
William Halligan
Actor · Died January 28, 1957, aged 73 · Chicago, Illinois, USA
William Halligan was born on 29 March 1883 in Chicago, Illinois, USA. He was an actor and writer, known for Moontide (1942), The Great Mike (1944) and 'Til We Meet Again (1940). He died on 28 January 1957 in Woodland Hills, Los Angeles, California, USA.
Biography from IMDb.
- March 29, 1883
- January 28, 1957 (aged 73)
- Chicago, Illinois, USA
- Actor
- 22 on MovieCove · 47 credits in all
What are William Halligan's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 4 · Serious 1 · Dark 0
Grounded 4 · Stylized 1 · Heightened 0
Gentle 2 · Charged 3 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 1
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Roles they play
- Mentoras Cannonball Blake in Blonde Comet (1941)
Moods and endings
- Happy5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Halligan's films?
As of October 24, 2026, 11 of their 22 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for William Halligan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
47 credits, 22 with a MovieCove page.

The Dark Mirror(1946)
Midcredits score: 85th percentile of all films
Midcredits score: 91st percentile of all films
Dick Tracy(1945)
Midcredits score: 34th percentile of all films
Week-End at the Waldorf(1945)
Midcredits score: 67th percentile of all films
Flame of Barbary Coast(1945)
Midcredits score: 48th percentile of all films
The Great Mike(1944)
Midcredits score: 15th percentile of all films
Riders of the Deadline(1943)
Midcredits score: 47th percentile of all films
The Seventh Victim(1943)
Midcredits score: 70th percentile of all films
Black Hills Express (not in the MovieCove catalog yet)(1943)

Coney Island (not in the MovieCove catalog yet)(1943)

The Leopard Man(1943)
Midcredits score: 71st percentile of all films
He's My Guy (not in the MovieCove catalog yet)(1943)

Life Begins at Eight-Thirty (not in the MovieCove catalog yet)(1942)

Lucky Jordan (not in the MovieCove catalog yet)(1942)
Foreign Agent (not in the MovieCove catalog yet)(1942)

Henry Aldrich, Editor(1942)
Midcredits score: 74th percentile of all films
The Big Street(1942)
Midcredits score: 56th percentile of all films
Moontide(1942)
Midcredits score: 73rd percentile of all films
The Remarkable Andrew (not in the MovieCove catalog yet)(1942)

Broadway Big Shot (not in the MovieCove catalog yet)(1942)

A Gentleman at Heart(1942)
Midcredits score: 62nd percentile of all films
Blonde Comet(1941)
Midcredits score: 6th percentile of all films
Remember the Day (not in the MovieCove catalog yet)(1941)

Mr. Celebrity (not in the MovieCove catalog yet)(1941)

Double Cross(1941)
Midcredits score: 11th percentile of all films
Gangs Inc. (not in the MovieCove catalog yet)(1941)

Tom, Dick and Harry(1941)
Midcredits score: 57th percentile of all films
Emergency Landing(1941)
Midcredits score: 4th percentile of all films
Murder Among Friends (not in the MovieCove catalog yet)(1941)

Third Finger, Left Hand(1940)
Midcredits score: 78th percentile of all films
Hired Wife (not in the MovieCove catalog yet)(1940)

Earl of Puddlestone (not in the MovieCove catalog yet)(1940)

Boom Town(1940)
Midcredits score: 80th percentile of all films
You Can't Fool Your Wife (not in the MovieCove catalog yet)(1940)

'Til We Meet Again(1940)
Midcredits score: 70th percentile of all films
One Way Passage(1932)
Midcredits score: 93rd percentile of all films
Blessed Event(1932)
Midcredits score: 76th percentile of all films
Lady and Gent (not in the MovieCove catalog yet)(1932)

By Whose Hand? (not in the MovieCove catalog yet)(1932)

Dancers in the Dark (not in the MovieCove catalog yet)(1932)

The Circus Show-Up (not in the MovieCove catalog yet)(1932)
Running Hollywood (not in the MovieCove catalog yet)(1932)

High Pressure (not in the MovieCove catalog yet)(1932)

The Public Defender (not in the MovieCove catalog yet)(1931)

Everything’s Rosie (not in the MovieCove catalog yet)(1931)

Follow the Leader (not in the MovieCove catalog yet)(1930)

Waltzing Around (not in the MovieCove catalog yet)(1929)
Career shape
Star power in the 81st percentile of 239,109 people with a billed film role, over a full career of 47 titles from 1929 to 1946.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do William Halligan's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 22; across their 5 films with reception data, the typical film sits in the 32nd percentile for acclaim.
- 75th and up6
- 50th to 74th9
- 25th to 49th3
- Below 25th4
Shape of the crowd
15 of their 22 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser15
- Broadly Agreed2
- Mixed3
Reviewers score the acting 52/100 in their films, across 5 reviewed titles; fans 65, detractors 38. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Halligan work with?
People who share at least 2 of William Halligan's MovieCove titles, grouped by what they did on them; Martin Mooney shares the most, 3.
Directors
- William BeaudineShared titles: Blonde Comet (1941), Emergency Landing (1941)See all 2 shared titles with William Beaudine

Writers
- Martin MooneyShared titles: The Great Mike (1944), Blonde Comet (1941), Emergency Landing (1941)See all 3 shared titles with Martin Mooney
Cinematographers
- Jack GreenhalghShared titles: Blonde Comet (1941), Emergency Landing (1941)See all 2 shared titles with Jack Greenhalgh


