Ellwood Kieser
- Producer
- 4 on MovieCove
What are Ellwood Kieser's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 1 · Dark 2
Grounded 4 · Stylized 0 · Heightened 0
Gentle 1 · Charged 2 · Intense 1
Steady 4 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 2
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ellwood Kieser's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Ellwood Kieser's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 51st percentile of all films
Romero(1989)
Midcredits score: 82nd percentile of all films
We Are the Children(1987)
Midcredits score: 37th percentile of all films (provisional, few ratings)
The Fourth Wise Man(1985)
Midcredits score: 77th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1985 to 1996.
How do Ellwood Kieser's films land?
Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
2 of their 4 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ellwood Kieser work with?
People who share at least 2 of Ellwood Kieser's MovieCove titles, grouped by what they did on them; Michael Ray Rhodes shares the most, 4.
Directors
- Michael Ray RhodesShared titles: Entertaining Angels: The Dorothy Day Story (1996), Romero (1989), We Are the Children (1987), The Fourth Wise Man (1985)See all 4 shared titles with Michael Ray Rhodes
Actors
- Martin SheenShared titles: Entertaining Angels: The Dorothy Day Story (1996), The Fourth Wise Man (1985)See all 2 shared titles with Martin Sheen
- Harold GouldShared titles: Romero (1989), The Fourth Wise Man (1985)See all 2 shared titles with Harold Gould
Producers
- Lewis AbelShared titles: Romero (1989), We Are the Children (1987), The Fourth Wise Man (1985)See all 3 shared titles with Lewis Abel