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Andrew Thomas Hunt

Andrew Thomas Hunt

Producer, also director, writer and editor · Born December 14, 1974 (51) · Whitby, Ontario, Canada

One of the founding partners of Raven Banner, Andrew Thomas Hunt is a Producer/Director/Writer/Editor. Andrew's feature-length debut Sweet Karma premiered at the 2009 Fantasia Film Festival in Montreal and was the catalyst for the formation of Raven Banner Entertainment - a worldwide sales company specializing in genre films. In 2012 Raven Banner Releasing was formed as the Canadian distribution arm for RBE, releasing such titles as Autopsy of Jane Doe, Turbo Kid, Baskin, Deathgasm, Come True, Bloodthirsty, and Gaspar Noe's Climax. In 2015 Northern Banner Releasing was formed to focus on non-genre films, such as Academy Award Nominated Embrace of the Serpent, The Happiest Day In The Life of Olli Maki, How To Plan An Orgy In A Small Town, Hello Destroyer, The Painted Bird, and Bruce La Bruce's Saint Narcisse. Additionally, Andrew has produced over two dozen films including V/H/S 94, Nail in the Coffin - The Fall & Rise of Vampiro, The Breach, Stakelander, Avenged, SXSW favourite Psycho Goreman, and Slamdance Audience Award winner Shoot To Marry. In 2018 Andrew got behind the camera again as director for his sophomore feature Spare Parts which had its World Premiere at Korea's prestigious BIFAN Film Festival and its European Premiere at Sitges. Andrew's third film as director The Fight Machine, based on acclaimed author Craig Davidson's novel The Fighter, had its World Premiere at Fantasia Festival in Montreal where it won the Gold Audience Award for Best Canadian Feature.

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Biography from IMDb.

Born
December 14, 1974 (51)
From
Whitby, Ontario, Canada
Works as
Producer, also director, writer and editor
Titles
36 on MovieCove

What are Andrew Thomas Hunt's films like?

Across their 36 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

What they feel like to watch

their average across 36 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 13 · Serious 5 · Dark 18

A split, not a type: Grounded 19 · Stylized 12 · Heightened 5

Gentle 2 · Charged 18 · Intense 16

Steady 7 · Shifting 21 · Whiplash 8

A split, not a type: Straight-faced 20 · Some laughs 8 · Funny 8

Slow burn 11 · Even-paced 20 · Relentless 5

Casual 15 · Engaged 19 · Full focus 2

Easy watch 11 · Affecting 15 · Heavy 10

Resolved 19 · Open-ended 14 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
25
Dread
15
Absurd
11
Thrilling
10
Melancholic
9
Other
25

How their films end · 10 with a twist

  • Happy4
  • Bittersweet18
  • Tragic3
  • Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew Thomas Hunt's films?

As of October 24, 2026, 29 of their 36 MovieCove titles stream on a subscription or free service, most on Tubi (20).

Subscription and free streaming for Andrew Thomas Hunt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

36 credits, 36 with a MovieCove page.

  • Black Zombie(2026)

    Producer

    Midcredits score: 66th percentile of all films
  • Midcredits score: 39th percentile of all films
  • Deathstalker(2025)

    Producer

    Midcredits score: 43rd percentile of all films
  • Frankie Freako(2024)

    Producer

    Midcredits score: 30th percentile of all films
  • Midcredits score: 3rd percentile of all films
  • You Gotta Believe(2024)

    Producer

    Midcredits score: 46th percentile of all films
  • Brooklyn 45(2023)

    Producer

    Midcredits score: 39th percentile of all films
  • Purgatory Jack(2023)

    Producer

    Midcredits score: 49th percentile of all films
  • The Burning Season(2023)

    Producer

    Midcredits score: 44th percentile of all films (provisional, few ratings)
  • Sorry About the Demon(2022)

    Producer

    Midcredits score: 20th percentile of all films
  • The Breach(2022)

    Producer

    Midcredits score: 8th percentile of all films
  • The Fight Machine(2022)

    Director · Producer · Writer

    Midcredits score: 19th percentile of all films
  • Crabs!(2021)

    Producer

    Midcredits score: 8th percentile of all films
  • Motherly(2021)

    Producer

    Midcredits score: 19th percentile of all films
  • V/H/S/94(2021)

    Producer

    Midcredits score: 31st percentile of all films
  • Midcredits score: 25th percentile of all films
  • Psycho Goreman(2020)

    Producer

    Midcredits score: 60th percentile of all films
  • Shoot to Marry(2020)

    Producer · Writer

    Midcredits score: 57th percentile of all films (provisional, few ratings)
  • Spare Parts(2020)

    Director · Editor · Producer

    Midcredits score: 29th percentile of all films
  • Midcredits score: 43rd percentile of all films
  • Midcredits score: 81st percentile of all films
  • Lifechanger(2018)

    Producer

    Midcredits score: 27th percentile of all films
  • SuperGrid(2018)

    Producer

    Midcredits score: 10th percentile of all films
  • Dead Shack(2017)

    Producer

    Midcredits score: 24th percentile of all films
  • Midcredits score: 6th percentile of all films
  • The Crescent(2017)

    Producer

    Midcredits score: 23rd percentile of all films
  • The Hitman Never Dies(2017)

    Producer

    Midcredits score: 19th percentile of all films
  • Midcredits score: 77th percentile of all films
  • Trench 11(2017)

    Producer

    Midcredits score: 20th percentile of all films
  • The Stakelander(2016)

    Producer

    Midcredits score: 21st percentile of all films
  • Borealis(2015)

    Producer

    Midcredits score: 26th percentile of all films
  • June(2015)

    Producer

    Midcredits score: 6th percentile of all films
  • Barbarous Mexico(2014)

    Producer

    Midcredits score: 12th percentile of all films
  • Midcredits score: 17th percentile of all films
  • Avenged(2013)

    Producer

    Midcredits score: 33rd percentile of all films
  • Bounty Hunters(2011)

    Producer

    Midcredits score: 6th percentile of all films

Career shape

Across their 36 MovieCove titles from 2011 to 2026.

By role

only this rolewith another role
Directing2 of 36: 0 only directing, 2 with another roleWriting2 of 36: 0 only writing, 2 with another roleProducing36 of 36: 33 only producing, 3 with another role · typical Midcredits score26thEditing1 of 36: 0 only editing, 1 with another role

36 titles, 3 with more than one role — producing and directing overlap on 2 of them.

By decade

2010s17 · crew2020s19 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Andrew Thomas Hunt's films land?

Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 36; across their 36 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 36

Approval · how many liked their films

23rdpercentile
Typical film, the median of 36

Reach · how many have seen their films

65thpercentile
Typical film, the median of 36

Midcredits score across 36 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th14
  • Below 25th17

Reviewers score the atmosphere 54/100 and the pacing 41/100 in their films, across 30 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Andrew Thomas Hunt's work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles73–92 · median 86 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles13–48 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 52 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 32 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 58 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Andrew Thomas Hunt work with?

People who share at least 2 of Andrew Thomas Hunt's MovieCove titles, grouped by what they did on them; James Fler shares the most, 35.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles