Skip to content
MovieCove
Marty P. Ewing

Marty P. Ewing

Producer

Primetime Emmy nominee · 1 other major award body

Works as
Producer
Titles
42 on MovieCove · 44 credits in all
TMDB popularity, last 155 days to Oct 26Up 36% in 30 days

What are Marty P. Ewing's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 4 · Dark 5

Grounded 5 · Stylized 7 · Heightened 3

A split, not a type: Gentle 1 · Charged 8 · Intense 6

Steady 3 · Shifting 8 · Whiplash 4

A split, not a type: Straight-faced 6 · Some laughs 5 · Funny 4

Slow burn 4 · Even-paced 8 · Relentless 3

Casual 7 · Engaged 7 · Full focus 1

Resolved 11 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Hopeful
6
Dread
3
Melancholic
5
Absurd
4
Other
15

How their films end · 2 with a twist

  • Happy4
  • Bittersweet9
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marty P. Ewing's films?

As of October 24, 2026, 30 of their 42 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Subscription and free streaming for Marty P. Ewing's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

44 credits, 42 with a MovieCove page.

  • Eenie Meanie(2025)

    Producer

    Midcredits score: 35th percentile of all films
  • Prey(2022)

    Producer · Unit Production Manager

    Midcredits score: 87th percentile of all films
  • It: Chapter Two(2019)

    Executive Producer · Unit Production Manager

    Midcredits score: 60th percentile of all films
  • Isn't It Romantic(2019)

    Executive Producer

    Midcredits score: 34th percentile of all films
  • It(2017)

    Executive Producer · Unit Production Manager

    Midcredits score: 89th percentile of all films
  • Fist Fight(2017)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • The Accountant(2016)

    Executive Producer · Unit Production Manager

    Midcredits score: 88th percentile of all films
  • Paul Blart: Mall Cop 2(2015)

    Executive Producer

    Midcredits score: 5th percentile of all films
  • Midcredits score: 44th percentile of all films
  • Midcredits score: 56th percentile of all films
  • Two Scoops (not in the MovieCove catalog yet)(2013)

    Producer

  • Here Comes the Boom(2012)

    Executive Producer

    Midcredits score: 53rd percentile of all films
  • Project X(2012)

    Executive Producer

    Midcredits score: 71st percentile of all films
  • Observe and Report(2009)

    Executive Producer

    Midcredits score: 35th percentile of all films
  • Yes Man(2008)

    Executive Producer · Unit Production Manager

    Midcredits score: 71st percentile of all films
  • Blades of Glory(2007)

    Executive Producer · Unit Production Manager

    Midcredits score: 57th percentile of all films
  • She's the Man(2006)

    Executive Producer

    Midcredits score: 66th percentile of all films
  • The Prize Winner of Defiance, Ohio(2005)

    Executive Producer

    Midcredits score: 85th percentile of all films
  • Man of the House(2005)

    Executive Producer

    Midcredits score: 23rd percentile of all films
  • Ladder 49(2004)

    Executive Producer

    Midcredits score: 61st percentile of all films
  • Holes(2003)

    Executive Producer

    Midcredits score: 86th percentile of all films
  • Stealing Harvard(2002)

    Producer

    Midcredits score: 16th percentile of all films
  • Sweet November(2001)

    Co-Producer · Unit Production Manager

    Midcredits score: 64th percentile of all films
  • Almost Famous(2000)

    Associate Producer · Production Manager

    Midcredits score: 98th percentile of all films
  • My Dog Skip(2000)

    Executive Producer · Unit Production Manager

    Midcredits score: 78th percentile of all films
  • The Haunting(1999)

    Associate Producer · Unit Production Manager

    Midcredits score: 14th percentile of all films
  • Switchback(1997)

    Unit Production Manager

    Midcredits score: 56th percentile of all films
  • Face/Off(1997)

    Unit Production Manager

    Midcredits score: 89th percentile of all films
  • Jumanji(1995)

    Unit Production Manager

    Midcredits score: 86th percentile of all films
  • The Flintstones(1994)

    First Assistant Director

    Midcredits score: 14th percentile of all films
  • Fatal Instinct(1993)

    First Assistant Director

    Midcredits score: 31st percentile of all films
  • Death Becomes Her(1992)

    First Assistant Director

    Midcredits score: 75th percentile of all films
  • Tango & Cash(1989)

    First Assistant Director

    Midcredits score: 57th percentile of all films
  • Amityville Horror: The Evil Escapes(1989)

    First Assistant Director

    Midcredits score: 7th percentile of all films
  • Police Academy 6: City Under Siege(1989)

    First Assistant Director

    Midcredits score: 7th percentile of all films
  • Caddyshack II(1988)

    First Assistant Director

    Midcredits score: 2nd percentile of all films
  • Police Academy 5: Assignment: Miami Beach(1988)

    First Assistant Director

    Midcredits score: 11th percentile of all films
  • Moving(1988)

    First Assistant Director

    Midcredits score: 41st percentile of all films
  • Summer Rental(1985)

    Second Assistant Director

    Midcredits score: 51st percentile of all films
  • Mike's Murder (not in the MovieCove catalog yet)(1984)

    Second Assistant Director

  • Terms of Endearment(1983)

    Second Assistant Director

    Midcredits score: 91st percentile of all films
  • Flashdance(1983)

    Second Assistant Director

    Midcredits score: 53rd percentile of all films
  • Fast Times at Ridgemont High(1982)

    Second Assistant Director

    Midcredits score: 83rd percentile of all films
  • The China Syndrome(1979)

    Production Assistant

    Midcredits score: 92nd percentile of all films

Career shape

A full career of 41 titles from 1979 to 2025.

By role

only this rolewith another role
Producing23 of 41: 13 only producing, 10 with another role · typical Midcredits score63rdOther crew28 of 41: 18 only other crew, 10 with another role · typical Midcredits score60th

41 titles, 10 with more than one role — other crew and producing overlap on 10 of them.

By decade

1970s1 · crew1980s11 · crew1990s7 · crew2000s11 · crew2010s9 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

1 major award from 2 major nominations, 1984–2023.

WinNomination
  1. 2023
    • Primetime Emmy, nominated · Outstanding Television Movie
  2. 1984
    • Directors Guild Award, won · Outstanding Directorial Achievement in Motion Pictures

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Marty P. Ewing's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 42; across their 15 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 15

Approval · how many liked their films

68thpercentile
Typical film, the median of 15

Reach · how many have seen their films

96thpercentile
Typical film, the median of 15

Midcredits score across 42 titles, by percentile

  • 75th and up13
  • 50th to 74th13
  • 25th to 49th7
  • Below 25th9

Shape of the crowd

25 of their 42 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser25
  • Broadly Agreed3
  • Mixed12

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Marty P. Ewing's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles26–90 · median 63 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles14–76 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity13 titles22–91 · median 61 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles12–84 · median 32 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles38–82 · median 60 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Marty P. Ewing work with?

People who share at least 2 of Marty P. Ewing's MovieCove titles, grouped by what they did on them; Frank Miller shares the most, 2.

Writers

Actors

Producers