Skip to content
MovieCove

Philippe Guez

Producer

Nurturing his budding passion at an early age, Philippe Guez started a movie club in his school, and later created one in his hometown, in the suburbs of Paris. Evenings would see him settle in to watch every genre of film from around the globe. During holidays, he would sneak onto movie sets or even work as an extra, so he could learn what went on behind the camera. In 1976, he entered a top film school, l' E.S.E.C, paving his way through by assisting a commercial photographer, making professional casting photos and portfolios for aspiring actors and artists. Upon graduating in 1979, he found work with various film companies as a First Assistant Director. His work included about fifteen feature films, a variety of television dramas, music videos, and a few high-end commercials. In 1985, he was able to apply his on-set knowledge and cost saving skills at Sara Films, where he was appointed in-house producer/line producer by Alain Sarde and where he created and ran a new section dedicated to first time directors. In the 90s, as an independent producer and founder of Septième Productions, Philippe Guez supervised "Rendez-Vous au Tas de Sable" by Didier Grousset, "Périgord Noir" by Nicolas Ribowski, "The Liars" (Les Menteurs) by Elie Chouraqui, shot in Cape Town, South Africa, "Day of Atonement" (Le Grand Pardon II) by Alexandre Arcady, entirely shot in Miami, staring Christopher Walken, Jill Clayburgh and Jennifer Beals. Thanks to these last experiences abroad, he decided to collaborate on movies intended for the international market, and supervised or co-produced "Zentropa" (Europa) directed by Lars von Trier in 1991 (Jury's Prize at the Cannes Film Festival), with Jean-Marc Barr and Barbara Sukowa. "Laps of Memory" (Mémoire Traquée) directed by Patrick Dewolf in 1992, adapted from Robert Cormier's novel (I am the Cheese) filmed in Canada with John Hurt. "Innocent Lies" (Péchés Mortels), in 1994, a film inspired by Agatha Christie's novel Toward Zero, starring Stephen Dorff shot in Belle-île-en-Mer and at the Twickenham Film Studio, near London. "Cousin Bette" (La Cousine Bette), directed by Des Mac Anuff, based on the novel by Honoré de Balzac, starring Jessica Lange and Elizabeth Shue, released by Fox Searchlight. "The Luzhin Defense" (La Defense Loujine), the screen adaptation of Vladimir Nabokov's novel, directed by Marleen Gorris, with John Turturro and Emily Watson in the lead roles. "Hijack Stories" directed by Oliver Schmitz, shot in Soweto, in South Africa, which earned the Official "Un Certain Regard" Selection at the 2001 Cannes Film Festival. "Angel of Death" (Semana Santa), based on the novel by David Hewson, directed in 2002 by Pepe Danquart, with Mira Sorvino and Olivier Martinez. Then feeling that the European co-production treaties were artistically too restraining, he restructured his production company in 2003 to form Evidence Films which focused on the French market and produced "Nabila's Letter" (La Lettre de Nabila) a short feature for Amnesty International, based on a novella by Marc Levy, France's most read living author worldwide. "London mon Amour" (Mes Amis, Mes Amours), a romantic comedy co-written by Marc Levy and himself, which he also co-produced with Dominique Farrugia. The film was released by Pathé in France and in the U.K during summer 2008 and enjoyed great success. Continuing his interest in writing, Philippe Guez wrote and directed "Marianne" as part of a series of shorts against discrimination, which was screened in major film festivals and aired for months on French prime-time television. Since 2011, he has worked under Peedjee Films, his new production and all encompassing film-consulting company. With this twofold focus, were developed: "For A Woman" (Pour Une Femme) by Diane Kurys, a period film starring Benoit Magimel and Mélanie Thierry, released by Europa Corp in France and distributed in the US by Film Movement in 2014. "Les Morues", by French actress/writer/director Sylvie Testud based on the book by Audrey Lecoq. Although the film was postponed, it inspired Sylvie Testud to write her latest novel "C'est le Métier qui Rentre", adapted for the big screen in shot 2015. Philippe Guez own the rights of the novel "My Life as a Whale ", by American author Dyan Sheldon, adapted in French, and currently entitled "La Sauce était Presque Parfaite" (The Sauce was almost Perfect), a hectic comedy in development, about a food-loving literary agent living in Paris, who is wrongly mistaken for a serial killer by the police. After the production of "Dog" (2017), "Bluebird in my Head", & "Budapest "(2018), Sweatheart" (Mon Bébé-, with Sandrine Kiberlain, 2019) teaming with Labyrinthe and Julien Madon, Philippe Guez has supervised the production of numerous shows for Netflix, "La Terre et Le Sang" (Hearth and Blood in 2019,) "Sentinelle" with Olga Kurylenko, (in 2020) and, released in September 2021, "Ganglands" ("Braqueurs") by Julien Leclercq, with Sami Bouajila, ranked in the top 3 of Netflix Originals series after five days only. In 2022, Philippe Guez supervised the major production of "Notre Dame, la Part du Feu" a TV mini serie of 6 episodes, for Netflix, entitled "Notre Dame, la part du Feu" with Roschdy Zem, "Ganglands" season 2 (Braqueurs saison 2), and « BRI » to be broadcast on Canal Plus, another TV mini serie of 8 episodes. Now in preparation, a feature film " Funny Birds" from writers / directors Hanna Ledoul and Marco La Via, with Andrea Risborough and Catherine Deneuve, to be shot in English and in soft preparation Julien Leclerc next feature film remake project entitled "Le Salaire de la Peur" (The Wages of Fear). Recently, Philippe Guez founded Real Films a production company, based in Brussels and help coproduce feature films and series, in partnership with Cheyenne Federation, a major player in France and abroad, Philippe Guez has acquired together with Cheyenne Federation, the rights to a novel entitled "Danser au Bord de l'Abime" by Grégoire Delacourt, published by JC Lattès, in casting, with a shooting planned for 2023. At fifty five years of age, Philippe Guez has 25 years of experience in his field and has worked in various countries such as: USA, Canada, United-Kingdom, South Africa, Cameroon, French-West Indies, Spain, Denmark, Czech Republic, Morocco, and Belgium.

Read more

Biography from IMDb.

Works as
Producer
Titles
24 on MovieCove · 33 credits in all
TMDB popularity, last 63 days to Oct 26Down 47% in 30 days

What are Philippe Guez's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 4 · Dark 12

Grounded 13 · Stylized 6 · Heightened 1

A split, not a type: Gentle 2 · Charged 8 · Intense 10

Steady 7 · Shifting 12 · Whiplash 1

Straight-faced 14 · Some laughs 3 · Funny 3

Slow burn 4 · Even-paced 14 · Relentless 2

Casual 6 · Engaged 11 · Full focus 3

Easy watch 3 · Affecting 11 · Heavy 6

Resolved 14 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Melancholic
10
Dread
8
Warm
5
Bittersweet
4
Other
16

How their films end · 3 with a twist

  • Happy3
  • Bittersweet13
  • Tragic2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Philippe Guez's films?

As of October 24, 2026, 12 of their 24 MovieCove titles stream on a subscription or free service, most on Netflix (6).

Subscription and free streaming for Philippe Guez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 24 with a MovieCove page.

  • La Nirvana (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • Elite Force(2026)

    Show 6 episodes · Line Producer

    Midcredits score: 37th percentile of all shows
  • Anna et les enfants(2026)

    Executive Producer

    Midcredits score: 11th percentile of all films (provisional, few ratings)
  • Unsubmissives(2025)

    Executive Producer

    Midcredits score: 62nd percentile of all films
  • The Party's Over!(2025)

    Line Producer

    Midcredits score: 37th percentile of all films
  • Saint-Exupéry(2024)

    Line Producer

    Midcredits score: 23rd percentile of all films
  • Hunting with Tigers(2024)

    Line Producer

    Midcredits score: 35th percentile of all films
  • The Wages of Fear(2024)

    Line Producer

    Midcredits score: 8th percentile of all films
  • Funny Birds(2024)

    Producer

    Midcredits score: 32nd percentile of all films
  • Notre-Dame(2022)

    Show Producer

    Midcredits score: 3rd percentile of all shows
  • Ganglands(2021)

    Show Producer

    Midcredits score: 61st percentile of all shows
  • Sentinelle(2021)

    Producer

    Midcredits score: 10th percentile of all films
  • Earth and Blood(2020)

    Producer

    Midcredits score: 18th percentile of all films
  • Sweetheart(2019)

    Executive Producer

    Midcredits score: 55th percentile of all films
  • Budapest (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • MILF(2018)

    Executive Producer

    Midcredits score: 11th percentile of all films
  • Midcredits score: 57th percentile of all films
  • Dalida(2016)

    Producer

    Midcredits score: 77th percentile of all films
  • Masaan(2015)

    Producer

    Midcredits score: 98th percentile of all films
  • For a Woman(2013)

    Producer

    Midcredits score: 60th percentile of all films
  • Mes amis, mes amours (not in the MovieCove catalog yet)(2008)

    Scenario Writer · Writer

  • Hijack Stories (not in the MovieCove catalog yet)(2001)

    Producer

  • The Luzhin Defence(2000)

    Producer

    Midcredits score: 70th percentile of all films
  • Cousin Bette(1998)

    Producer

    Midcredits score: 44th percentile of all films
  • The Liars (not in the MovieCove catalog yet)(1996)

    Line Producer

  • Innocent Lies(1995)

    Producer

    Midcredits score: 10th percentile of all films
  • Le grand pardon II(1992)

    Producer

    Midcredits score: 14th percentile of all films
  • Europa(1991)

    Production Supervisor

    Midcredits score: 92nd percentile of all films
  • Lapse of Memory (not in the MovieCove catalog yet)(1991)

    Executive Producer

  • Périgord noir (not in the MovieCove catalog yet)(1989)

    Executive Producer

  • Love Rites(1987)

    Producer

    Midcredits score: 16th percentile of all films
  • Rock and Torah (not in the MovieCove catalog yet)(1983)

    Assistant Director

  • Prost (not in the MovieCove catalog yet)

    Line Producer

Career shape

A full career of 23 titles, 22 of them dated from 1983 to 2026.

By role

only this rolewith another role
Writing1 of 23: 1 only writing, 0 with another roleProducing20 of 23: 20 only producing, 0 with another role · typical Midcredits score35thOther crew2 of 23: 2 only other crew, 0 with another role

By decade

1980s3 · crew1990s5 · crew2000s3 · crew2010s3 · crew2020s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Philippe Guez's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 21; across their 20 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 20

Approval · how many liked their films

24thpercentile
Typical film, the median of 20

Reach · how many have seen their films

74thpercentile
Typical film, the median of 20

Midcredits score across 24 titles, by percentile

  • 75th and up3
  • 50th to 74th6
  • 25th to 49th5
  • Below 25th10

Shape of the crowd

11 of their 24 titles are Mixed.

  • Universally Loved2
  • Universally Panned3
  • Crowd Pleaser5
  • Broadly Agreed3
  • Mixed11

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Philippe Guez's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 21 · mildMedian of all films: 44
Sex & Nudity7 titles40–61 · median 57 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 33 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 36 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 32 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Philippe Guez work with?

People who share at least 2 of Philippe Guez's MovieCove titles, grouped by what they did on them; Julien Madon shares the most, 16.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers