- Producer, director and writer
- 16 on MovieCove · 19 credits in all
What are Ross Katz's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 10
A split, not a type: Light 2 · Serious 4 · Dark 5
Grounded 7 · Stylized 2 · Heightened 2
A split, not a type: Gentle 5 · Charged 3 · Intense 3
Steady 8 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 7 · Some laughs 3 · Funny 1
Slow burn 9 · Even-paced 2 · Relentless 0
Casual 7 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 3 · Heavy 5
Resolved 7 · Open-ended 2 · Ambiguous 2
Moods and endings
- Happy2
- Bittersweet8
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ross Katz's films?
As of October 24, 2026, 8 of their 16 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Ross Katz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 16 with a MovieCove page; 2 appearances as themselves are hidden until asked for.
Midcredits score: 53rd percentile of all films (provisional, few ratings)
Down Low(2023)
Midcredits score: 40th percentile of all films
Strange But True(2019)
Midcredits score: 33rd percentile of all films
My Dinner with Hervé(2018)
Midcredits score: 76th percentile of all films
Story of a Girl(2017)
Midcredits score: 49th percentile of all films
Skin (not in the MovieCove catalog yet)(2016)

The Choice(2016)
Midcredits score: 60th percentile of all films
Adult Beginners(2014)
Midcredits score: 27th percentile of all films
Road, Movie (not in the MovieCove catalog yet)(2010)

Taking Chance(2009)
Midcredits score: 89th percentile of all films
Marie Antoinette(2006)
Midcredits score: 70th percentile of all filmsLost on Location: Behind the Scenes of 'Lost in Translation' (not in the MovieCove catalog yet)(2004)

Lost in Translation(2003)
Midcredits score: 94th percentile of all films
The Laramie Project(2002)
Midcredits score: 77th percentile of all films
In the Bedroom(2001)
Midcredits score: 91st percentile of all films
Trick(1999)
Midcredits score: 84th percentile of all films
Happiness(1998)
Midcredits score: 95th percentile of all films
The Myth of Fingerprints(1997)
Midcredits score: 42nd percentile of all films
Reservoir Dogs(1992)
Midcredits score: 99th percentile of all films
Career shape
A full career of 19 titles from 1992 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ross Katz's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 16; across their 11 films with reception data, the typical film sits in the 71st percentile for acclaim.
- 75th and up8
- 50th to 74th3
- 25th to 49th5
Shape of the crowd
6 of their 16 titles are Crowd Pleasers.
- Universally Loved4
- Cult Classic2
- Crowd Pleaser6
- Broadly Agreed2
- Mixed2
Reviewers score the atmosphere 72/100 and the pacing 43/100 in their films, across 11 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Ross Katz's work okay for kids?
Across up to 8 MovieCove titles with content scores, violence & gore runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Ross Katz work with?
People who share at least 2 of Ross Katz's MovieCove titles, grouped by what they did on them; Sofia Coppola shares the most, 2.
Directors
- Sofia CoppolaShared titles: Marie Antoinette (2006), Lost in Translation (2003)See all 2 shared titles with Sofia Coppola

Actors
- Kevin BaconShared titles: Story of a Girl (2017), Taking Chance (2009)See all 2 shared titles with Kevin Bacon

- Rose ByrneShared titles: Adult Beginners (2014), Marie Antoinette (2006)See all 2 shared titles with Rose Byrne

Composers, cinematographers and editors
- Alar KiviloShared titles: Story of a Girl (2017), The Choice (2016)See all 2 shared titles with Alar Kivilo

- Marcelo ZarvosShared titles: The Choice (2016), Adult Beginners (2014)See all 2 shared titles with Marcelo Zarvos

- Lance AcordShared titles: Marie Antoinette (2006), Lost in Translation (2003)See all 2 shared titles with Lance Acord

- Sarah FlackShared titles: Marie Antoinette (2006), Lost in Translation (2003)See all 2 shared titles with Sarah Flack

Producers
- Fred BergerShared titles: Strange But True (2019), Taking Chance (2009)See all 2 shared titles with Fred Berger

- John PenottiShared titles: Strange But True (2019), In the Bedroom (2001)See all 2 shared titles with John Penotti

- Tim WilliamsShared titles: Strange But True (2019), In the Bedroom (2001)See all 2 shared titles with Tim Williams

- Callum GreeneShared titles: Marie Antoinette (2006), Lost in Translation (2003)See all 2 shared titles with Callum Greene




