Chris Griffin
- Producer
- 7 on MovieCove · 15 credits in all
What are Chris Griffin's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 3 · Serious 0 · Dark 2
Grounded 4 · Stylized 0 · Heightened 1
A split, not a type: Gentle 2 · Charged 1 · Intense 2
Steady 3 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 1
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 1 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Chris Griffin's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Chris Griffin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 7 with a MovieCove page.

Border Cafe (not in the MovieCove catalog yet)(2000)

(All Quiet on the) Preston Front (not in the MovieCove catalog yet)(1994)

Dead Romantic (not in the MovieCove catalog yet)(1993)

Unnatural Pursuits (not in the MovieCove catalog yet)(1992)

Men Behaving Badly(1992)
Midcredits score: 78th percentile of all shows
Max Headroom(1985)
Midcredits score: 80th percentile of all films
Arthur's Hallowed Ground (not in the MovieCove catalog yet)(1984)

Sharma and Beyond (not in the MovieCove catalog yet)(1984)

Those Glory Glory Days(1983)
Midcredits score: 63rd percentile of all films
Secrets(1983)
Midcredits score: 21st percentile of all films
Forever Young (not in the MovieCove catalog yet)(1983)

Experience Preferred... But Not Essential (not in the MovieCove catalog yet)(1982)

Kipperbang(1982)
Midcredits score: 83rd percentile of all films
Wolcott(1981)
Midcredits score: 48th percentile of all shows (provisional, few ratings)
The Long Good Friday(1980)
Midcredits score: 95th percentile of all films
Career shape
A full career of 15 titles from 1980 to 2000.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Chris Griffin's films land?
Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up4
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
4 of their 7 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser4
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Chris Griffin work with?
People who share at least 2 of Chris Griffin's MovieCove titles, grouped by what they did on them; Phil Meheux shares the most, 3.
Cinematographers
- Phil MeheuxShared titles: Max Headroom (1985), Those Glory Glory Days (1983), The Long Good Friday (1980)See all 3 shared titles with Phil Meheux

Producers
- David BillShared titles: Secrets (1983), Those Glory Glory Days (1983), Kipperbang (1982)See all 3 shared titles with David Bill
- David PuttnamShared titles: Secrets (1983), Those Glory Glory Days (1983), Kipperbang (1982)See all 3 shared titles with David Puttnam

- Barry HansonShared titles: Wolcott (1981), The Long Good Friday (1980)See all 2 shared titles with Barry Hanson

