director · Key Animation · Storyboard Artist

  • Akira(1988)

    Key Animation

    Midcredits score: 98th percentile of all films
  • Grave of the Fireflies(1988)

    Key Animation

    Midcredits score: 99th percentile of all films
  • Midcredits score: 86th percentile of all films
  • Castle in the Sky(1986)

    Key Animation

    Midcredits score: 99th percentile of all films
  • Angel's Egg(1985)

    Key Animation

    Midcredits score: 93rd percentile of all films
  • Midcredits score: 46th percentile of all films
  • The Dagger of Kamui (not in the MovieCove catalog yet)(1985)

    Key Animation

  • Sherlock Hound(1984)

    Show 1 episode · Animation Director · Key Animation

    Midcredits score: 67th percentile of all shows
  • Midcredits score: 99th percentile of all films
  • Gauche the Cellist(1982)

    Animation

    Midcredits score: 82nd percentile of all films

Career shape

A full career of 32 titles from 1982 to 2023.

By role

only this rolewith another role
Acting1 of 32: 1 only acting, 0 with another roleDirecting7 of 32: 3 only directing, 4 with another roleWriting2 of 32: 0 only writing, 2 with another roleOther crew26 of 32: 24 only other crew, 2 with another role · typical Midcredits score96th

32 titles, 4 with more than one role — other crew and directing overlap on 2 of them.

By decade

1980s11 · crew1990s6 · crew2000s5 · crew2010s8 · 1 acting · 7 crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kitarô Kôsaka's films land?

Their typical MovieCove film has a Midcredits score in the 96th percentile, the median of all 23; across a limited sample of 3 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 3

Approval · how many liked their films

77thpercentile
Typical film, the median of 3

Reach · how many have seen their films

67thpercentile
Typical film, the median of 3

Midcredits score across 24 titles, by percentile

  • 75th and up21
  • 50th to 74th2
  • 25th to 49th1

Shape of the crowd

None of their 24 titles divides audiences: 13 are Universally Loved.

  • Universally Loved13
  • Crowd Pleaser10
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kitarô Kôsaka work with?

People who share at least 2 of Kitarô Kôsaka's MovieCove titles, grouped by what they did on them; Takeshi Seyama shares the most, 3.

Writers

Actors

Composers, cinematographers and editors

Producers