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Elizabeth Eves

Elizabeth Eves

Producer and editor

Works as
Producer and editor
Titles
5 on MovieCove

What are Elizabeth Eves' films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Themes

share of theme weight
Morality
59%
Power
19%
Society
7%
Bonds
5%
Self
5%
Survival
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 2

Grounded 3 · Stylized 2 · Heightened 0

Gentle 0 · Charged 4 · Intense 1

Steady 1 · Shifting 4 · Whiplash 0

Straight-faced 1 · Some laughs 3 · Funny 1

Slow burn 2 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 4 · Full focus 0

A split, not a type: Easy watch 3 · Affecting 0 · Heavy 2

Resolved 3 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
2
Contemplative
2
Joyful
1
Absurd
1
Other
2

How their films end · 1 with a twist

  • Bittersweet5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Elizabeth Eves' films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Elizabeth Eves' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • The Forgiven(2021)

    Editor · Producer

    Midcredits score: 43rd percentile of all films
  • Misbehaviour(2020)

    Producer

    Midcredits score: 57th percentile of all films
  • War on Everyone(2016)

    Producer

    Midcredits score: 37th percentile of all films
  • Calvary(2014)

    Producer

    Midcredits score: 92nd percentile of all films
  • The Guard(2011)

    Producer

    Midcredits score: 90th percentile of all films

Career shape

Across their 5 MovieCove titles from 2011 to 2021.

By role

only this rolewith another role
Producing5 of 5: 4 only producing, 1 with another role · typical Midcredits score57thEditing1 of 5: 0 only editing, 1 with another role

By decade

2010s3 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Elizabeth Eves' films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 5

Approval · how many liked their films

54thpercentile
Typical film, the median of 5

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th2

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed1

Reviewers score the pacing 50/100 in their films, across 5 reviewed titles; fans 57, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Elizabeth Eves' work okay for kids?

Across up to 5 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles38–79 · median 67 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity5 titles29–56 · median 50 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles57–89 · median 76 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles43–85 · median 65 · intenseheavier than most filmsMedian of all films: 33
Frightening / Intense5 titles32–62 · median 50 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Elizabeth Eves work with?

People who share at least 2 of Elizabeth Eves' MovieCove titles, grouped by what they did on them; John Michael McDonagh shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers