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Jean-Paul Guibert

Producer · Born April 1, 1925 (101) · Paris, France

Born
April 1, 1925 (101)
From
Paris, France
Works as
Producer
Titles
7 on MovieCove · 15 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 23% in 30 days

What are Jean-Paul Guibert's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Crime4 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Crime movies
Drama2 titlesTypical Midcredits score: 55th percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
36%
Survival
21%
Bonds
16%
Self
11%
Society
8%
Ideas
5%
Power
3%
Justice3 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 5 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 1 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 3 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Contemplative
3
Bittersweet
1
Warm
2
Absurd
1
Other
4

How their films linger

Wistful4 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jean-Paul Guibert's films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Jean-Paul Guibert's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 7 with a MovieCove page.

  • Bonnot's Gang (not in the MovieCove catalog yet)(1968)

    Producer

  • Dead Run(1967)

    Producer

    Midcredits score: 15th percentile of all films

  • The Saint Lies in Wait(1966)

    Executive Producer

    Midcredits score: 9th percentile of all films

  • The Dictator's Guns(1965)

    Producer

    Midcredits score: 61st percentile of all films

  • The Baron of the Locks (not in the MovieCove catalog yet)(1960)

    Producer

  • Rue de Paris (not in the MovieCove catalog yet)(1959)

    Producer

  • Maigret and the St. Fiacre Case(1959)

    Producer

    Midcredits score: 81st percentile of all films

  • The Possessors (not in the MovieCove catalog yet)(1958)

    Producer

  • Inspector Maigret(1958)

    Producer

    Midcredits score: 87th percentile of all films

  • White Nights(1957)

    Producer

    Midcredits score: 95th percentile of all films

  • There's Always a Price Tag (not in the MovieCove catalog yet)(1957)

    Producer

  • Mort en fraude (not in the MovieCove catalog yet)(1957)

    Producer

  • Slightly Ahead (not in the MovieCove catalog yet)(1956)

    Producer

  • Hi-Jack Highway(1955)

    Producer

    Midcredits score: 51st percentile of all films

  • April Fools' Day (not in the MovieCove catalog yet)(1954)

    Producer

Career shape

A full career of 13 titles from 1954 to 1968.

Biggest box office

Maigret and the St. Fiacre Case (1959)

$15K worldwide

Highest rated

White Nights (1957)

Midcredits 95th

Most popular right now

Maigret and the St. Fiacre Case (1959)

By role

only this rolewith another role
Producing13 of 13: 13 only producing, 0 with another role · typical Midcredits score81st

By decade

1950s10 · crew1960s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jean-Paul Guibert's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 7

Approval · how many liked their films

58thpercentile
Typical film, the median of 7

Reach · how many have seen their films

49thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • Below 25th2

Shape of the crowd

3 of their 7 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed2

Most divisive · producer

Dead Run (1967)

56th percentile spread · 29% rated it 4 or lower

Most loved · producer

White Nights (1957)

Midcredits 95th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jean-Paul Guibert work with?

People who share at least 2 of Jean-Paul Guibert's MovieCove titles, grouped by what they did on them; Michel Audiard shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers