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Dana E. Glauberman

Dana E. Glauberman

Editor

Primetime Emmy nominee · BAFTA Award nominee · 1 other major award body

Dana E. Glauberman, ACE, is an American film and television editor. She is known for her work on films such as Juno, Up in the Air, Draft Day and Ghostbusters: Afterlife, as well as TV series such as The Mandalorian and Ahsoka. Description above from the Wikipedia article Dana E. Glauberman, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Read more

Biography from TMDB.

Works as
Editor
Titles
25 on MovieCove · 28 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Up 93% in 30 days

What are Dana E. Glauberman's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy6 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Comedy movies
Action3 titlesTypical Midcredits score: 53rd percentile
: browse their Action movies
Drama3 titlesTypical Midcredits score: 42nd percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
28%
Self
25%
Morality
17%
Power
11%
Survival
10%
Society
10%
Family bonds6 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themePower2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 10 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 10 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 8 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 5 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 10 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 11 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 10 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Hopeful
8
Melancholic
7
Contemplative
5
Warm
3
Other
15

How their films linger

Hopeful11 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy4
  • Bittersweet8
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dana E. Glauberman's films?

As of October 24, 2026, 16 of their 25 MovieCove titles stream on a subscription or free service, most on Pluto TV (5).

Also on these channels

Subscription and free streaming for Dana E. Glauberman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 25 with a MovieCove page.

  • The Beekeeper 2 (not in the MovieCove catalog yet)(2027)

    Editor

  • Karate Kid: Legends(2025)

    Editor

    Midcredits score: 53rd percentile of all films

  • Ahsoka(2023)

    Show 3 episodes · Editor

    Midcredits score: 65th percentile of all shows

  • The Book of Boba Fett(2021)

    Show 1 episode · Additional Editor · Editor

    Midcredits score: 55th percentile of all shows

  • Ghostbusters: Afterlife(2021)

    Editor

    Midcredits score: 78th percentile of all films

  • The Mandalorian(2019)

    Show 2 episodes · Editor

    Midcredits score: 98th percentile of all shows

  • Creed II(2018)

    Editor

    Midcredits score: 86th percentile of all films

  • Father Figures(2017)

    Editor

    Midcredits score: 19th percentile of all films

  • Counterpart (not in the MovieCove catalog yet)(2017)

    Show 4 episodes · Editor

  • Men, Women & Children(2014)

    Editor

    Midcredits score: 58th percentile of all films

  • Draft Day(2014)

    Editor

    Midcredits score: 71st percentile of all films

  • Labor Day(2013)

    Editor

    Midcredits score: 75th percentile of all films

  • The Guilt Trip(2012)

    Editor

    Midcredits score: 30th percentile of all films

  • Young Adult(2011)

    Editor

    Midcredits score: 51st percentile of all films

  • No Strings Attached(2011)

    Editor

    Midcredits score: 46th percentile of all films

  • Up in the Air(2009)

    Editor

    Midcredits score: 91st percentile of all films

  • Brief Interviews with Hideous Men(2009)

    Additional Editor

    Midcredits score: 29th percentile of all films

  • Love Happens(2009)

    Editor

    Midcredits score: 24th percentile of all films

  • Gimme Shelter (not in the MovieCove catalog yet)(2008)

    Editor

  • Juno(2007)

    Editor

    Midcredits score: 91st percentile of all films

  • Factory Girl(2006)

    Editor

    Midcredits score: 53rd percentile of all films

  • Thank You for Smoking(2005)

    Editor · as Hotel Phone Operator (voice) (uncredited)

    Midcredits score: 93rd percentile of all films

  • Heart of the Beholder(2005)

    Editor

    Midcredits score: 42nd percentile of all films

  • Mean Girls(2004)

    Additional Editing

    Midcredits score: 89th percentile of all films

  • Evolution(2001)

    First Assistant Editor

    Midcredits score: 44th percentile of all films

  • Rain(2001)

    Editor

    Midcredits score: 27th percentile of all films

  • Six Days Seven Nights(1998)

    Assistant Editor

    Midcredits score: 36th percentile of all films

  • The Birdcage(1996)

    Assistant Editor

    Midcredits score: 90th percentile of all films

Career shape

A full career of 27 titles, 26 of them dated from 1996 to 2025.

Biggest box office

Juno (2007)

$232M worldwide

Highest rated

Thank You for Smoking (2005)

Midcredits 93rd

Most popular right now

Ahsoka (2023)

By role

only this rolewith another role
Acting1 of 27: 0 only acting, 1 with another roleEditing23 of 27: 22 only editing, 1 with another role · typical Midcredits score57thOther crew4 of 27: 4 only other crew, 0 with another role

By decade

1990s2 · crew2000s10 · 1 acting · 10 crew2010s10 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

3 major nominations and no wins, 2010–2020.

  1. 2020
    • Primetime Emmy, nominated · Outstanding Single-Camera Picture Editing for a Drama Series
  2. 2010
    • BAFTA Award, nominated · Best Editing
    • +1 other major body · 1 nomination
      • Critics Choice Award, nominated · Best Editing

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Dana E. Glauberman's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 22; across their 14 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 14

Approval · how many liked their films

72ndpercentile
Typical film, the median of 14

Reach · how many have seen their films

96thpercentile
Typical film, the median of 14

Midcredits score across 25 titles, by percentile

  • 75th and up9
  • 50th to 74th7
  • 25th to 49th7
  • Below 25th2

Shape of the crowd

13 of their 25 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser13
  • Broadly Agreed7
  • Mixed2

Most divisive · editor

Heart of the Beholder (2005)

88th percentile spread · 27% rated it 4 or lower

Most loved · editor

The Mandalorian (2019)

Midcredits 98th · 93% liked

Reviewers score the pacing 51/100 in their films, across 14 reviewed titles; fans 59, detractors 35. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Dana E. Glauberman's work okay for kids?

Across up to 13 MovieCove titles with content scores, profanity runs heavier than most films and violence & gore lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles15–51 · median 34 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity13 titles18–51 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity13 titles29–66 · median 54 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles6–63 · median 26 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles8–52 · median 33 · mildnear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Dana E. Glauberman work with?

People who share at least 2 of Dana E. Glauberman's MovieCove titles, grouped by what they did on them; Eric Steelberg shares the most, 8.

Directors

Writers

Actors

Composers and cinematographers

Producers