- Director, editor, producer and writer
- 5 on MovieCove
What are Peter Fitzgerald's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 3 · Dark 0
Grounded 4 · Stylized 1 · Heightened 0
Gentle 4 · Charged 1 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Peter Fitzgerald's films?
As of October 26, 2026, none of Peter Fitzgerald's 5 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Peter Fitzgerald's titles on MovieCove; rent and buy are not counted.
Filmography
5 credits, 5 with a MovieCove page.
Midcredits score: 96th percentile of all films
Midcredits score: 92nd percentile of all films
Midcredits score: 82nd percentile of all films (provisional, few ratings)
Midcredits score: 5th percentile of all films
Midcredits score: 77th percentile of all films
Career shape
Across their 5 MovieCove titles from 2002 to 2009.
How do Peter Fitzgerald's films land?
Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 85th percentile for acclaim.
- 75th and up4
- Below 25th1
Shape of the crowd
2 of their 5 titles are Mixed.
- Universally Loved1
- Divisive1
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Peter Fitzgerald work with?
People who share at least 2 of Peter Fitzgerald's MovieCove titles, grouped by what they did on them; George Feltenstein shares the most, 3.
Producers
- George FeltensteinShared titles: 1939: Hollywood's Greatest Year (2009), Checking Out: Grand Hotel (2004), Joan Crawford: The Ultimate Movie Star (2002)See all 3 shared titles with George Feltenstein
- Michael CrawfordShared titles: 1939: Hollywood's Greatest Year (2009), Get Aboard! The Band Wagon (2005), Checking Out: Grand Hotel (2004)See all 3 shared titles with Michael Crawford
- Russell DagueShared titles: The Age of Believing: The Disney Live Action Classics (2008), Get Aboard! The Band Wagon (2005)See all 2 shared titles with Russell Dague
- Tom BrownShared titles: The Age of Believing: The Disney Live Action Classics (2008), Joan Crawford: The Ultimate Movie Star (2002)See all 2 shared titles with Tom Brown