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Stephen Kijak

Stephen Kijak

Director, producer and writer, also editor · Born October 3, 1969 (57) · New Bedford, Massachusetts, USA

Sundance award nominee

Stephen Kijak (born October 3, 1969) is an American film director. He is known for films about music and musicians, most notably the feature documentaries Scott Walker – 30 Century Man (2006), Stones in Exile (2010), We Are X (2016), If I Leave Here Tomorrow (2018), and Sid & Judy (2019). His collaborators and subjects include such musical legends and icons as David Bowie, Scott Walker, The Rolling Stones, Jaco Pastorius, Rob Trujillo, Backstreet Boys, X Japan, Lynyrd Skynyrd, Judy Garland, and The Smiths. Description above from the Wikipedia article Stephen Kijak, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
October 3, 1969 (57)
From
New Bedford, Massachusetts, USA
Works as
Director, producer and writer, also editor
Titles
15 on MovieCove · 18 credits in all
TMDB popularity, last 155 days to Oct 26Down 17% in 30 days

What are Stephen Kijak's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Society and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 5 · Dark 2

Grounded 11 · Stylized 2 · Heightened 0

A split, not a type: Gentle 7 · Charged 5 · Intense 1

Steady 11 · Shifting 2 · Whiplash 0

Straight-faced 9 · Some laughs 4 · Funny 0

Slow burn 9 · Even-paced 4 · Relentless 0

Casual 6 · Engaged 7 · Full focus 0

A split, not a type: Easy watch 6 · Affecting 5 · Heavy 2

Resolved 10 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
8
Warm
8
Hopeful
5
Melancholic
6
Elegiac
5
Other
8

How their films end

  • Bittersweet10
  • Ambiguous3
  • Cyclical2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stephen Kijak's films?

As of October 24, 2026, 10 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Stephen Kijak's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 15 with a MovieCove page.

  • Midcredits score: 87th percentile of all films
  • Midcredits score: 79th percentile of all films (provisional, few ratings)
  • Shoplifters of the World(2021)

    Director · Producer · Writer

    Midcredits score: 29th percentile of all films
  • Equal(2020)

    Show Director · Producer

    Midcredits score: 25th percentile of all shows
  • Sid & Judy(2019)

    Director · Writer

    Midcredits score: 88th percentile of all films
  • Midcredits score: 97th percentile of all films
  • We Are X(2016)

    Director

    Midcredits score: 92nd percentile of all films
  • Jaco(2015)

    Director

    Midcredits score: 94th percentile of all films
  • Midcredits score: 89th percentile of all films
  • Stones in Exile(2010)

    Director

    Midcredits score: 84th percentile of all films
  • Scott Walker: 30 Century Man(2006)

    Director · Producer

    Midcredits score: 87th percentile of all films
  • Big Ideas for a Small Planet(2007)

    Show Producer

    Midcredits score: 73rd percentile of all shows (provisional, few ratings)
  • The Naked Feminist(2004)

    Producer

    Midcredits score: 68th percentile of all films (provisional, few ratings)
  • Cinemania(2002)

    Director · Co-Producer · Editor

    Midcredits score: 82nd percentile of all films
  • X JAPAN - The Last Live (not in the MovieCove catalog yet)(2002)

    Director

  • I Remember (not in the MovieCove catalog yet)(1999)

    Art Direction

  • Never Met Picasso(1996)

    Director · Producer · Writer

    Midcredits score: 31st percentile of all films
  • Nude Descending (not in the MovieCove catalog yet)(1992)

    Director

Career shape

A full career of 14 titles from 1992 to 2023.

By role

only this rolewith another role
Directing13 of 14: 8 only directing, 5 with another role · typical Midcredits score87thWriting3 of 14: 0 only writing, 3 with another roleProducing3 of 14: 0 only producing, 3 with another roleEditing1 of 14: 0 only editing, 1 with another roleOther crew1 of 14: 1 only other crew, 0 with another role

14 titles, 5 with more than one role — directing and producing overlap on 3 of them.

By decade

1990s3 · crew2000s3 · crew2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a Sundance award in 2016, World Cinema - Documentary.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Stephen Kijak's films land?

Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 84th percentile for acclaim.

Acclaim · how much people like their films

84thpercentile
Typical film, the median of 13

Approval · how many liked their films

85thpercentile
Typical film, the median of 13

Reach · how many have seen their films

55thpercentile
Typical film, the median of 13

Midcredits score across 15 titles, by percentile

  • 75th and up10
  • 50th to 74th2
  • 25th to 49th3

Reviewers score the atmosphere 67/100 and the pacing 51/100 in their films, across 11 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Stephen Kijak work with?

People who share at least 2 of Stephen Kijak's MovieCove titles, grouped by what they did on them; Diane Becker shares the most, 5.

Composers, cinematographers and editors

Producers