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Richard N. Gladstein

Richard N. Gladstein

Producer and actor, also writer · Born June 4, 1961 (65) · The Bronx, New York City, New York, USA

Richard N. Gladstein was born on 4 June 1961 in Bronx, New York City, New York, USA. He is a producer and actor, known for The Cider House Rules (1999), Finding Neverland (2004) and The Bourne Identity (2002).

Biography from IMDb.

Born
June 4, 1961 (65)
From
The Bronx, New York City, New York, USA
Works as
Producer and actor, also writer
Titles
29 on MovieCove · 31 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Up 57% in 30 days

What are Richard N. Gladstein's films like?

Across their 31 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy8 titlesTypical Midcredits score: 43rd percentile
: browse their Comedy movies
Crime7 titlesTypical Midcredits score: 57th percentile, at or above their average across these genres
: browse their Crime movies
Drama4 titlesTypical Midcredits score: 58th percentile, at or above their average across these genres
: browse their Drama movies
Documentary3 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Documentary movies
Horror3 titlesTypical Midcredits score: 6th percentile
: browse their Horror movies
Action2 titlesTypical Midcredits score: 67th percentile, at or above their average across these genres
: browse their Action movies
Biography2 titlesTypical Midcredits score: 72nd percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
22%
Bonds
22%
Morality
20%
Survival
11%
Power
10%
Society
9%
Ideas
7%
Family bonds8 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themePurpose6 titles, browse their movies with this themeRedemption5 titles, browse their movies with this themeArt3 titles, browse their movies with this themeLoyalty4 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeSurvival3 titles, browse their movies with this theme

What they feel like to watch

their average across 31 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 10 · Serious 8 · Dark 13

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 16 · Stylized 12 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 10 · Charged 10 · Intense 11

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 17 · Shifting 9 · Whiplash 5

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 13 · Some laughs 13 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 15 · Even-paced 14 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 16 · Engaged 11 · Full focus 4

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 10 · Affecting 16 · Heavy 5

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 22 · Open-ended 5 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
18
Melancholic
15
Contemplative
10
Warm
10
Dread
8
Other
24

How their films linger

Bittersweet13 titles, browse their movies with this aftertasteHopeful11 titles, browse their movies with this aftertasteThought-provoking9 titles, browse their movies with this aftertasteFeel-good7 titles, browse their movies with this aftertasteUnsettling7 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy4
  • Bittersweet20
  • Tragic3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard N. Gladstein's films?

As of October 24, 2026, 21 of their 29 MovieCove titles stream on a subscription or free service, most on Tubi (13).

Also on these channels

Subscription and free streaming for Richard N. Gladstein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 29 with a MovieCove page; 7 appearances as themselves are hidden until asked for.

  • Last Call(2017)

    Producer

    Midcredits score: 50th percentile of all films

  • The Hateful Eight(2015)

    Producer

    Midcredits score: 97th percentile of all films

  • Expecting(2013)

    Producer

    Midcredits score: 13th percentile of all films

  • The Time Being(2012)

    Producer · Writer

    Midcredits score: 27th percentile of all films

  • Paper Man(2009)

    Producer

    Midcredits score: 56th percentile of all films

  • Killshot(2008)

    Producer

    Midcredits score: 36th percentile of all films

  • Mr. Magorium's Wonder Emporium(2007)

    Producer

    Midcredits score: 51st percentile of all films

  • The Nanny Diaries(2007)

    Producer

    Midcredits score: 49th percentile of all films

  • Journey to the End of the Night(2006)

    Producer

    Midcredits score: 36th percentile of all films

  • Finding Neverland(2004)

    Producer

    Midcredits score: 93rd percentile of all films

  • Duplex(2003)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • Levity(2003)

    Producer

    Midcredits score: 52nd percentile of all films

  • The Bourne Identity(2002)

    Producer

    Midcredits score: 97th percentile of all films

  • The Cider House Rules(1999)

    Producer

    Midcredits score: 90th percentile of all films

  • She's All That(1999)

    Producer

    Midcredits score: 45th percentile of all films

  • Hurlyburly(1998)

    Producer

    Midcredits score: 41st percentile of all films

  • 54(1998)

    Producer

    Midcredits score: 32nd percentile of all films

  • Since You've Been Gone(1998)

    Producer

    Midcredits score: 29th percentile of all films

  • Jackie Brown(1997)

    Executive Producer

    Midcredits score: 94th percentile of all films

  • The Journey of August King(1995)

    Executive Producer

    Midcredits score: 66th percentile of all films

  • The Crossing Guard(1995)

    Executive Producer

    Midcredits score: 49th percentile of all films

  • Pulp Fiction(1994)

    Co-Executive Producer

    Midcredits score: 99th percentile of all films

  • The Young Americans(1993)

    Executive Producer

    Midcredits score: 34th percentile of all films

  • Beyond the Law(1993)

    Executive Producer

    Midcredits score: 57th percentile of all films

  • A House in the Hills(1993)

    Executive Producer

    Midcredits score: 33rd percentile of all films

  • Reservoir Dogs(1992)

    Executive Producer

    Midcredits score: 99th percentile of all films

  • Dark Horse (not in the MovieCove catalog yet)(1992)

    Executive Producer

  • Only You (not in the MovieCove catalog yet)(1992)

    Executive Producer

  • Silent Night, Deadly Night 5: The Toy Maker(1991)

    Producer · as Driver Dad

    Midcredits score: 11th percentile of all films

  • Silent Night, Deadly Night 4: Initiation(1990)

    Producer · Writer · as Woody

    Midcredits score: 6th percentile of all films

  • Silent Night, Deadly Night 3: Better Watch Out!(1989)

    Executive Producer · as Detective

    Midcredits score: 1st percentile of all films

Career shape

A full career of 30 titles from 1989 to 2020.

Biggest box office

The Bourne Identity (2002)

$214M worldwide

Highest rated

Pulp Fiction (1994)

Midcredits 99th

Film career

By role

only this rolewith another role
Acting3 of 30: 0 only acting, 3 with another roleWriting1 of 30: 0 only writing, 1 with another roleProducing30 of 30: 26 only producing, 4 with another role · typical Midcredits score49th

30 titles, 4 with more than one role — producing and acting overlap on 3 of them.

By decade

1980s1 · 1 acting · 1 crew1990s17 · 2 acting · 17 crew2000s9 · crew2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Richard N. Gladstein's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 29; across their 31 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 31

Approval · how many liked their films

46thpercentile
Typical film, the median of 31

Reach · how many have seen their films

86thpercentile
Typical film, the median of 31

Midcredits score across 29 titles, by percentile

  • 75th and up7
  • 50th to 74th6
  • 25th to 49th12
  • Below 25th4

Shape of the crowd

8 of their 29 titles are Mixed.

  • Universally Loved6
  • Universally Panned2
  • Crowd Pleaser6
  • Broadly Agreed7
  • Mixed8

Most divisive · producer

Last Call (2017)

81st percentile spread · 16% rated it 4 or lower

Most loved · producer

Pulp Fiction (1994)

Midcredits 99th · 93% liked

Reviewers score the acting 71/100 in their films, across 28 reviewed titles; fans 81, detractors 47. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Richard N. Gladstein's work okay for kids?

Across up to 19 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles10–93 · median 60 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity19 titles21–66 · median 45 · moderateheavier than most filmsMedian of all films: 32
Profanity14 titles18–94 · median 60 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs11 titles16–71 · median 43 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles8–73 · median 41 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Richard N. Gladstein work with?

People who share at least 2 of Richard N. Gladstein's MovieCove titles, grouped by what they did on them; Bob Weinstein shares the most, 12.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles