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María Luisa Gutiérrez

María Luisa Gutiérrez

Producer, also writer · Yunquera de Henares, Guadalajara, Castilla-La Mancha, Spain

María Luisa Gutiérrez, (Yunquera de Henares, Guadalajara, 1973) is one of the most influential Spanish producers. Founder and CEO of Bowfinger International Pictures, focused on Spanish production and co-production market, on the last years she has been behind of some of the most successful Spanish films such as the "Torrente" saga; "Padre no hay más que uno"; "Padre no hay más que uno 2"; "A todo tren. Destino Asturias" and recently "Padre no hay más que uno 3" , considered the highest grossing Spanish films between 2019-2022. She also chairs the State Association of Film Spanish Producers (AECine), belongs to the Board of Directors of the Spanish Arts and Cinematographic Sciences Academy, and combines her work as producer and executive producer, with teaching on several educational institutions like ECAM or the Universidad Autónoma de Madrid. Graduated on Business Sciences at the Universidad Complutense of Madrid, (PDG-C in 2007 from IESE Business School), Mª Luisa Gutiérrez began her career as controller in films like "Isla Negra", "Airbag", ¡A por el oro! or "El impostor". After a long business career, in 2003 she decided to found her own production company, Bowfinger International Pictures, with her partner Santiago Segura, producing a wide catalog of productions with more than 35 films. Based in Madrid and the Basque Country, the new production company headed by Gutiérrez, has increased its market producing own films like "Sin Rodeos", "Ola de Crímenes" or "Qué te juegas", and also expanding his alliances with some of the principal TV network plattforms and distributors such as A3Cinema, Mediaset, Movistar or Latido, among others. In addition, Bowfinger International Pictures has increased their international expansion through LATAM & USA including producing and coproducing films of prestigious directors as Gabriel Nesci ("Casi leyendas"); Federico Cueva (¨Solo se vive una vez); Martín Hodara ( "Nieve Negra") , Gustavo Hernández ("No dormirás"), or the Oscar-winning director Armando Bo ("Animal"), among others. Recently Mª Luisa Gutiérrez has been also coproducing new films as "La casa del caracol" or "El Refugio", both directed by Macarena Astorga and top 1on their launch on Amazon Prime Video; "Llegaron de noche", by Imanol Uribe; "Sin ti no puedo" by Chus Gutiérrez or "Mamá no enRedes" by Daniela Fejerman. Considered one of the most influential women on the Spanish film market by magazines like Vanity Fair or Forbes, Mª Luisa Gutiérrez has also been awarded as Woman of the Year with a Silver Fotogramas Award; and also with the Comscore Courage Award (CineEurope 2021); with the Cygnus Award for Solidarity&Values Cinema from the University of Alcalá (ACIVAS), and with the 8M Award for her cultural career awarded by the Community of Madrid (2022), among others. Already she's working on new films like "Lobo Feroz", "A todo tren 2" or "Me he hecho viral", that will come to the cinemas soon.

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Biography from IMDb.

From
Yunquera de Henares, Guadalajara, Castilla-La Mancha, Spain
Works as
Producer, also writer
Titles
26 on MovieCove

What are María Luisa Gutiérrez's films like?

Across their 26 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 26 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 16 · Serious 2 · Dark 8

A split, not a type: Grounded 18 · Stylized 5 · Heightened 3

Gentle 8 · Charged 11 · Intense 7

Steady 8 · Shifting 17 · Whiplash 1

A split, not a type: Straight-faced 8 · Some laughs 2 · Funny 16

Slow burn 7 · Even-paced 15 · Relentless 4

Casual 14 · Engaged 10 · Full focus 2

Resolved 20 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Joyful
12
Absurd
11
Warm
6
Melancholic
5
Other
15

How their films end · 4 with a twist

  • Happy14
  • Bittersweet8
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch María Luisa Gutiérrez's films?

As of October 24, 2026, 15 of their 26 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for María Luisa Gutiérrez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 26 with a MovieCove page.

Career shape

Across their 26 MovieCove titles from 2002 to 2026.

By role

only this rolewith another role
Writing1 of 26: 0 only writing, 1 with another roleProducing26 of 26: 25 only producing, 1 with another role · typical Midcredits score29th

By decade

2000s3 · crew2010s11 · crew2020s12 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do María Luisa Gutiérrez's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 26; across their 26 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 26

Approval · how many liked their films

21stpercentile
Typical film, the median of 26

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 26

Midcredits score across 26 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th12
  • Below 25th11

Reviewers score the dialogue 49/100 and the plot and story 40/100 in their films, across 18 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does María Luisa Gutiérrez work with?

People who share at least 2 of María Luisa Gutiérrez's MovieCove titles, grouped by what they did on them; Santiago Segura shares the most, 12.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles