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Carlos González

Carlos González

Cinematographer and director, also producer · Maturín, Venezuela

Carlos González is a Venezuelan cinematographer and director of film and television based in Los Angeles, California.

Biography from TMDB.

From
Maturín, Venezuela
Works as
Cinematographer and director, also producer
Titles
24 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 30% in 30 days

What are Carlos González's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Action5 titlesTypical Midcredits score: 9th percentile
: browse their Action movies
Comedy2 titlesTypical Midcredits score: 52nd percentile, at or above their average across these genres
: browse their Comedy movies
Drama2 titlesTypical Midcredits score: 50th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
37%
Morality
20%
Self
19%
Society
10%
Survival
8%
Power
4%
Ideas
2%
Friendship9 titles, browse their movies with this themeFamily bonds5 titles, browse their movies with this themeComing of age5 titles, browse their movies with this themeCommunity5 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeJustice2 titles, browse their movies with this themePurpose2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 7 · Serious 6 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 7 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 9 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 6 · Shifting 5 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 7 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 10 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 9 · Engaged 4 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
10
Tense
9
Warm
7
Absurd
6
Thrilling
5
Other
14

How their films linger

Hopeful13 titles, browse their movies with this aftertasteFun10 titles, browse their movies with this aftertasteFeel-good9 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertaste

How their films end

  • Happy11
  • Bittersweet7
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carlos González's films?

As of October 24, 2026, 20 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Also on these channels

Subscription and free streaming for Carlos González's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 24 with a MovieCove page.

  • Clash of the Thundermans(2026)

    Cinematographer

    Midcredits score: 38th percentile of all films

  • Hollywood Arts(2026)

    Show Cinematographer

    Midcredits score: 31st percentile of all shows

  • My Weird School(2025)

    Cinematographer

    Midcredits score: 47th percentile of all films (provisional, few ratings)

  • Zombies 4: Dawn of the Vampires(2025)

    Cinematographer

    Midcredits score: 49th percentile of all films

  • Best Foot Forward(2022)

    Show Cinematographer

    Midcredits score: 65th percentile of all shows

  • The Really Loud House(2022)

    Show Director

    Midcredits score: 17th percentile of all shows

  • Everything's Gonna Be Okay(2020)

    Show Cinematographer

    Midcredits score: 70th percentile of all shows

  • The Turkey Bowl(2019)

    Cinematographer

    Midcredits score: 20th percentile of all films

  • #3 Normandy Lane (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • All Night(2018)

    Show Cinematographer

    Midcredits score: 14th percentile of all shows

  • Lost in the West(2016)

    Show 3 episodes · Director · Producer

    Midcredits score: 29th percentile of all shows

  • 100 Things to Do Before High School(2015)

    Show Director

    Midcredits score: 31st percentile of all shows

  • 100 Things to Do Before High School(2014)

    Cinematographer

    Midcredits score: 67th percentile of all films

  • The Avengers(2012)

    Techno Crane Operator

    Midcredits score: 98th percentile of all films

  • Switched at Birth(2011)

    Show 2 episodes · Director

    Midcredits score: 81st percentile of all shows

  • Children of the clouds (not in the MovieCove catalog yet)(2007)

    Director

  • Almost a Woman (not in the MovieCove catalog yet)(2002)

    Cinematographer

  • Arachnid(2001)

    Cinematographer

    Midcredits score: 4th percentile of all films

  • The Omega Code(1999)

    Cinematographer

    Midcredits score: 3rd percentile of all films

  • Wishmaster 2: Evil Never Dies(1999)

    Cinematographer

    Midcredits score: 17th percentile of all films

  • Joseph's Gift(1999)

    Cinematographer

    Midcredits score: 32nd percentile of all films

  • The Breaks(1999)

    Cinematographer

    Midcredits score: 56th percentile of all films

  • Suicide Kings(1997)

    Camera Operator

    Midcredits score: 71st percentile of all films

  • The Emissary: A Biblical Epic(1997)

    Cinematographer

    Midcredits score: 67th percentile of all films

  • The Maze (not in the MovieCove catalog yet)(1997)

    Cinematographer

  • Original Gangstas(1996)

    Cinematographer

    Midcredits score: 33rd percentile of all films

  • Victim of Desire (not in the MovieCove catalog yet)(1995)

    Cinematographer

  • Mutant Species (not in the MovieCove catalog yet)(1995)

    Cinematographer

  • Raw Justice(1994)

    Cinematographer

    Midcredits score: 9th percentile of all films

  • South Beach(1993)

    Cinematographer

    Midcredits score: 5th percentile of all films

  • Los años duros: El nacimiento de un guerrillero (not in the MovieCove catalog yet)(1989)

    Composer

  • Antonio Gaudí, una visión inacabada (not in the MovieCove catalog yet)(1974)

    Key Grip

Career shape

A full career of 23 titles from 1974 to 2025.

Biggest box office

The Omega Code (1999)

$13M worldwide

Highest rated

Everything's Gonna Be Okay (2020)

Midcredits 70th

Most popular right now

Clash of the Thundermans (2026)

By role

only this rolewith another role
Directing3 of 23: 3 only directing, 0 with another roleMusic1 of 23: 1 only music, 0 with another roleCinematography16 of 23: 16 only cinematography, 0 with another role · typical Midcredits score20thOther crew3 of 23: 3 only other crew, 0 with another role

By decade

1970s1 · crew1980s1 · crew1990s11 · crew2000s3 · crew2010s5 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Carlos González's films land?

Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 16; across their 13 films with reception data, the typical film sits in the 29th percentile for acclaim.

Acclaim · how much people like their films

29thpercentile
Typical film, the median of 13

Approval · how many liked their films

30thpercentile
Typical film, the median of 13

Reach · how many have seen their films

64thpercentile
Typical film, the median of 13

Midcredits score across 24 titles, by percentile

  • 75th and up2
  • 50th to 74th6
  • 25th to 49th8
  • Below 25th8

Shape of the crowd

9 of their 24 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Divisive5
  • Cult Classic5
  • Crowd Pleaser3
  • Mixed9

Most divisive · cinematographer

Clash of the Thundermans (2026)

96th percentile spread · 36% rated it 4 or lower

Most loved · director

Switched at Birth (2011)

Midcredits 81st · 84% liked

Reviewers score the cinematography 40/100 in their films, across 8 reviewed titles; fans 55, detractors 25. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Carlos González's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 30 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 26 · mildMedian of all films: 32
Profanity3 titlesmedian 22 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 10 · minimalMedian of all films: 33
Frightening / Intense3 titlesmedian 39 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Carlos González work with?

People who share at least 2 of Carlos González's MovieCove titles, grouped by what they did on them; Jonathan Judge shares the most, 5.

Directors

Writers

Actors

Editors

Producers