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Erik Jendresen

Erik Jendresen

Writer and producer · Born December 22, 1959 (66)

Primetime Emmy winner

Erik Jendresen (born December 22, 1959) is an American author, playwright, screenwriter, and producer of plays, television, and film. Previous projects include the HBO miniseries Band of Brothers, executive produced by Steven Spielberg and Tom Hanks; Killing Lincoln, co-produced with Tony and Ridley Scott for the National Geographic Channel; a series based on the Francis Ford Coppola film, The Conversation (with Christopher McQuarrie); The Pony Express (with Robert Duvall); an eight-hour adaptation of Gregory Maguire's novel, Wicked (ABC); an eight-hour miniseries, Majestic-12; and The Command—a series set in the world of the Joint Special Operations Command (FIC). Description above from the Wikipedia article Erik Jendresen, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
December 22, 1959 (66)
Works as
Writer and producer
Titles
10 on MovieCove · 11 credits in all

What are Erik Jendresen's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 4 · Dark 5

A split, not a type: Grounded 5 · Stylized 2 · Heightened 2

Gentle 1 · Charged 2 · Intense 6

A split, not a type: Steady 4 · Shifting 2 · Whiplash 3

Straight-faced 5 · Some laughs 4 · Funny 0

Slow burn 3 · Even-paced 4 · Relentless 2

Casual 0 · Engaged 5 · Full focus 4

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 6

A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Thrilling
4
Melancholic
3
Contemplative
3
Dread
2
Other
3

How their films end · 4 with a twist

  • Happy1
  • Bittersweet4
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Erik Jendresen's films?

As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Erik Jendresen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page.

  • Midcredits score: 85th percentile of all films
  • Midcredits score: 96th percentile of all films
  • Ithaca(2015)

    Producer · Screenplay

    Midcredits score: 25th percentile of all films
  • Killing Lincoln(2013)

    Executive Producer · Screenplay

    Midcredits score: 66th percentile of all films
  • The Big Bang(2010)

    Producer · Screenplay

    Midcredits score: 22nd percentile of all films
  • Otis(2008)

    Writer

    Midcredits score: 42nd percentile of all films
  • Sublime(2007)

    Author · Producer · as Dr. Falk

    Midcredits score: 26th percentile of all films
  • Crazy as Hell(2002)

    Screenplay

    Midcredits score: 39th percentile of all films
  • Band of Brothers(2001)

    Show 10 episodes · Supervising Producer · Teleplay · Writer

    Midcredits score: 99th percentile of all shows
  • Deadlocked(2000)

    Teleplay

    Midcredits score: 41st percentile of all films
  • Broadsword (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 11 titles, 10 of them dated from 2000 to 2025.

Film career

By role

only this rolewith another role
Acting1 of 11: 0 only acting, 1 with another roleWriting11 of 11: 7 only writing, 4 with another role · typical Midcredits score42ndProducing3 of 11: 0 only producing, 3 with another role

11 titles, 4 with more than one role — writing and producing overlap on 3 of them.

By decade

2000s5 · 1 acting · 5 crew2010s3 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

a Primetime Emmy from 2 major nominations, 2002.

WinNomination
  1. 2002
    • Primetime Emmy, won · Outstanding Miniseries
    • Primetime Emmy, nominated · Outstanding Writing for a Miniseries, Movie or a Dramatic Special

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Erik Jendresen's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 9

Approval · how many liked their films

45thpercentile
Typical film, the median of 9

Reach · how many have seen their films

76thpercentile
Typical film, the median of 9

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th5
  • Below 25th1

Reviewers score the dialogue 42/100 and the plot and story 40/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Erik Jendresen's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 22 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Erik Jendresen work with?

People who share at least 2 of Erik Jendresen's MovieCove titles, grouped by what they did on them; Tony Krantz shares the most, 3.

Directors

Actors

Producers